A Good Lawyer's Wife 2003

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Asian Erotica (from Korean, China, Hong Kong, Philippines, Thai, Taiwan cinema, etc.) not from Japan
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Erotica is another key genre and lots of Asian directors love to experiment with.
Lots of Experiments to watch.
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Let's Continue.

Asian Cinema: A Field Guide (2007) by Tom Vick is a book about the history of cinema in various regions throughout Asia. This is a list of films mentioned in the book.

Part One: The Old Guard
China: Tradition and Resistance (#1-76)
Japan: Cinema of Extremes (77-266)
India: All That and then Some (267-355)

Part Two: Postwar Booms
Hong Kong: The Fine Art of Popular Cinema (356-459)
Korea: Rising from the Ashes of History (460-573)

Part Three: Recent Arrivals
Iran: A Continuing Conversation (574-632)
Taiwan: The Little Island that Could (633-675)

Part Four: New Players
South and Southeast Asia: Coming Into Focus
Bangladesh (676 & 677), Bhutan (678 & 679), Cambodia (680-682), Indonesia (683-689), Malaysia and Singapore (690-704), Nepal (705 & 706), Pakistan (707), The Philippines (708-732), Sri Lanka (733-737), Thailand (738-766), Tibet (767-772), Vietnam (773-784)
Central Asia and the Middle East: Global Intersections
The Former Soviet Republics, Afghanistan, and Mongolia (785-800), The Middle East (801–832), Turkey (833-843)

Part Five: Where to Go from Here
(List of websites and books)

Source: https://www.amazon.com/Asian-Cinema-A-Field-Guide/dp/0061145858/

In 2013, the Korean Film Archive asked 62 film scholars, professors, critics and curators to vote for the top 100 Korean films. The top 12 is ranked and the rest is in chronological order. 3 films tied for 1st place.

Source: https://eng.koreafilm.or.kr/kofa/publication/books/PB_0000000170?page=&year=

The years 2000-2009 were a transformative decade for Korean cinema. A large number of important directors became famous in this period, and for the first time Korean films began to travel widely around the world, both at international film festivals and in commercial releases. It has been exciting for all of us to witness this flowering of Korean cinema, but with the decade now ended we are taking the opportunity to look back and identify our own personal standouts and favorites. The critics below represent a range of different perspectives, and each one has been free to choose their own criteria in making their list. We hope this page will give readers a sense of the highlights of the past decade, and to inspire them to search out those titles which they have missed.

Ten films each by Adam Hartzell, Darcy Paquet, Davide Cazzaro, Hong Jiro, Lance Crayon & Kyu Hyun Kim.

Source: http://www.koreanfilm.org/topten2000s.html#Q

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