Shout by Luigi Ravaglia

Flower 2017

Zoey Deutch tries to salvage with her charm a disastrous script, and she only half succeeds.

The movie is competently directed from a technical standpoint, but seemed to completely misread its tone or subject matter, becoming repulsive at times. It's a shame, because up until the confrontation with Will I had found Flower to be a decently funny movie, even if I found the characters really hard to like and their decision-making questionable, and the movie’s conceptual flaws – like its questionable treatment of heavy themes like teen suicide or pedophilia and its distinctly male interpretation of what female sexual empowerment looks like – were already clearly showing.

The whole third act is then a dumpster fire, between the kids somehow reaching Will before the cops even if the cops had been alerted of the event, the meaningless trip to the prison and Erica and Luke’s relationship, which never felt earned or believable.

Zoey Deutch will become a star, without a doubt. But she is far too likeable a performer for what this movie is going for, and most importantly, this movie doesn't deserve her.

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