Highlights this entire show as both a nihilistic joke in the image making of this genre piece, and an encapsulation of Refn's entire body of work, always understanding the potential that the fiction in which this characters are placed. This last two episode molding Yahritza and Virgo as figures, guardian angels and characters from explotaition films that revalue the good aspects of the genre, while realizing in the segments Diana the value in the mundane and the uncertainty of the outcome of the war that we never see.

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Wow Refn didn't give a shit now did he? Stylistic exercise all of this. Could he do a TV show? He can. But is it worthwhile? Kind of. See for yourself if you're a fan.

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I feel like a quota of ten episodes had to be met, and that's the only reason why this episode is an episode of its own. It should've been an extension of the previous episode. It was certainly the weakest one in the entire show, the most nonsensical when it comes to feeling. I still liked it, just in an empty-filled way.

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Unnecessary episode looking like a "what after"

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