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Genealogies of a Crime 1997

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Surrealism in cinema refers to the use of dreamlike and irrational elements in films to create a unique visual style that challenges conventional notions of reality. It originated from the artistic movement of surrealism in the 1920s and 30s, which sought to tap into the subconscious mind through the use of irrational imagery and symbolism. In film, surrealism often employs techniques such as discontinuous editing, unexpected imagery, and the use of special effects to create a dream-like atmosphere and to challenge the viewer's perception of reality. The aim of surrealist films is to provoke an emotional and intellectual response from the audience, and to blur the boundaries between the conscious and the unconscious mind.

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A cinematic history mixed with contemporary art.
Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ‘the eccentric’ - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.
www.g03.org/stillframe

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