This list is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made", published in 2004. It contains a selection of 1000 reviews that have been printed in The New York Times in a time period of over seven decades. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.
/u/StopReadinMyUsername on reddit combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results with general film data from iCheckMovies and IMDb to reveal the 1001 Greatest Movies of All Time.
Original Edition (2003) + additions (2004-2018) in that order.
Based on http://1001films.wikia.com/wiki/The_List
2018 Edition Additions:
- The Handmaiden (2016)
- Dawson City: Frozen Time (2016)
- Lady Macbeth (2016)
- Lady Bird (2017)
- The Shape of Water (2017)
- Three Billboards Outside Ebbing, Missouri (2017)
- Call Me by Your Name (2017)
- Mother! (2017)
- Blade Runner 2049 (2017)
- Get Out (2017)
- Black Panther (2018)
Welcome to our updated guide to the 200 Essential Movies To Watch Now! In our annual refresh, we’re sticking with the list’s original vision as a definitive source of movie guidance and education for all ages and stages, whether you’re a seasoned film buff or just starting out, while reflecting new trends and significant movies uncovered over the past year. The three films new to this iteration of the 200 Essential are The Adventures of Priscilla, Queen of the Desert (after a flurry of recent landmark and popular LGBTQ films, we’re shining a light on one of the best of the 1990s), Black Panther (for making leaps in on-screen representation without sacrificing any of its superhero movie obligations), and Wonder Woman (for its sheer entertainment value and re-invention of a female icon that will inspire and resonate for years and beyond).
We also completely reordered the list — it is now sorted by Tomatometer, highest to lowest. Feel free to start tackling the list with whatever is the most interesting to you first…or just start at #1 and start working your way down. We think you’ll have fun either way. And best of all, every movie on the list remains Certified Fresh!
They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.
This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.
One of the gifts a movie lover can give another is the title of a wonderful film they have not yet discovered. Here are more than 300 reconsiderations and appreciations of movies from the distant past to the recent past, all of movies that I consider worthy of being called “great.” / Roger Ebert
Films that were bumped off from last year's list:
and the newer list for 2018 in full:
All credits go to IMDb user: gibboanx
Few talk about the ’90s as a filmmaking renaissance on par with the late ’60s and early ’70s, but for many of the film critics at The A.V. Club, it was the decade when we were coming of age as cinephiles and writers, and we remember it with considerable affection. Those ’70s warhorses like Martin Scorsese and Robert Altman posted some of the strongest work of their careers, and an exciting new generation of filmmakers—Quentin Tarantino, Joel and Ethan Coen, Wong Kar-Wai, Olivier Assayas, David Fincher, and Wes Anderson among them—were staking out territory of their own. Presented over three days—with two 20-film lists, then a separate one for the top 10—our Top 50 survey was conducted in an effort to reflect group consensus and individual passion, with the disclaimer that all such lists have a degree of arbitrariness that can’t be avoided. (On Thursday, we’ll run a supplemental list of orphans, also-rans, and personal favorites that will undoubtedly be quirkier.) One more note before digging in: Filmmakers who had a particularly good decade were often divided against themselves in the voting. Which Coen brothers movie is the strongest? Which color from Krzysztof Kieslowski’s Three Colors trilogy shone the brightest? Peel slowly and see…
http://www.avclub.com/articles/the-best-films-of-the-90s-orphans-outliers-and-per,86534/ (added them after rank 50)