Probably the best Netflix series I've seen this year, and the best from Gaumont (I'm glad that they kept the same quality level from Hannibal), again shot in 4K for main photography and 8K for aerial views. From the production standpoint, it proves that José Padilha is one of the best Latin American directors & producers, as he kept most of his Brazilian film production crew, including Pedro Bromfman (his haunting music is excellent for this series). The fact that this series was mostly shot in Colombia (in some of the real locations where Escobar lived), is noteworthy, and the level of realism and fully transparent visual effects by Mr. X (via Technicolor) gives us a whole different sense of the unfolding drama. If you have seen the VFX breakdowns, you'll know that most of the streets and landscapes in this series are CGI-enhaced and extended. We all know already how this story ends in 1993, and despite this fact I'm glued to the screen in every episode. The Spanish dialogues are tweaked in a way that when translated the meaning is slightly different, so I'm pretty much sure that the whole series was written first in English. The whole cast is great, despite not many of them being Colombian (mostly Mexican, actually), and Wagner Moura's performance is spot on (probably an Emmy nomination would come his way soon) despite his very, very heavy Portuguese accent. Some parts I couldn't even figure out what he was saying, even when Spanish is my native tongue, so I kept the English CC active in every episode. Honestly, I can't wait for the second (and most likely the last) season. Their main achievement with Narcos was not glamorizing Escobar or the drug trade, but presenting a compelling, human story that everyone can relate to.
Review by Carlos TeranBlockedParent2015-08-31T21:40:04Z
Probably the best Netflix series I've seen this year, and the best from Gaumont (I'm glad that they kept the same quality level from Hannibal), again shot in 4K for main photography and 8K for aerial views. From the production standpoint, it proves that José Padilha is one of the best Latin American directors & producers, as he kept most of his Brazilian film production crew, including Pedro Bromfman (his haunting music is excellent for this series). The fact that this series was mostly shot in Colombia (in some of the real locations where Escobar lived), is noteworthy, and the level of realism and fully transparent visual effects by Mr. X (via Technicolor) gives us a whole different sense of the unfolding drama. If you have seen the VFX breakdowns, you'll know that most of the streets and landscapes in this series are CGI-enhaced and extended. We all know already how this story ends in 1993, and despite this fact I'm glued to the screen in every episode. The Spanish dialogues are tweaked in a way that when translated the meaning is slightly different, so I'm pretty much sure that the whole series was written first in English. The whole cast is great, despite not many of them being Colombian (mostly Mexican, actually), and Wagner Moura's performance is spot on (probably an Emmy nomination would come his way soon) despite his very, very heavy Portuguese accent. Some parts I couldn't even figure out what he was saying, even when Spanish is my native tongue, so I kept the English CC active in every episode. Honestly, I can't wait for the second (and most likely the last) season. Their main achievement with Narcos was not glamorizing Escobar or the drug trade, but presenting a compelling, human story that everyone can relate to.