Italian horror. Updated weekly.
Religious horror. Updated weekly.
Demonic horror. Updated weekly.
Contemporary fears, remakes and some might even say, a reinterpretation of the genre in the later half of the decade.
A list of movie releases by Arrow Video. Work in progress. - Updated monthly
Nunsploitation is a subgenre of exploitation film which had its peak in Europe in the 1970s. These films typically involve Christian nuns living in convents during the Middle Ages. The main conflict of the story is usually of a religious or sexual nature, such as religious oppression or sexual suppression due to living in celibacy. The Inquisition is another common theme. These films, although often seen as pure exploitation films, often contain criticism against religion in general and the Catholic Church in particular. Indeed, some protagonist dialogue voiced feminist consciousness and rejection of their subordinated social role. Many of these films were made in countries where the Catholic Church is influential, such as Italy and Spain.
"Nunsploitation is a subgenre of exploitation film which had its peak in Europe in the 1970s. These films typically involve Christian nuns living in convents during the Middle Ages. The main conflict of the story is usually of a religious or sexual nature, such as religious oppression or sexual suppression due to living in celibacy. The Inquisition is another common theme. These films, although often seen as pure exploitation films, often contain criticism against religion in general and the Catholic church in particular. Indeed, some protagonist dialogue voiced feminist consciousness and rejection of their subordinated social role. Many of these films were made in countries where the Catholic Church is influential, such as Italy and Spain. One atypical example of the genre, however, is Killer Nun (Suor Omicidi), set in, then, present-day Italy (1978).
Nunsploitation, along with Nazisploitation, is a subgenre that ran a parallel course alongside Women in prison films in the 1970s and 1980s. As with prison films, they are set in isolated, fortress-like convents where the all-female population turns to lesbianism and perversity. The element of religious guilt allows for lurid depictions of "mortifying the flesh" such as self-flagellation and painful, masochistic rituals. The Mother Superior is usually a cruel and corrupt warden-like martinet who enforces strict discipline (more opportunities for whippings and medieval-style punishments) and often lusts after her female charges. An equally sadistic and lecherous priest is often included to add an element of masculine menace to the story. (Wikipedia)
The fourth watchlist
How ribbiting
Horror featured on Night Flight. Updated weekly.
Horror with exorcisms. Updated weekly.
Tubi horror. Updated regularly.
Last update: 3/21/2024
Lucio Fulci is probably my favorite director (Was my favorite director. I really love his movies. But David Cronenberg is probably now my favorites director). My favorite all time favorite movie is Fulci's "The Beyond." So I am ranking all his movies. I still am trying to track down all his horror. This list includes only movies I've seen and is a work in progress.
Italian Horror, non-Giallo.
Lucio Fulci was an Italian film director, screenwriter, producer and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedy, Spaghetti Western, adventure, science fiction and erotica, he garnered an international cult following for his giallo and horror films. His most notable films include the "Gates of Hell" trilogy − City of the Living Dead (1980), The Beyond (1981) and The House by the Cemetery (1981) − as well as Massacre Time (1966), One on Top of the Other (1969), A Lizard in a Woman's Skin (1971), Don't Torture a Duckling (1972), White Fang (1973), Four of the Apocalypse (1975), Sette note in nero (1977), Zombi 2 (1979), Contraband (1980), The Black Cat (1981), The New York Ripper (1982), Murder Rock (1984) and A Cat in the Brain (1990). Because of the high level of visceral graphic violence present in many of his films, especially Zombi 2 and The Beyond, Fulci is frequently referred to as "The Godfather of Gore", a title also given to Herschell Gordon Lewis.
80s Horror Cults
by Marcelo Castanheira (Rexx)