Personal Lists featuring...

The Producers 1968

1

/u/StopReadinMyUsername on reddit combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results with general film data from iCheckMovies and IMDb to reveal the 1001 Greatest Movies of All Time.

source: http://redd.it/3hbiio

32

1001 Movies You Must See Before You Die is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics.

Source: http://en.wikipedia.org/wiki/1001_Movies_You_Must_See_Before_You_Die

11

This is a list of every movie that has made an appearance on the Top 250 list since the beginning of the site in 1996 through 2024. I will maintain a changelog below for when new movies are added to list.

List made using data from IMDB Top 250 History - https://250.took.nl/

Changelog - https://bit.ly/2E0i6w4

Odd Entries Explained - https://bit.ly/38dS0Ul

5

https://editorial.rottentomatoes.com/guide/essential-comedy-movies/

UPDATED: 1/29/24

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From https://letterboxd.com/reelstats/list/the-1001-greatest-movies-of-all-time-according/

7

Source: IMDB
Filter: Votes >= 10000
Order: Votes Descending
Date: 2014-08-23

351

The They Shoot Pictures, Don't They? 1,000 greatest films list is primarily compiled by using over 6000 individual critics' and filmmakers' best-films-of-all-time lists/ballots. The resulting list is very diverse and spans virtually all movie-producing decades and countries.

Source: http://www.theyshootpictures.com/gf1000.htm

335

Well over a century has passed since the Lumière brothers frightened the life out of Parisians with The Arrival of a Train at a Station, and well over a million titles have since been recorded - if the Internet Movie Database is anything to go by.

Out of these million-plus movies, our team of experts has picked what we believe is the essential 1,000 - those that best sum up the dazzling achievement and variety of the movies.

Source: https://www.theguardian.com/film/series/1000-films-to-see-before-you-die

342

Over 1,000 films are listed in this visually arresting, full-color celebration of the silver screen. Film personalities, including actors, directors, cinematographers, and animators, write about their favorite films from a variety of angles. Martin Scorsese, Nicole Kidman, and Nick Hornby are among those who weigh in. Writers are matched to suitable (or sometimes surprising) themes and genres within the wider subject of how films can alter the course of a life. Movie stills and posters, trivia, and top-ten lists make this a book that can be dipped into or read from cover to cover. Great screen moments — endings, beginnings, kisses, death scenes — are given special spreads. The eclectic approach speaks to fans of big Hollywood blockbusters and factoid-reciting film geeks alike.

Source: https://www.amazon.com/Time-1000-Films-Change-Guides/dp/1904978738

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A list of movies which famous movie critic Roger Ebert considers to be the best movies of all-time. Ebert has written extensive reviews for each and every one of these movies.

Source: https://www.rogerebert.com/great-movies

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This list is drawn from "The New York Times Book of Movies: The Essential 1,000 Films to See", published in 2019. It contains a selection of 1000 reviews that have been printed in The New York Times. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.

Source: https://www.amazon.com/New-York-Times-Book-Movies/dp/078933657X

2

/u/StopReadinMyUsername on reddit created a list called "1001 'GREATEST' MOVIES OF ALL TIME" in 2015.

Since this list is still very popular, he posted an updated list on reddit in April 2020.

For this list he combined the average scores from IMDb, Letterboxd, Rotten Tomatoes & Metacritic, and tweaked the results with data from Letterboxd, iCheckMovies, TSPDT?, TMDb and IMDb.

source: https://www.reddit.com/r/movies/comments/fswg60/by_combining_the_average_scores_from_imdb/

2

Includes all the films of the 1001 Movies You Must See Before You Die Book, including films culled to make way for newer releases, up to the 2021 edition.

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From the book by Jennifer Eiss. The list is arranged by chapter. Each chapter starts with a top 10 (in alphabetical order), followed by the "best of the rest" (in alphabetical order).

#1-83: Dramatic Situatons
#84-133: Gripping Tales
#134-165: Lights, Camera…!
#166-228: Visionary Universes
#229-280: Criminal Underworlds
#281-360: Tales of Terror
#361-432: Cult Humor
#433-453: The Wild Wild West
#454-502: Film Lab

Source: https://www.amazon.com/500-Essential-Cult-Movies-Ultimate/dp/1402774869

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Part of the AFI 100 Years… series, AFI's 100 Years…100 Laughs is a list of the top 100 funniest movies in American cinema. A wide variety of comedies were nominated for the distinction that included slapstick comedy, action comedy, screwball comedy, romantic comedy, satire, black comedy, musical comedy, comedy of manners and comedy of errors. The list was unveiled by the American Film Institute on June 13, 2000.

Source: http://www.afi.com/Docs/100Years/laughs100.pdf

1

This is a list of the 100 funniest American films of all time.
The list was unveiled by the American Film Institute on June 13, 2000.

According to the AFI, the criteria for nomination are:

  • Feature-Length Fiction Film: The film must be in narrative format typically over 60 minutes in length;
  • American Film: The film must be in the English language with significant creative and/or financial production elements from the United States;
  • Funny: Regardless of genre, the total comedic impact of a film’s elements that creates an experience greater than the sum of the smiles;
  • Legacy: Laughs that echo across time, enriching America’s film heritage and inspiring artists and audiences today.

https://www.afi.com/afis-100-years-100-laughs/

13

Mostly live-action adaptations of Broadway musicals. Big budgets, catchy tunes.

3

I well remember being taken to Blazing Saddles at the age of 10, when I was far too young to understand most of the jokes. At the same time, I could see how important Blazing Saddles was to my parents and their friends. They quoted from it for months—years—afterward.

As much as savoring a particular joke, I realize now, they were trying to reclaim that initial, joyful shock to the system. There’s not a film on the WGA’s 101 Funniest Screenplays that doesn’t produce such an unexpected jolt, if not a sustained quake, and for the same reasons Blazing Saddles did—by transgressing accepted norms.

One question that this list asks, however: Should a great comedy simply be gauged by the laughter it elicits? “Satire is what closes on Saturday night,” George S. Kaufman famously quipped. A number of the comedies on this list went under-appreciated at the box office and by critics; years, if not decades, had to pass before the work began to receive its due. This was as true for Buster Keaton’s The General as it was nearly half a century later for Harold and Maude, and 30 years after that for Office Space.

The oldest movie on the list is Charlie Chaplin’s The Gold Rush (1925), while the most recent is Bridesmaids, released in 2011. The latter also has the distinction of being written by two women—Kristen Wiig and Annie Mumolo, working in slapstick, a genre historically dominated by men. Bridesmaids comes in at no. 16, immediately after When Harry Met Sally, written by the legendary Nora Ephron. Comedy screenwriting has long been a playground that women and writers of color have not had enough time in. The work of Richard Pryor on Blazing Saddles, Tina Fey on Mean Girls, Amy Heckerling on Clueless, and Hagar Wilde, co-writer of Bringing Up Baby, makes you wonder what a list would be if the playground had been more inclusive all along.

In the end, the variety of films on the list—as different as Being There is to Airplane! or Duck Soup is to Fargo—indicates how difficult it is to gauge a great comedy by any set of particular criteria. Better to say the best comedy writers and comedians are like astronauts, launching themselves beyond the ozone layer of the tasteful and the expected in order to find the forbidden or the outrageous or the merely uncomfortable. Whether that produces an outrageous comedy like Mrs. Doubtfire or a satire like Dr. Strangelove, the goal is still provocation. And truth.

Written by Paul Brownfield
2015-11-15

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