Personal Lists featuring...

Death Is My Trade 1977

292

In the year of cinematography’s centennial anniversary 1995, the Deutscher Kinematheksverbund conducted a survey in search of the 100 German films that were considered the most important. In the first poll 324 film historians, film journalists, film makers and movie owners decided about places 1 to 75, a second poll with 228 votes determined the places 76 to 100.

Source: https://web.archive.org/web/20110928035219/http://www.fiafnet.org/pdf/uk/fiaf54.pdf

23

From bleak Expressionist works to the edgy political cinema of the New German Cinema and the feel-good Heimat films of the postwar era, Directory of World Cinema: Germany aims to offer a wider film and cultural context for the films that have emerged from Germany - including some of the East German films recently made available to Western audiences for the first time. With contributions by leading academics and emerging scholars in the field, this volume explores the key directors, themes, and periods in German film history, and demonstrates how genres have been adapted over time to fit historical circumstances.

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The list is based on the contents of the Book, sorted by chapters:
Film Pioneers
Scoring Cinema
Fantastic Film
Adventure Film
Der Heimatfilm
Comedy
Foreigners and Guest-workers
Queer German Cinema
Vergangenheitsbewältigung
Rubble Film
War Film
Historical Drama
Political Drama
The Berlin Wall

More information on this is also aviable on http://worldcinemadirectory.co.uk/!


Not on the list:
http://www.themoviedb.org/movie/27069-the-raspberry-reich (flagged as adult)

61

From bleak Expressionist works to the edgy political cinema of the New German Cinema and the feel-good Heimat films of the postwar era, Directory of World Cinema: Germany aims to offer a wider film and cultural context for the films that have emerged from Germany - including some of the East German films recently made available to Western audiences for the first time. With contributions by leading academics and emerging scholars in the field, this volume explores the key directors, themes, and periods in German film history, and demonstrates how genres have been adapted over time to fit historical circumstances.

The list is based on the contents of the Book, sorted by chapters:

  • Film Pioneers
  • Scoring Cinema
  • Fantastic Film
  • Adventure Film
  • Der Heimatfilm
  • Comedy
  • Foreigners and Guest-workers
  • Queer German Cinema
  • Vergangenheitsbewältigung
  • Rubble Film
  • War Film
  • Historical Drama
  • Political Drama
  • The Berlin Wall

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

116

The Nazi Party emerged from the extremist German nationalist, racist and populist Freikorps paramilitary culture, which fought against the communist uprisings in post–World War I Germany. The party was created to draw workers away from communism and into völkisch nationalism. Initially, Nazi political strategy focused on anti–big business, anti-bourgeois, and anti-capitalist rhetoric. This was later downplayed to gain the support of business leaders, and in the 1930s the party's main focus shifted to antisemitic and anti-Marxist themes.

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