One of the best and scariest horror movies. Highly recommendable!
Solid remake, I actually put it on the same level as the original. It's genuinely creepy and serves as proof that horror doesn't need blood, guts and nudity to be scary. Atmospheric and tense, and Watts really sells it.
A largely faithful remake, this American version of the Japanese classic, creates a great atmosphere throughout, has an excellent cast and is unsettling and creepy when it needs to be. Whilst it does expand slightly on the backstory to the central premise more than the original Ringu (and it could also be argued perhaps a little too much), the question that has to be asked is why bother in the first place as there is little to set this version apart. It's not a bad film at all, but the similarities to the original leave experienced horror aficianados comparing their quality in the one aspect that matters - how scary and creepy they are. In this area, the original still has the edge.
I really appreciate "The Ring" for its well-written story and shocking, but largely gore-free imagery. The film's blue-gray gloom and rain-soaked settings, along with the accompanying music, setup the story and scares beautifully. Naomi Watts is very good, her character uses her investigative skills as a reporter to unravel the mystery of the killer video tape. And yes, the video tape is creepy and it's the centerpiece of the film. The images on the tape are at first stumbled upon by chance and are later sought out by the characters. Many of the images are also flashed sort of subliminally throughout the movie.
There are many who praise "The Ring" for being extremely scary, but I think its more suspenseful than anything else. The main characters are basically racing the clock trying to beat death. The ending is satisfying especially after a rewatch. Watching it again also revealed subtle moments sprinkled throughout the movie that I didn't catch the first time I viewed it.
The only thing in the movie that didn't really work was the son Aidan, who was a strange looking and weird kid but just didn't seem like the possible offspring of the two main characters. It's too bad there aren't more smart, stunning horror films like "The Ring".
If this would have came out in today's social media era it would have taken the world COMPLETELY by storm. This movie is actually perfect at being itself, acting and story is all grade A, how can I not give it a near perfect score? I would say yes it could have been a tad scarier but I'ma have to drop it a 9/10... Just because I know it's not the best of the best in the horror or mystery genre but still it's a phenomenal piece of work! Brilliant! Gave me nightmares as a child but today I can stomach it better (since I survived) but I had chills from start to finish and damn the lead actress was a beauty in this film, and the son's acting.. unbelievably well executed! The effects, brilliant! Even the horses exceeded expectations with their acting!
I really recommend you to watch it. It's a great movie and I loved the atmosphere and the mystery that is about to be solved.
Love this movie. However, the fact that her kid saw the movie in the first place is just bad parenting on her part. I mean why would you leave a video that kills you in 7 days around a tv that a 10 year old has access to lol. ;)
Revisiting a classic horror on #Netflix. It was one of the scariest movie back in the day. The one that started it all.
Genuinely spooky film. One of the better adaptations made for an American audience. Ignore the sequels though.
I thought it was campy and completely unconvincing, unlike the Japanese original
[7.3/10] The Ring is a well-built movie that doesn’t really move me. It has a strong central premise, some quality scares, a propulsive story, and a solid twist. But the characters do next to nothing for me. So the end result is that for a movie so well-constructed, I admire it more than I actually like it.
Some of that’s on screenwriter Ehren Kruger. Protagonist Rachel Keller, a reporter investigating the mysterious tape that purportedly killed her niece, is a cipher. She mainly exists to solve the mystery, and doesn’t have much of a life or personality that extends beyond it. Her relationship with her son, Aidan; her ex and co-parent, Noah; or anyone else in her orbit is all underwritten. And we get more personality from her in a two minute conversation with her kid’s teacher in the opening reel of the film than we do in the rest of the movie. She is a vessel to move the plot along, which, ironically, makes it tough to invest in that plot when the movie doesn’t give you a reason to care about the character at the center of it.
Some of it’s on Naomi Watts, who plays Rachel. Watts has her laurels from better work, but this isn’t her best outing, alternatively coming off too flat and unengaging or too overdone in her performances. But maybe it’s a directorial choice, since even with supremely talented character actors filling out the picture, the performances across the board seem to veer between cold and detached and playing to the cheap seats.
Rachel’s ex, Noah, is a dull dope, who I guess is supposed to be slyly charming but mostly comes off as annoying. The people he and Rachel interact with on their way to solving the mystery of this deadly tape are largely disposable and interchangeable. The one exception is young Aidan, played to creepy, almost otherworldly perfection, by David Dorfman, who gets too little screen time given how gripping his “beyond-his-years kid who senses something’s wrong” routine is.
That said, The Ring delivers plenty of the creep factor with alacrity apart from Aidan. The infamous tape is suitably unnerving, walking the line between artsy student film (which Noah amusingly points out) and disturbing found footage. Director Gore Verbinski does well with smaller yet still visceral scares, like Rachel picking a fly right out of a videotape in a subtle bit of foreshadowing, or coughing up an electrical lead that hints to ghostly murder victim Samara’s treatment in a mental hospital.
He and his team do well with the bigger sequences too. The most captivating and disturbing scene in the whole movie is minimally supernatural. Instead, it’s the simple but chaotic scene of a spooked horse getting loose on a ferry, hinting at the effect Samara has on animals, while creating the terror of a frightened animal unleashed in an enclosed space and the pathos of an innocent creature effectively scared to death.
Likewise, the final confrontation between Noah and Samara herself lives up to the build. The wraith’s T.V. escape, dripping crawl, and stalking gait heighten the fear and tension that the entire movie has led up to. Samara herself is a fright to behold. And it’s a nice bookend with the opening scene with Rachel’s niece and a friend that establishes the rules of the game and plays with the audience’s expectations with some nicely tense feints and scares. On pure spook-factor alone, The Ring earns its keep.
It’s also the rare big time scary movie where the main characters don’t feel, well, stupid. In a strange way, The Ring is the horror equivalent of All the President’s Men. Rachel is first and foremost a journalist, and uses those skills to get to the bottom of what’s happening. Sometimes, that’s a touch convenient (she just so happens to find the right lighthouse in a big book of lighthouses?), but it’s nice to see someone digging into these supernatural happenings logically and practically. The way she investigates the case, analyzes the tape with experts, takes pragmatic steps to ensure others don’t get hurt by it, is all downright refreshing in a genre that’s often built on dumb characters making dopey choices before they’re cut down.
That said, The Ring does feel like one of the most distinctively early 2000s films ever made. Some of that stems from the fact that it’s the rare film actively founded on the technology of the time: VHS tapes, developed photographs, boxy televisions, and landline telephone calls. The tech involved automatically makes the film feel of a particular era.
Some of it stems from the visuals. The movie comes with the same washed out, green-tinted color-grading that scads of films adopted in the wake of The Matrix. And while Verbinski and company do toy with the lighting in big sequences like the sunset on the final day, and some more impressionistic imagery when the horror arrives, the dingy, antiseptic quality of everything marks the movie as a 2002 film even if you didn’t know the release date.
Some of it, though, stems from the movie’s themes. One of the big themes here is neglectful or absentee parents. The motif was already more than a bit provincial by the early 2000s, but there’s a parallel here between the young wraith Samara in the past, and young Aidan in the present.
Samara was a little girl who “just wanted to be heard” and yet was unwanted and isolated by her parents (albeit for understandable reasons given her terrifying effects on the environment around her). In a similar (though obviously less extreme) vein, Aidan is often left in the care of babysitters because his mom seems to care more about her work, to the point that he calls her by his first name, and his dad has all but exempted himself from fatherhood. The sense of “Oh no, kids will be neglected with working moms and layabout dads” has a certain pearl-clutching quality that, while certainly not limited to 2002, fits in with that time.
Likewise, the other big theme in the film is the dangers of being glued to the television. That too feels a bit quaint as a cultural phobia. (If it hasn’t happened already, one imagines the modern sequel would feature people glued to their phones.) But it’s a recurring image and idea across the picture.
The early victims discuss television waves destroying brain cells. When Rachel gazes across the way from her ex’s building, she sees apartment after apartment of strangers gazing at the idiot box. The scene of Samara’s mental hospital recording sees a girl being monitored on a screen by an attendant who’s being watched on a screen by Noah whose perspective is being observed on a screen by the audience.
And, of course, the meta-twist at the end of the film is the notion that Samara’s curse cannot be extinguished, only passed on, with the audience itself seeing the titular ring that portends ill-fortune at the end of the movie. (And eagle-eyed viewers will catch frames of it before then.) The sense of T.V. screens as the great danger, literally and by metaphor, comes off like a hoary preoccupation that, if anything, predates the era of the film’s release.
That said, the final twist is a good one. Savvy audience members can probably guess that, by the mere fact of Noah telling Rachel, “It’s over,” that it must certainly not be over. But the faux-resolution with Rachel uncovering Samara’s story, thinking that she’s given the girl peace by providing for a proper burial, only to realize that she has, instead, merely unleashed more evil unto the world, is still a solid sucker punch. And there is some poetry in Samara’s mother being willing to sacrifice her own child to protect the world from evil, while after all of this, Rachel is willing to subject the world to evil to protect her child.
All of this adds up to a well-considered, solidly-built, scare-filled dose of cinematic horror. Its run features quality craft, its story has a pull from Rachel steadily uncovering the truth, and there’s something going on in the hood. But it speaks to how vital character is to these kinds of stories. As pure plot and pure fear factor, the movie succeeds. Except that the story and scares are neutered a bit without a protagonist or other figures whose connections and well-being are worth caring about. Without characters who jump off the screen, The Ring’s legacy is only in the characters who actually jump off the screen.
I really enjoy the Japanese original, but I like the American version of "The Ring" even a bit more. This is partly due to the strong lead performance by Naomi Watts, who outshines all the other actors in the series. Furthermore, director Gore Verbinski manages to avoid the original's pacing issues. In addition, director Gore Verbinski manages to get around the pacing problems of the original. He achieves this by ramping up the horror elements. While in "Ringu" there is only one real shock sequence at the end, here the tension is "unloaded" again and again at exactly the right places. Except for the really annoying color grading, "The Ring" also looks pretty good. The locations all contribute to a creepy atmosphere. The plot then culminates, as it did in the original, with a fantastic horror sequence that again works perfectly.
I have to admit that I can't really understand those who call "The Ring" a superfluous remake. Sure, the film doesn't really add anything to the original, but it does a lot of things better than the original, which, in my opinion, definitely gives it a right to exist.
Made me afraid of tvs for years
I was almost certain I'd seen this but this was like watching it for the first time and I found it to be a great "creepy" movie. What I really appreciated about it was the fact that it was able to build suspense and keep your attention without a lot of blood and guts. If you're looking for a "gorror" movie, this isn't it, and you might get bored; for those, however, who enjoy a great psychological/creep-out movie, this one was great. And rather than wrapping things up nice and neat, the ending kept me guessing right up to the end credits. Definitely a keeper.
Honestly super enjoyable and me gasping at the plot twist!! Definitely a modern horror classic in my opinion
After watching "The Ring" again, there are a number of things that don't make much sense. These may just be things I missed (again).
SPOILERS A-Plenty follow
If Samara can manipulate images (the videotape, the x-rays), where does the phone call come from? Is she the master of video AND audio?!?
It's also unclear if Rachel actually stops experiencing horrors only after Noah sees a copy of the tape. I'd have to watch it yet again, but the horse going nuts on the ferry boat certainly occurs after Noah has viewed the tape. Perhaps the crazy horse isn't a direct of result of the curse of the tape. It could just be the horse sensing the evil that Rachel's been involved with. But why confuse the rules of the tape at that point?!? Just to show Rachel the blood in the water?
The movie still looks great and the images and visuals are awesome, but the story has lost some credit with me. I'm dropping this down a half a star from my original four-star rating.
Full of suspense and intrigue, The Ring is a subtle but intense thriller. When a newspaper reporter investigates an underground videotape that supposedly kills you seven days after watching it, she discovers that it’s all too true. Featuring Naomi Watts, Martin Henderson, Brian Cox, and Amber Tamblyn, the casting is pretty good, with one exception (the child actor who plays Watt’s son). And while the pacing seems slow, it just makes the thrills that much more intense when they come. Additionally, the investigation of the tape is well-plotted and engrossing. Though American remakes of foreign films have a bad rap, The Ring is an impressive horror film that delivers some bone-chilling terrors.
This is nice and mystery
Mm, I don't like it. I don't know, maybe it just had too much going on. The ending really dragged on. Lots of tenuous motivators for these characters. Didn't really do much for me.
Rated this 4 because it is a rip off of the Japanese version which is much better in my opinion.
Cindy..the news is on!...another little white girl done fell down a well... 50 black people got they ass beat by police today, but the whole world gotta stop for one little whitey down the hole
It's very well done from all departments (even the tape is too slick) but there's too much backstory and investigation, which is why I prefer the original.
The cgi has not aged well.
This movie was so good I haven't seen such a great horror movie in years, the story is entertaining and it didn't need jumpscares to be scary at all the ambience did its job
I love how Americans have this special ability to take an amazing foreign movie and turn it into a trashy American movie. That's gotta be some kind of terrible superpower.
"What is it with reporters? You take one person's tragedy and force the world to experience it... spread it like sickness."
While watching this I found myself asking "why does this look so good" and sure enough it's Gore Verbinski directing this journo horror flick. It is a fun ride and at the time I remember it being a fresh story for the American audience.
i watched this as a preteen in theaters and it set the tone for all horror films after—as in, if it was something my undiagnosed gad/ocd ravaged brain couldn't rationalize after three hours, then it was terrifying. i made the mistake of covering my eyes more than once, which i now know as an adult is far more scary than anything that someone else manages to put on film. so sufficed to say, my first experience was a memorable one, and also, my friend had someone prank me and call my (lil blue nokia brick) cell phone as we walked out of the theater, so like, i have trust issues with movies, what about it?
anyway i've put off rewatching it for years because i just felt like it wasn't going to be any less scary, despite such wonderful additions to my daily routine like zoloft, and therapy. netflix having it available to stream ended up being enough temptation and here i am on the other side. i regret covering my eyes so much; i missed a lot of great storytelling that i probably would've appreciated, and the jump scares were honestly not that bad. i did still startle at that fucking centipede, man. millipede?? who cares. naomi watts is so pretty to look at, the movie does a great homage to the japanese horror genre (unlike a lot of remakes that followed in its footsteps) and the acting is all around solid. i think for any other millennials who watched this before or during puberty, the second watch is worth it—it wasn't exactly the terrifying suspense that preteen me thought it was, but it was fun to revisit it and actually experience the movie.
Why is not working play movies
Samara is my hero.
Probably one of the best movies ever made. In my top three or four. Such good horror.
A childhood favorite! Nothing else to be said!
This is nice and mystery story
This is nice and mystery story
nota máxima pra esse filme maravilhoso do *******
Samara Samara que sustos das. Remake muy parecido a su original que asusta realmente y estas en tension durante toda la pelicula
Review by DeletedBlockedParent2019-01-16T18:51:12Z
The Ring has a reputation for being one of the scariest movies of the early ‘00s. Lets get it out of the way, it’s not the traumatising masterwork that the hype would have you believe. That being said, I really enjoyed this film. This was my first experience with The Ring and I have to say it is extremely entertaining. This is a film full of interesting set-up’s for scares and great set-pieces, at points I found myself more impressed with the visual aesthetic than scared by the subject matter. There are a handful for pretty great scares as well, personal favourite moments include Naomi Watts puling the fly out of the TV, the horse jumping of the boat and Brain Cox appearing behind Watts when she discovers the second tape. These moments are genuinely tense and visually unique. I feel I need to talk about the ending however, the last 20 minutes are the reason that this movie is so iconic. The revel that Samara had been evil all along is perfect after the slightly cheesy “helping her” sequence in the well. The shot of Samara climbing out of the TV is burned into everyone’s subconscious who has ever seen this movie.
It’s not at terrifying as the hype makes it out to be but it is really entertaining. A great start to Halloween!