3x10 A Window of F*cking Opportunity

Warrior TV show season 3 episode 10 is a rollercoaster ride of action and drama. It's like a fireworks display on steroids, with each explosion leaving you breathless and wanting more. The episode is a masterclass in storytelling, weaving together multiple plotlines with finesse and precision. It's like a well-choreographed dance, with each move building on the last to create a mesmerizing spectacle.

The character development in this episode is nothing short of extraordinary. It's like watching a caterpillar transform into a butterfly, with each character shedding their old skin and emerging stronger and more complex. The writers have truly outdone themselves, creating a rich tapestry of emotions and motivations that keep you hooked from start to finish.

And let's talk about the action sequences. They are like a symphony of violence, with each punch and kick hitting the right note. The fight choreography is top-notch, with every move executed with precision and flair. It's like watching a high-stakes chess match, with each move calculated and strategic.

In conclusion, Warrior TV show season 3 episode 10 is a must-watch for any fan of the series. It's like a breath of fresh air, injecting new life into the show and leaving you hungry for more. So grab your popcorn, settle in, and prepare to be blown away. Trust me, you won't be disappointed.

(568-word review) This season was low for me, appeal-wise. It's generally been lackluster, not to mention that too much was going on, which has resulted in clutter. But this was an excellent finale, and it was, without a doubt, the best episode of the season. While one of the reasons (ONE, as I know the main reason was Ah Sahm never telling Young Jun that Mai Ling is his sister) leading up to the most significant story element here of Ah Sahm vs. Young Jun and Hong/the Hop Wei, as in him and Yan Mi, was ridiculous, that's in the past; plus, the conclusion brought some actual excitement to this season.

Leaving aside Ah Toy's vengeance on Strickland, Leary's return to the driver's seat of short-term gain (getting immediate jobs for Irishmen, contrary to Strickland's teachings), with slightly more political intelligence and confidence from those teachings, the set-up for Officer Lee's re-emergence – and Li Yong's rise to some form of leadership (now having EX-Long Zii members move on from the tong and choosing to follow him), plus Ah Sahm and Mai Ling's reunion at the end/and likely subsequent on-the-same-side allyship, as those conclusions/developments aren't as compelling, my other takeaway was what occurred with Chao and another character at the end. That was more impactful than the climax of the internal conflict within the Hop Wei. If a fourth season happens, there's a good chance that Chao's predicament is permanent, and that would suck; we can all agree on that.

However, at the risk of inciting hope, I've considered two possible routes, diverging from that outcome: Yan Mi could somehow (and predictably) get off the train and get back to the railway platform quick enough to, again, SOMEHOW save him or (b.) Lee followed her there, preceded/potentially set up by his scene with Agent Mosley at the police station – his belief that the tongs could tie up that loose end, meaning he's nearby, saw what went down, and will come swooping in, saving Chao a second time.

Minor observations: (one.) Bill's appearance right behind Leary at Strickland's place was a classic case of teleportation; (two.) the "pay-off" of the Buckley-Catherine subplot, with her intention being Mayor Blake's estate, as Buckley is its custodian (which was mentioned in the second episode), wasn't worthwhile, though Stewart Gumm's (his assistant) involvement, especially his relationship with Catherine, was unexpected, in the style of typical 40s/50s-films' storylines; (three.) the one-inch punch by Ah Sahm was goofy, despite the Bruce Lee homage, and winning that easily (I'm not saying he should've been losing) against Hong and Young Jun was extreme.

This counts as both a season finale and a series finale. Everything felt conclusive and had a resolution, though some plot threads, particularly Zing's reappearance and Chao's status, were ambiguously open-ended. Another season would walk the balance between unnecessary/too much and successful, given how the story and plot lines are stretched thin, especially now. Most viewers still want at least one more; should that happen, I think it should end there – if only to give the show a more concrete ending on all fronts. However, if this is the final episode, it is adequate.

Now it's time, fingers crossed, for greener pastures, TV show-wise, with Netflix's One Piece premiering tomorrow. I already want today to be Thursday; I want it to deliver and stick the landing. THE ONE PIECE IS REAL!