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Fleming Faloon 1963

  • January 1, 1963
  • 7 mins
  • Owen Land

In his first 16mm film, Landow proposes that if we accept the reality offered to us by the illusion of depth on the flat plane of the screen, we can then assign reality to anything at will. A cinematic equivalent of the illusionistic portraiture of the Flemish painters. - Harvard Film Archive

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