Anchors Aweigh 1945

Source:
Years 1931-2018 come from:
The New York Times: Book of Movies
the essential 1,000 films to see
2019 ed

Years after 2018 come from NYT website.

work in progress
There are discrepancies between the website and the book, particular for years after 2003. Please leave a comment for any errors you find.

hbo movies

All 180 musicals that were voted on for AFI's top 25 musials of the first 100 year of film

Winners and nominees (Winners first)

1927/28: 1, 2, 3

1928/29: 4, 5, 6, 7, 8

1929/30: 9, 10, 11, 12, 13

1930/31: 14, 15, 16, 17, 18

1931/32: 19, 20, 21, 22, 23, 24, 25, 26

1932/33: 27, 28, 29, 30, 31, 32, 33, 34, 35, 36

1934: 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48
1935: 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60

1936: 61, 62, 63, 64, 65, 66, 67, 68, 69, 70

1937: 71 ,72, 73, 74, 75, 76, 77, 78, 79, 80

1938:
 81, 82, 83, 84, 85, 86, 87, 88, 89, 90
1939:
 91, 92, 93, 94, 95, 96, 97, 98, 99, 100
1940:
 101, 102, 103, 104, 105, 106, 107, 108, 109, 110
1941:
 111, 112, 113, 114, 115, 116, 117, 118, 119, 120
1942:
 121, 122, 123, 124, 125, 126, 127, 128, 129, 130
1943:
 131, 132, 133, 134, 135, 136, 137, 138, 139, 140
1944:
 141, 142, 143, 144, 145
1945:
 146, 147, 148, 149, 150
1946:
151, 152, 153, 154, 155
1947:
 156, 157, 158, 159, 160
1948:
 161, 162, 163, 164, 165
1949:
 166, 167, 168, 169, 170
1950:
 171, 172, 173, 174, 175
1951:
 176, 177, 178, 179, 180
1952:
 181, 182, 183, 184, 185
1953:
 186, 187, 188, 189, 190
1954:
 191, 192, 193, 194, 195
1955:
 196, 197, 198, 199, 200
1956: 201, 202, 203, 204, 205
1957:
 206, 207, 208, 209, 210
1958:
 211, 212, 213, 214, 215
1959:
 216, 217, 218, 219, 220
1960:
 221, 222, 223, 224, 225
1961:
 226, 227, 228, 229, 230
1962:
 231, 232, 233 ,234, 235
1963:
 236, 237, 238, 239, 240
1964:
 241, 242, 243, 244, 245
1965:
 246, 247, 248, 249, 250
1966:
 251, 252, 253, 254, 255
1967:
 256, 257, 258, 259, 260
1968:
 261, 262, 263, 264, 265
1969:
 266, 267, 268, 269, 270
1970:
 271, 272, 273, 274, 275
1971:
 276, 277, 278, 279, 280
1972:
 281, 282, 283, 284, 285
1973:
 286, 287, 288, 289, 290
1974:
 291, 292, 293, 294, 295
1975:
 296, 297, 298, 299, 300
1976:
 301, 302, 303, 304, 305
1977:
 306 ,307, 308, 309, 310
1978:
 311, 312, 313, 314, 315
1979:
 316, 317, 318, 319, 320
1980:
 321, 322, 323, 324, 325
1981:
 326, 327, 328, 329, 330
1982:
 331, 332, 333, 334, 335
1983:
 336, 337, 338, 339, 340
1984:
 341, 342, 343, 344, 345
1985:
 346, 347, 348, 349, 350
1986:
 351, 352, 353, 354, 355
1987:
 356, 357, 358, 359, 360
1988:
 361, 362, 363, 364, 365
1989:
 366, 367, 368, 369, 370
1990:
 371, 372, 373, 374, 375
1991:
 376, 377, 378, 379, 380
1992:
 381, 382, 383, 384, 385
1993:
 386, 387, 388, 389, 390
1994:
 391, 392, 393, 394, 395
1995:
 396, 397, 398, 399, 400
1996:
 401, 402, 403, 404, 405
1997:
 406, 407, 408, 409, 410
1998:
 411, 412, 413, 414, 415
1999:
 416, 417, 418, 419, 420
2000:
 421, 422, 423, 424, 425

2001:
 426, 427, 428, 429, 430
2002: 431, 432, 433, 434, 435
2003:
 436, 437, 438, 439, 440
2004:
 442, 442, 443, 444, 445
2005: 446, 447, 448, 449, 450
2006:
 451, 452, 453, 454, 455
2007:
 456, 457, 458, 459, 460
2008:
 461, 462, 463, 464, 465
2009:
 466, 467, 468, 469, 470, 471, 472, 473, 474, 475
2010:
 476, 477, 478, 479, 480, 481, 482, 483, 484, 485
2011:
 486, 487, 488, 489, 490, 491, 492, 493, 494
2012:
 495, 496, 497, 498, 499, 500, 501, 502, 503
2013:
 504, 505, 506, 507, 508, 509, 510, 511, 512
2014:
 513, 514, 515, 516, 517, 518, 519, 520
2015: 521, 522, 523, 524, 525, 526, 527, 528
2016:
 529, 530, 531, 532, 533, 534, 535, 536, 537
2017:
 538, 539, 540, 541, 542, 543, 544, 545, 546
2018:
 547, 548, 549, 550, 551, 552, 553, 554
2019:
 555, 556, 557, 558, 559, 560, 561, 562, 563
2020/21: 564, 565, 566, 567, 568, 569, 570, 571
2022: 573, 572, 574, 575, 576, 577, 578, 579, 580, 581
2023: 586, 582, 583, 584, 585, 587, 588, 589, 590, 591
2024: 598, 592, 593, 594, 595, 596, 597, 599, 600, 601

The Story of Film: An Odyssey, a 15-part series written and directed by award-winning film-maker Mark Cousins, is the story of international cinema told through the history of cinematic innovation.
The series provides a worldwide guided tour of the greatest movies ever made; an epic tale that starts in nickelodeons and ends as a multi-billion-dollar globalised digital industry."

Note: "Motion Capture Mirrors Emotion (2009) dir. Jorge Ribas," a documentary about the making of Avatar, is missing because it does not appear to have an imdb page.

Source: https://www.amazon.com/Birth-Cinema-Hollywood-Dream/dp/B00AMQ1B1O

From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating.

100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive.

Source: http://shop.bfi.org.uk/books/bfi-screen-guides/100-film-musical-book.html#.Wg3fhGhSzIU

all the academy awards nominees for best picture since 1927

The best movies of the 1940's decade.

IMDB filter

7.0 or higher rating
5,000 or more votes

Todo el mejor cine de la historia

List of Nominees and Winners

• ACTOR

RAY MILLAND "The Lost Weekend" - WINNER
BING CROSBY "The Bells of St. Mary's"
GENE KELLY "Anchors Aweigh"
GREGORY PECK "The Keys of the Kingdom"
CORNEL WILDE "A Song to Remember"

• ACTOR IN A SUPPORTING ROLE

JAMES DUNN "A Tree Grows in Brooklyn" - WINNER
MICHAEL CHEKHOV "Spellbound"
JOHN DALL "The Corn Is Green"
ROBERT MITCHUM "G. I. Joe"
J. CARROL NAISH "A Medal for Benny"

• ACTRESS

JOAN CRAWFORD "Mildred Pierce" - WINNER
INGRID BERGMAN "The Bells of St. Mary's"
GREER GARSON "The Valley of Decision"
JENNIFER JONES "Love Letters"
GENE TIERNEY "Leave Her to Heaven"

• ACTRESS IN A SUPPORTING ROLE

ANNE REVERE "National Velvet" - WINNER
EVE ARDEN "Mildred Pierce"
ANN BLYTH "Mildred Pierce"
ANGELA LANSBURY "The Picture of Dorian Gray"
JOAN LORRING "The Corn Is Green"

• ART DIRECTION (BLACK-AND-WHITE)

"BLOOD ON THE SUN" Art Direction: Wiard Ihnen; Interior Decoration: A. Roland Fields - WINNER
"EXPERIMENT PERILOUS" Art Direction: Albert S. D'Agostino, Jack Okey; Interior Decoration: Darrell Silvera, Claude Carpenter
"THE KEYS OF THE KINGDOM" Art Direction: James Basevi, William Darling; Interior Decoration: Thomas Little, Frank E. Hughes
"LOVE LETTERS" Art Direction: Hans Dreier, Roland Anderson; Interior Decoration: Sam Comer, Ray Moyer
"THE PICTURE OF DORIAN GRAY" Art Direction: Cedric Gibbons, Hans Peters; Interior Decoration: Edwin B. Willis, Hugh Hunt, John Bonar

• ART DIRECTION (COLOR)

"FRENCHMAN'S CREEK" Art Direction: Hans Dreier, Ernst Fegte; Interior Decoration: Sam Comer - WINNER
"LEAVE HER TO HEAVEN" Art Direction: Lyle Wheeler, Maurice Ransford; Interior Decoration: Thomas Little
"NATIONAL VELVET" Art Direction: Cedric Gibbons, Urie McCleary; Interior Decoration: Edwin B. Willis, Mildred Griffiths
"SAN ANTONIO" Art Direction: Ted Smith; Interior Decoration: Jack McConaghy
"A THOUSAND AND ONE NIGHTS" Art Direction: Stephen Goosson, Rudolph Sternad; Interior Decoration: Frank Tuttle

• CINEMATOGRAPHY (BLACK-AND-WHITE)

"THE PICTURE OF DORIAN GRAY" Harry Stradling - WINNER
"THE KEYS OF THE KINGDOM" Arthur Miller
"THE LOST WEEKEND" John F. Seitz
"MILDRED PIERCE" Ernest Haller
"SPELLBOUND" George Barnes

• CINEMATOGRAPHY (COLOR)

"LEAVE HER TO HEAVEN" Leon Shamroy - WINNER
"ANCHORS AWEIGH" Robert Planck, Charles Boyle
"NATIONAL VELVET" Leonard Smith
"A SONG TO REMEMBER" Tony Gaudio, Allen M. Davey
"THE SPANISH MAIN" George Barnes

• DIRECTING

"THE LOST WEEKEND" Billy Wilder - WINNER
"THE BELLS OF ST. MARY'S" Leo McCarey
"NATIONAL VELVET" Clarence Brown
"THE SOUTHERNER" Jean Renoir
"SPELLBOUND" Alfred Hitchcock

• DOCUMENTARY (FEATURE)

"THE TRUE GLORY" The Governments of Great Britain and the United States of America - WINNER
"THE LAST BOMB" United States Army Air Force

• DOCUMENTARY (SHORT SUBJECT)

"HITLER LIVES?" Gordon Hollingshead, Producer - WINNER
"LIBRARY OF CONGRESS" United States Office of War Information Overseas Motion Picture Bureau
"TO THE SHORES OF IWO JIMA" United States Marine Corps

• FILM EDITING

"NATIONAL VELVET" Robert J. Kern - WINNER
"THE BELLS OF ST. MARY'S" Harry Marker
"THE LOST WEEKEND" Doane Harrison
"OBJECTIVE, BURMA!" George Amy
"A SONG TO REMEMBER" Charles Nelson

• MUSIC (MUSIC SCORE OF A DRAMATIC OR COMEDY PICTURE)

"SPELLBOUND" Miklos Rozsa - WINNER
"THE BELLS OF ST. MARY'S" Robert Emmett Dolan
"BREWSTER'S MILLIONS" Lou Forbes
"CAPTAIN KIDD" Werner Janssen
"THE ENCHANTED COTTAGE" Roy Webb
"FLAME OF BARBARY COAST" Morton Scott, Dale Butts
"G. I. HONEYMOON" Edward J. Kay
"G. I. JOE" Louis Applebaum, Ann Ronell
"GUEST IN THE HOUSE" Werner Janssen
"GUEST WIFE" Daniele Amfitheatrof
"THE KEYS OF THE KINGDOM" Alfred Newman
"THE LOST WEEKEND" Miklos Rozsa
"LOVE LETTERS" Victor Young
"THE MAN WHO WALKED ALONE" Karl Hajos
"OBJECTIVE, BURMA!" Franz Waxman
"PARIS--UNDERGROUND" Alexander Tansman
"A SONG TO REMEMBER" Miklos Rozsa, Morris Stoloff
"THE SOUTHERNER" Werner Janssen
"THIS LOVE OF OURS" H. J. Salter
"THE VALLEY OF DECISION" Herbert Stothart
"THE WOMAN IN THE WINDOW" Arthur Lange, Hugo Friedhofer

• MUSIC (SCORING OF A MUSICAL PICTURE)

"ANCHORS AWEIGH" Georgie Stoll - WINNER
"BELLE OF THE YUKON" Arthur Lange
"CAN'T HELP SINGING" Jerome Kern, H. J. Salter
"HITCHHIKE TO HAPPINESS" Morton Scott
"INCENDIARY BLONDE" Robert Emmett Dolan
"RHAPSODY IN BLUE" Ray Heindorf, Max Steiner
"STATE FAIR" Alfred Newman, Charles Henderson
"SUNBONNET SUE" Edward J. Kay
"THE THREE CABALLEROS" Charles Wolcott, Edward Plumb, Paul J. Smith
"TONIGHT AND EVERY NIGHT" Marlin Skiles, Morris Stoloff
"WHY GIRLS LEAVE HOME" Walter Greene
"WONDER MAN" Ray Heindorf, Lou Forbes

• MUSIC (SONG)

"It Might As Well Be Spring" in "State Fair" Music by Richard Rodgers; Lyrics by Oscar Hammerstein II - WINNER
"Accentuate The Positive" in "Here Come the Waves" Music by Harold Arlen; Lyrics by Johnny Mercer
"Anywhere" in "Tonight and Every Night" Music by Jule Styne; Lyrics by Sammy Cahn
"Aren't You Glad You're You?" in "The Bells of St. Mary's" Music by James Van Heusen; Lyrics by Johnny Burke
"The Cat And The Canary" in "Why Girls Leave Home" Music by Jay Livingston; Lyrics by Ray Evans
"Endlessly" in "Earl Carroll Vanities" Music by Walter Kent; Lyrics by Kim Gannon
"I Fall In Love Too Easily" in "Anchors Aweigh" Music by Jule Styne; Lyrics by Sammy Cahn
"I'll Buy That Dream" in "Sing Your Way Home" Music by Allie Wrubel; Lyrics by Herb Magidson
"Linda" in "G. I. Joe" Music and Lyrics by Ann Ronell
"Love Letters" in "Love Letters" Music by Victor Young; Lyrics by Eddie Heyman
"More And More" in "Can't Help Singing" Music by Jerome Kern; Lyrics by E. Y. Harburg
"Sleighride In July" in "Belle of the Yukon" Music by James Van Heusen; Lyrics by Johnny Burke
"So In Love" in "Wonder Man" Music by David Rose; Lyrics by Leo Robin
"Some Sunday Morning" in "San Antonio" Music by Ray Heindorf and M. K. Jerome; Lyrics by Ted Koehler

• BEST MOTION PICTURE

"THE LOST WEEKEND" Paramount - WINNER
"ANCHORS AWEIGH" Metro-Goldwyn-Mayer
"THE BELLS OF ST. MARY'S" Rainbow Productions
"MILDRED PIERCE" Warner Bros.
"SPELLBOUND" Selznick International Pictures

• SHORT SUBJECT (CARTOON)

"QUIET PLEASE!" Frederick Quimby, Producer - WINNER
"DONALD'S CRIME" Walt Disney, Producer
"JASPER AND THE BEANSTALK" George Pal, Producer
"LIFE WITH FEATHERS" Eddie Selzer, Producer
"MIGHTY MOUSE IN GYPSY LIFE" Paul Terry, Producer
"THE POET AND PEASANT" Walter Lantz, Producer
"RIPPLING ROMANCE" Screen Gems

• SHORT SUBJECT (ONE-REEL)

"STAIRWAY TO LIGHT" Herbert Moulton, Producer; Jerry Bresler, Executive Producer - WINNER
"ALONG THE RAINBOW TRAIL" Edmund Reek, Producer
"SCREEN SNAPSHOTS' 25TH ANNIVERSARY" Ralph Staub, Producer
"STORY OF A DOG" Gordon Hollingshead, Producer
"WHITE RHAPSODY" Grantland Rice, Producer
"YOUR NATIONAL GALLERY" Joseph O'Brien and Thomas Mead, Producers

• SHORT SUBJECT (TWO-REEL)

"STAR IN THE NIGHT" Gordon Hollingshead, Producer - WINNER
"A GUN IN HIS HAND" Chester Franklin, Producer; Jerry Bresler, Executive Producer
"THE JURY GOES ROUND 'N' ROUND" Jules White, Producer
"THE LITTLE WITCH" George Templeton, Producer

• SOUND RECORDING

"THE BELLS OF ST. MARY'S" RKO Radio Studio Sound Department, Stephen Dunn, Sound Director - WINNER
"FLAME OF BARBARY COAST" Republic Studio Sound Department, Daniel J. Bloomberg, Sound Director
"LADY ON A TRAIN" Universal Studio Sound Department, Bernard B. Brown, Sound Director
"LEAVE HER TO HEAVEN" 20th Century-Fox Studio Sound Department, Thomas T. Moulton, Sound Director
"RHAPSODY IN BLUE" Warner Bros. Studio Sound Department, Nathan Levinson, Sound Director
"A SONG TO REMEMBER" Columbia Studio Sound Department, John P. Livadary, Sound Director
"THE SOUTHERNER" General Service, Jack Whitney, Sound Director
"THEY WERE EXPENDABLE" Metro-Goldwyn-Mayer Studio Sound Department, Douglas Shearer, Sound Director
"THE THREE CABALLEROS" Walt Disney Studio Sound Department, C. O. Slyfield, Sound Director
"THREE IS A FAMILY" RCA Sound, W. V. Wolfe, Sound Director
"THE UNSEEN" Paramount Studio Sound Department, Loren L. Ryder, Sound Director
"WONDER MAN" Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director

• SPECIAL AWARD

"THE HOUSE I LIVE IN" Special Award - WINNER

• SPECIAL EFFECTS

"WONDER MAN" Photographic Effects by John Fulton; Sound Effects by Arthur W. Johns - WINNER
"CAPTAIN EDDIE" Photographic Effects by Fred Sersen, Sol Halprin; Sound Effects by Roger Heman, Harry Leonard
"SPELLBOUND" Photographic Effects by Jack Cosgrove
"THEY WERE EXPENDABLE" Photographic Effects by A. Arnold Gillespie, Donald Jahraus, Robert A. MacDonald; Sound Effects by Michael Steinore
"A THOUSAND AND ONE NIGHTS" Photographic Effects by Lawrence W. Butler; Sound Effects by Ray Bomba

• WRITING (ORIGINAL MOTION PICTURE STORY)

"THE HOUSE ON 92ND STREET" Charles G. Booth - WINNER
"THE AFFAIRS OF SUSAN" Thomas Monroe, Laszlo Gorog
"A MEDAL FOR BENNY" John Steinbeck, Jack Wagner
"OBJECTIVE, BURMA!" Alvah Bessie
"A SONG TO REMEMBER" Ernst Marischka

• WRITING (ORIGINAL SCREENPLAY)

"MARIE-LOUISE" Richard Schweizer - WINNER
"DILLINGER" Philip Yordan
"MUSIC FOR MILLIONS" Myles Connolly
"SALTY O'ROURKE" Milton Holmes
"WHAT NEXT, CORPORAL HARGROVE?" Harry Kurnitz

• WRITING (SCREENPLAY)

"THE LOST WEEKEND" Charles Brackett, Billy Wilder - WINNER
"G. I. JOE" Leopold Atlas, Guy Endore, Philip Stevenson
"MILDRED PIERCE" Ranald MacDougall
"PRIDE OF THE MARINES" Albert Maltz
"A TREE GROWS IN BROOKLYN" Tess Slesinger, Frank Davis

A guide to films featured on You Must Remember This and/or recommended for classic movie lovers.

Netflix Genre

In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

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