Trakt for iOS
Works on iPhone and iPad.
Below is our updated running tally of the films most frequently mentioned by individual critics on the year-end Top Ten lists. Note that if a critic ranks more than the standard 10 films, we will not include films ranked 11th or worse. (We do include unranked lists of 11-20 titles, though each film gets just one-half of a point.) In case of a tie for first or second, each film will receive the full points for that position.
https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2018
What a coming of age movie looks like for younger millennials and early Gen-Z
movies i saw during the glorious days of moviepass
A ranked list of all films rated 7 or higher, theatrically released in the US in 2018.
My top movies of 2018
In a year defined by division, the one thing we could all agree on was movies. Just kidding! If anything, film discourse grew more contentious and fractured than ever in 2018, which began with a battle for the soul of the world’s most popular franchise and moved on from there to debates about the value of Netflix and seeing movies on the big screen, the politics of a biopic about an American icon, the importance of representation in not just cinema but also criticism, and of course picking a side in the big box-office standoff of the year, Lady Gaga versus Tom Hardy as a sexy, slobbering monster. If consensus ever really existed in the thunderdome of movie opinion, the internet has officially slayed it. Hell, even the critical favorite of the year (see our No. 7 below) has its very vocal detractors.
All of which is say that The A.V. Club’s rundown of the best films of 2018 is destined to tick you off. Hell, we could barely agree on it, which is one reason we’ve posted, as we do every year, the individual ballots of contributors. But if the following list is little more than a snapshot of what this particular group of cinephiles loved over the last 12 months, it’s one that acknowledges a spectrum of successes, from intimate documentaries to visionary spins on film noir to one belatedly completed curiosity from a dead master of the medium. (Netflix, it must be admitted, had quite the year, and is accordingly represented.) Because though we might not have been enthusiastic about all the same movies, there were plenty of movies worthy of enthusiasm. On that, hopefully, we all can agree.
https://film.avclub.com/the-best-films-of-2018-1831159568
https://www.metacritic.com/browse/movies/score/metascore/year/filtered?year_selected=2019&sort=desc
i was born in 1999
Best movies of 2018 according to Chris Stuckmann from youtube.
AFI AWARDS was created in 2000 to recognize the films and television programs which contribute to our collective cultural legacy. When placed in an historical context, these stories provide a complex, rich, visual record of our modern world. Since then, AFI AWARDS has honored 10 outstanding films and 10 outstanding TV programs deemed culturally and artistically representative of the year’s most significant achievements in the art of the moving image.
Collectively celebrating the most outstanding film and television programs of the year, AFI AWARDS 2021 honorees will be announced on December 8, 2021. The official selections will be feted at an honoree-only event on Friday, March 11, 2022, in Los Angeles. Immediately following, AFI will also launch a 20-day tribute to each honoree with new and exclusive content for the daily global audience in AFI Movie Club.
Unique in its celebration of the art form’s collaborative nature, AFI AWARDS is the only national program that honors creative teams as a whole – recognizing those in front of and behind the camera.
SELECTION CRITERIA
Honorees are selected based on works which:
Advance the art of the moving image
Inspire audiences and artists alike
Enhance the rich cultural heritage of America’s art form
A UNIQUE JURY PROCESS
AFI AWARDS selections are made through AFI’s unique jury process – in which scholars, artists, critics and AFI Trustees determine the most outstanding achievements of the year.
2018
by José M. Mota