Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.
Films listed in order of spine numbers. Releases with multiple films are listed as individual items where appropiate.
Last Update: Releases up to July 2024 (Spine #1228)
Source: https://www.criterion.com/shop/browse/list?sort=spine_number
Diary of everything I saw while social distancing during the COVID-19 pandemic
Since 1984, the Criterion Collection, has been dedicated to gathering the greatest films from around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements for a wider and wider audience. The foundation of the collection is the work of such masters of cinema as Kurosawa, Fellini, Bergman, Tarkovsky, Hitchcock, and Kubrick. Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen. To date, more than 150 filmmakers have made it into the collection.
Source: https://www.criterion.com/library/list_view?b=Criterion&m=dvd&s=spine
List of long and short movies with lesbian and bisexual women.
Source:
Years 1931-2018 come from:
The New York Times: Book of Movies
the essential 1,000 films to see
2019 ed
Years after 2018 come from NYT website.
work in progress
There are discrepancies between the website and the book, particular for years after 2003. Please leave a comment for any errors you find.
Essential movies for lonely people out there... if you want to feel something in this big big world.…
Not my selection, but an easier way to track theirs:
https://lwlies.com/articles/the-100-best-films-of-the-decade/
Women Make Film II †
https://www.womenmakefilm.net/
Introductions and Chapters††
01 – 05 / Introductions
06 – 29 / Chapter 01 | Openings
30 – 42 / Chapter 02 | Tone
43 – 56 / Chapter 03 | Believability
57 – 66 / Chapter 04 | Introducing Character
67 – 76 / Chapter 05 | Meet Cute
77 – 88 / Chapter 06 | Conversation
89–104 / Chapter 07 | Framing
105–109 / Chapter 08 | Tracking
110–114 / Chapter 09 | Staging
115–126 / Chapter 10 | Journey
127–136 / Chapter 11 | Discovery
137–149 / Chapter 12 | Adult/Child
150–150 / Chapter 13 | Economy
151–154 / Chapter 14 | Editing
155–161 / Chapter 15 | POV
162–166 / Chapter 16 | Close Up
167–173 / Chapter 17 | Surrealism and Dreams
174–180 / Chapter 18 | Bodies
181–191 / Chapter 19 | Sex
192–197 / Chapter 20 | Home
198–199 / Chapter 21 | Religion
200–207 / Chapter 22 | Work
208–219 / Chapter 23 | Politics
220–221 / Chapter 24 | Gear Change
222–228 / Chapter 25 | Comedy
229–232 / Chapter 26 | Melodrama
233–235 / Chapter 27 | SCI-FI
236–241 / Chapter 28 | Horror and Hell
242–245 / Chapter 29 | Tension
246–251 / Chapter 30 | Stasis
252–254 / Chapter 31 | Leave Out
255–259 / Chapter 32 | Reveal
260–264 / Chapter 33 | Memory
265–267 / Chapter 34 | Time
268–270 / Chapter 35 | Life Inside
271–275 / Chapter 36 | The Meaning of Life
276–XXX / Chapter 37 | Love
XXX–XXX / Chapter 38 | Death
XXX–XXX / Chapter 39 | Endings
XXX–XXX / Chapter 40 | Song and Dance
† NOTE: This is my second and broader list based on Women Make Film: A New Road Movie Through Cinema (2019) by Mark Cousins. It's a complete list of all films by chapter that appear in Cousins' 14 hour documentary. It's ranked and notated to mirror the documentary's structure. My other (first) list is similar but more narrow selection of films and their TCM premier dates, based on the same Cousins' documentary which airs in TCM's 2020 Women Make Film Film Festival. https://trakt.tv/users/lezelmaz/lists/women-make-film-tcm-tuesdays-2020
†† NOTE: This list notes the first instance only of a film that may appear in multiple chapters.
The 21st Century's Most Acclaimed Films list serves as a companion to the They Shoot Pictures, Don't They? 1,000 Greatest Films of all time list which, - by its nature - tends to have very few films from the 21st century in it. The 21st Century's Most Acclaimed Films list attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that are likely to be included in the 1,000 Greatest Films list sooner or later.
Source: http://www.theyshootpictures.com/21stcentury.htm
HollyWood Movies based on Popularity
All the movies with "Must-See" badge on Metacritic. Movie gets the badge when it has a score of 81 or higher and has been reviewed by at least 15 pro critics.
Films pour Madame :)
Filma that I own the Criterion Collection release.
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Just as it’s difficult to pinpoint what truly defined 2016 overall, the same goes for film. In 2013, as we pointed out, shit got real. So, one year later, we escaped. Thus, the social outsider grew. And the social outsider didn’t go away. Shit got real again, but this time, perceptions in reality clashed with another. Citizens escaped into validating takes and talking points. Divisions widened. Murderers, as ever, came with smiles. The social outsider’s definition became elastic. Depending on where you stood, you may have been that social outsider and were judged harshly for it. All the while, tests getting put out for agility, strategy, and luck. If you survived them, if you made the right moves, you were powerful enough to survive anything. And if there’s a common thread through 2016, particularly our own list of 30 films, it’s just that: survival.
Unless you’re in a cultural elitist bubble like myself, cinema must be pretty boring. Very few of the films on our list were met with dump trucks full of cash, but let their inclusion serve as a reminder that the mainstream does reward intelligence. There’s a lot of good shit on our own screens at home. People want something different — they’re just not required to get it themselves. So it goes. Luckily, some studios continue to be as reliable as record labels — the A24s and Drafthouses offered dazzling singular experiences that didn’t waste their meager budgets. Amazon could offer you auteurs after you order kitty litter and Ecto Cooler. Even as budgets shrank, the best films of the year knew how to play, often in ways that were flat-out absurd. Be it a nudist awakening and a set of teeth in Toni Erdmann or delusions of an introvert’s lost life scored by farts in Swiss Army Man, the worlds presented were just as unfair as our own. But they were also, in a way, strangely optimistic in how to deal. As though lit up by what was at stake, filmmakers stopped taking it for granted, and the reliable auteurs — Villeneuve, Verhoeven, Refn — brought their A-game. As the mainstream order remained largely conservative and derivative, chaos and confusion prospered. The old guard fought the new wave. In this context, the world was unarguably better for it.
One film that didn’t make the cut, Jake Paltrow and Noah Baumbach’s ode De Palma, reminds viewers how vastly different cinema has become in the latter half of its century-long existence. It takes an outsider, for sure, but we learned this year that the approach of the social outsider doesn’t need to be one of nihilism and terror. As you’ll see in our top 5, the notion that the marginalized can prosper, even in the smallest of triumphs, took our collective breath away. Respect was dealt and earned. Hell, even if your nerdy ass never dug jocks, Everybody Wants Some!! made it possible for at least two hours. Women of the year, through different centuries and some of the nasty persuasion, grabbed back. Companionship was found in the most bizarre and wonderful ways. Even if our personal or political narratives didn’t succeed the same way, we could still be fired up; we know plenty of radical-leaning people inspired by something as half-baked as Rogue One. We’ll take what we can get. –SNACKS KYBURZ
Including: SAG, HFA, BIFA and LCCFA 2018 nominees.
* EXCLUDING: Oscar, Golden Globes, BAFTA, Independent Spirits and Critics' Choice 2018 nominees.
Independent Spirit Awards 2017 nominees.
* EXCLUDING: Oscar, Golden Globes and BAFTA 2017 nominees.
Shortlist from 2016 Sundance Film Festival:
- 1-13: Premieres
- 14-17: Spotlight
- 18-23: U.S. Dramatic
- 24-28: World Cinema Dramatic
- 29-30: Next
- 31-32: Midnight
- 33: Sundance Kids
- 34-35: U.S. Documentary
- 36-37: World Cinema Documentary
- 38: Special Events.
:popcorn::earth_africa:
Updated Jan 2022
Cahiers du Cinéma, (Notebooks on Cinema) is a French film magazine founded in 1951. Top 10 films chosen annually by the critics of Cahiers du Cinéma.
The history of the Cahiers is related to the Cinéma history, in particular because of a generation of enthusiasts who gave birth to the Nouvelle Vague. Jean-Luc Godard, François Truffaut, Éric Rohmer, Jacques Rivette, Claude Chabrol and many others wrote their first reviews before becoming filmmakers.
Practically the whole of your childhood is dead (including the Powerpuff Girls), bigotry has entered the White House, we are about to face similar problems for the same reason, and Pokémon have taken people out of reality and off of cliffs. It's no wonder I go to the cinema so many goddamn times. However, with all these disinteresting sequels and "original" concepts, I don't see that happening nearly as much as 2016.
As far as I know, there's no farting corpses, very little hot dogs, hardly any seagulls, no chance of cute 3D redheads and a bunch of gems I've already witnessed first at a festival. Until another festival can surprise me, be it Flare, Sundance, LFF or even the LIAF, the most notable experience I can think of as of yet is seeing who else will attend the My Little Pony movie.
One thing's for sure - there will be less to see than last year, and the rising interest in digital releases doesn't help (especially with the region cheats). Will there be another Carol like there was twice last year, not counting their UK releases this year? Or is 2017 just going to be the weakest year for film by far? Unless we act soon, it won't just be democracy that's dead.
Anyway, movies!
The Complete Criterion Collection
by TwentyWasHereVIP 6