Parker is always affected by these unusual situations... I felt sorry for the fear he was feeling of losing his mother, becoming overprotective, not wanting her to leave, to go to the market (in fact, he sent Mrs. McCluskey to the market, as if he didn’t care about her life, and it was funny). And I love Lynn’s idea of making him a little more relaxed about it.
It’s a shame that the market hero, who prevented Lynette from being killed or injured more strikingly, has now turned out to be a monster. And this storyline is a real nightmare, it’s so heavy. It’s absolutely shocking the moment Lyntee finds that space in the playroom with the pictures of several half-naked boys. Disturbing. The room instantly turned sinister and terrifying. She entered there with a charming look at so many toys, an expression that gave way to horror as she realized the reason for the toys. She needs to be very careful, and she needs to call the police as soon as possible. Wisteria Lane is full of kids and she has her own kids to worry about too...
Watching it again, I understand better why Gabrielle is no longer seen as a star, or a diva. Because unfortunately the modeling area is like that. She is over 30 years old and has already given up her career, I believe that complicates things. But I can’t help but think the type of role they gave her in this rehearsal is absurd. Do they put a distinctly older guy to play her father, and Gaby a distinctly younger mother, dressed in those clothes? And yes, she is much prettier than the younger model who looked more like a robot. Anyway, I felt sorry for her having taken that shock... Let’s see what she’s going to do with her life now. She’s feeling lost and out of place, and that’s absolutely horrible.
I die with Susan calling Karl to give Austin a hard time and ends up becoming the target of the “intervention”. But man, so out of place Karl asking questions about Ian, and forbidding Susan to see him. He’s crazy. About Julie: She is mature and growing. Eventually she will make mistakes, even if she doesn’t see them as such right away. Susan being overprotective is the mother’s instinct running louder, impossible to control. She just doesn’t want to see her daughter hurt, but she can’t stop either. As difficult as it is for her, I think she has to do what Edie said: let it happen. The more they try to stop it, the worse it will be.
BTW: Mike can’t help but make that face when he sees Susan, can he? What an irritating thing. She doesn’t deserve this! And sorry for Susan, what’s happening is too unfair.
Ah, speaking of Mike: once again he’s at the center of an investigation. At one point in the episode, the detective said that they found traces of paint used on professional tools on Monique’s head... And Mrs. McCluskey, when she returned the suitcase, said that one of the pieces had something strange and needed to be washed. Oh boy... I also have to say that the only person who really cared about Mike on this show was Susan, right? Because as we’ve seen, Ms. McCluskey has evidence that Mike had a relationship with her, but she prefers to leave him believing that Edie is the right woman for him. And no one else tries to get around this situation...
And finally, we have Bree’s plot. I was so excited for Gloria Hodge’s entry, one of the most interesting characters here. And I love how they show right away the complex and mysterious relationship that exists between her and Orson. “You, of all people, should know very well how I deal with betrayals.” “I gave you life, I will not hesitate to take it.” Mother of the Year Award, huh? I can see that Orson’s concern and fear are not unfounded. Ah: Andrew is serving perfectly as comic relief with wonderful timing.
Review by FelipeVIP BlockedParent2022-03-22T01:45:22Z
Parker is always affected by these unusual situations... I felt sorry for the fear he was feeling of losing his mother, becoming overprotective, not wanting her to leave, to go to the market (in fact, he sent Mrs. McCluskey to the market, as if he didn’t care about her life, and it was funny). And I love Lynn’s idea of making him a little more relaxed about it.
It’s a shame that the market hero, who prevented Lynette from being killed or injured more strikingly, has now turned out to be a monster. And this storyline is a real nightmare, it’s so heavy. It’s absolutely shocking the moment Lyntee finds that space in the playroom with the pictures of several half-naked boys. Disturbing. The room instantly turned sinister and terrifying. She entered there with a charming look at so many toys, an expression that gave way to horror as she realized the reason for the toys. She needs to be very careful, and she needs to call the police as soon as possible. Wisteria Lane is full of kids and she has her own kids to worry about too...
Watching it again, I understand better why Gabrielle is no longer seen as a star, or a diva. Because unfortunately the modeling area is like that. She is over 30 years old and has already given up her career, I believe that complicates things. But I can’t help but think the type of role they gave her in this rehearsal is absurd. Do they put a distinctly older guy to play her father, and Gaby a distinctly younger mother, dressed in those clothes? And yes, she is much prettier than the younger model who looked more like a robot. Anyway, I felt sorry for her having taken that shock... Let’s see what she’s going to do with her life now. She’s feeling lost and out of place, and that’s absolutely horrible.
I die with Susan calling Karl to give Austin a hard time and ends up becoming the target of the “intervention”. But man, so out of place Karl asking questions about Ian, and forbidding Susan to see him. He’s crazy. About Julie: She is mature and growing. Eventually she will make mistakes, even if she doesn’t see them as such right away. Susan being overprotective is the mother’s instinct running louder, impossible to control. She just doesn’t want to see her daughter hurt, but she can’t stop either. As difficult as it is for her, I think she has to do what Edie said: let it happen. The more they try to stop it, the worse it will be.
BTW: Mike can’t help but make that face when he sees Susan, can he? What an irritating thing. She doesn’t deserve this! And sorry for Susan, what’s happening is too unfair.
Ah, speaking of Mike: once again he’s at the center of an investigation. At one point in the episode, the detective said that they found traces of paint used on professional tools on Monique’s head... And Mrs. McCluskey, when she returned the suitcase, said that one of the pieces had something strange and needed to be washed. Oh boy... I also have to say that the only person who really cared about Mike on this show was Susan, right? Because as we’ve seen, Ms. McCluskey has evidence that Mike had a relationship with her, but she prefers to leave him believing that Edie is the right woman for him. And no one else tries to get around this situation...
And finally, we have Bree’s plot. I was so excited for Gloria Hodge’s entry, one of the most interesting characters here. And I love how they show right away the complex and mysterious relationship that exists between her and Orson. “You, of all people, should know very well how I deal with betrayals.” “I gave you life, I will not hesitate to take it.” Mother of the Year Award, huh? I can see that Orson’s concern and fear are not unfounded. Ah: Andrew is serving perfectly as comic relief with wonderful timing.