Code 46 2003

A dystopia is a community or society, usually fictional, that is in some important way undesirable or frightening. It is the opposite of a utopia. Such societies appear in many works of fiction, particularly in stories set in a speculative future. Dystopias are often characterized by dehumanization, totalitarian governments, environmental disaster, or other characteristics associated with a cataclysmic decline in society. Elements of dystopias may vary from environmental to political and social issues. Dystopian societies have culminated in a broad series of sub-genres of fiction and are often used to raise awareness of real-world issues regarding society, environment, politics, economics, religion, psychology, spirituality, or technology that, if left unaddressed, could potentially lead to a dystopia-like condition in the future. For this reason, dystopias have taken the form of a multitude of speculations, such as pollution, poverty, societal collapse, political repression, or totalitarianism.

Um grande apanhado cujo foco central é sobrevivência (sobrevivencialismo), preparação (preppers), libertarianismo e uso de técnicas de Bushcraft (artes mateiras) em meio natural, urbano, ficcional, futurista e realidades distópicas.

Excludes superhero/supervillain movies

Futuristic cities showcasing architecture, technology, commerce, and ordinary citizens going about their business.

watchlist

Filmdienst

Classic Movies

Filme für de Männlische Mitti

• Since 1996, the EFFFF [http://melies.org/] has awarded the annual Méliès d'Or and Méliès d'Argent (Golden or Silver Méliès) for the Best European Fantastic Feature Film. Variety has called the Melies d'Or "Europe's top plaudit for horror pictures". The following films have received the award:

1 - 1996: The Day of the Beast, directed by Álex de la Iglesia; Spain;
2 - 1997: Tren de Sombras, directed by José Luis Guerín; Argentina;
3 - 1998: Photographing Fairies, directed by Nick Willing; United Kingdom;
4 - 1999: The Nameless, directed by Jaume Balagueró; Spain;
5 - 2000: Possessed, directed by Anders Rønnow Klarlund; Denmark;
6 - 2001: Thomas in Love, directed by Pierre-Paul Renders; Belgium and France;
7 - 2002: Fausto 5.0, directed by Àlex Ollé, Isidro Ortiz and Carlos Padrisa; Spain;
8 - 2003: The Green Butchers, directed by Anders Thomas Jensen; Denmark;
9 - 2004/2005: Code 46, directed by Michael Winterbottom; United Kingdom;
10 - 2006: Adam's Apples, directed by Anders Thomas Jensen; Denmark;
11 - 2007: Princess, directed by Anders Morgenthaler; Denmark and Germany;
12 - 2008: Let the Right One In, directed by Tomas Alfredson; Sweden;
13 - 2009: Martyrs, directed by Pascal Laugier; France and Canada;
14 - 2010: Buried, directed by Rodrigo Cortés; Spain;
15 - 2011: The Last Circus, directed by Alex de la Iglesia; Spain and France;
16 - 2012: Vanishing Waves, directed by Kristina Buožytė; Lithuania;
17 - 2013: In the Name of the Son, directed by Vincent Lannoo; France and Belgium;
18 - 2014: Alleluia, directed by Fabrice Du Welz; France and Belgium;
19 - 2015: Goodnight Mommy, directed by Veronica Franz and Severin Fiala; Austria;
20 - 2016: Raw, directed by Julia Ducournau; France and Belgium;
21 - 2017: Thelma, directed by Joachim Trier; Norway;
22 - 2018: Climax, directed by Gaspar Noé; France;
23 - 2019: In Fabric, directed by Peter Strickland, USA;
24 - 2020: Pelican Blood, directed by Katrin Gebbe, Germany;
25 - 2021: Censor, directed by Prano Bailey-Bond, UK;
26 - 2022: Piggy, directed by Carlota Pereda, ES.
27 - 2023: LOLA, directed by Andrew Legge, IRL

• Wikipedia //until 2017 (https://en.wikipedia.org/wiki/European_Fantastic_Film_Festivals_Federation)

not to popular Horror and thriller i need to watch

List by Steven Jay Schneider