/u/StopReadinMyUsername on reddit combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results with general film data from iCheckMovies and IMDb to reveal the 1001 Greatest Movies of All Time.
Films that were bumped off from last year's list:
and the newer list for 2018 in full:
The 2013 version of TSPDT’s 1,000 Greatest Films is finally here. After months of stop-start, data-building and unhealthy calculation antics, the latest group of 1,000 movie offerings has been assembled once again for your pleasure (or displeasure). Depending on your observation skills, you may have already noticed that there is a new presentation for this ongoing project.
The old 2012 edition can be found @http://trakt.tv/users/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2012
From TV Trope's entry on essential anime, meant to highlight trendsetting and defining works, those with of historical note, and major works of various genres. Targeted more for people who are first getting into anime and have literally no idea where to start or common conventions, sub genres, or tropes.
From the revered classics of Akira Kurosawa, to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. The directory aims to play a part in the distribution of academic output by building a forum for the study of film from a disciplined theoretical base.
This is in the form of an A-Z of reviews, longer essays and research resources. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters are discussed in addition to the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.
The list is based on the contents of the Book, sorted by chapters:
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
List for the 2nd edition: http://trakt.tv/users/sp1ti/lists/directory-of-world-cinema-japan-2
One of the gifts a movie lover can give another is the title of a wonderful film they have not yet discovered. Here are more than 300 reconsiderations and appreciations of movies from the distant past to the recent past, all of movies that I consider worthy of being called “great.” / Roger Ebert
Yeah, these weird Japanese ones for kids. I'm still shocked by the amount of people who still just ignore the medium. There is a huge variety of genres to choose from for all ages and it's not just like school girls, tentacle rape, or Dragonball. If you like film I urge you to give these a go!
I deceided against a "Top 10" and limited the choices to one movie per director. Most of these guys have a rich body of work worth checking out.
(And no, these are not obscure, it just takes a lot more to make an animated film than some indie movie..)
-The End of Evangelion – dir. Hideaki Anno:
He is not only a great anime director but has also made some great live-action ones aswell. To enjoy the despair ahead you'll have to watch the TV series though. No worries, not only is it great but you will be rewarded with one of the most striking animated films to date. http://www.youtube.com/watch?v=bCLoNOYcVQU
-Princess Mononoke – dir. Hayao Miyazaki:
Having seen most of his films, Mononoke was the first for me and it stuck with me the most. I guess it is a bit different than his usual works given the setting. The struggle between living with nature in harmony or taking control over it is a lot more than just good versus evil. A beautiful epic for sure. Luckily the now retired master has made some other great films aswell so there is one for everyone.
Grave of the Fireflies – dir. Isao Takahata:
Except for this Takahata doesn't seem to enjoy the same fame or popularity as his Studio Ghibli Co-Funder friend Miyazaki which is a shame really. His movies are a lot more grounded and you know what you're at. I thought about including the terribly underwatched Gauche the Cellist but this sucker is just such a tear jerker that it should depress about everyone (and it's based on a true story).
Millennium Actress – dir. Satoshi Kon:
I'm still saddened by Kon's death. Not one of his works isn't exceptional. Just watch them all! MA was his love letter to the actress Setsuko Hara which I'm sure you recognize if you saw her on screen once, such a captivating presence (best known for Tokyo Story).
Ghost in the Shell – dir. Mamoru Oshii:
I'm still amazed by how many people love The Matrix but have not seen Oshii's manga adaptation despite the Wachowski being quite open about it's influence. The second movie is great aswell and so is Stand Alone Complex. The score from Kenji Kawai makes it even so much better. The man also directed the first OVA series ever and some other good ones like Angel's Egg and Patlabor 2. When it comes to live action, Avalon is not bad either but he can sometimes be a hack and make something like Assault Girls... Try to find the basset hounds.
Summer Wars – dir. Mamoru Hosoda:
The director started out with some credits on Digimon before he found success in 2006 with The Girl Who Leapt Through Time. The virtual world found in Summer Wars is very much an extension of a movie he did for the show. While it's though for me to pick between this and Wolf Children I found the story here quite touching in regards of multiple generations in the family coming together where as the other is more about the mother.
Akira – dir. Katsuhiro Ohtomo:
Akira was one of the first anime movies I saw when I was younger. If you like scifi and action there is no reason for you not to see it. The maniac Kaneda became with his powers is still referenced (intentional or not) in other movies today. A balanat rip-off of the exploding Tokyo is also shown in Resident Evil Afterlife. It just became 25 years old this year and predicted the 2020 Olympic's in Tokyo ;). It was also the reason for a (short-termed) hype for anime in the US. Just go and watch it ffs!
As for other works by Ohtmo I would say watch Steamboy if you want some steampunk (and pretty animated ice) or Rojin Z for a more slice of life scifi.
A Letter to Momo - dir. Hiroyuki Okiura:
A suprisingly overlooked movie. It took Okiura over seven years to create together with (mainly) Production I.G. doing the hand-drawn art. It features a loveley color palette and has a story similar to what you find over at Ghibli. While it drags a bit early on it works as a whole (and is yet another touching story). The other movie credit the director has is the more well known Jin-Roh (created by the guy abit further above, Oshii) where I can see why people enjoy it a lot (a darker red riding hood) it isn't one of my favorites and is an extreme opposite to Momo.
Ninja Scroll - dir. Yoshiaki Kawajiri:
It's basicly the Sex, Drugs & Rock 'n' roll of chanbara cinema and for exactly that reason it was quite popular not too long ago at least among teens. My opinion might be still based from when I was younger but it's a fun and stylish action flick with lots of ultra violence. Kawajiri contributed a short to Animatrix so you might have seen something of his. Wicked City is also one of the more well known oldschool anime movies where you will see a "human" venus trap in action ;P.
Time of Eve: The Movie - dir. Yasuhiro Yoshiura:
Science-fiction authors (and the Japanese) have always been interested in relations between humans and androids. This movie looks at this in a great setup: Having a café with one simple rule; No discrimination between humans and robots. Inside, human looking androids are indistinguishable by appearance (they are forced to have indicators on their heads outside) and can act independently from their owners. Since I'm a sucker for the kinds of stories where the line between man and machine is blurred I enjoyed this a lot and I think it's a strong sci-fi movie even outside the medium of anime (if you're not just an action guy).
(FYI: The movie is an extended version of an OVA series by the same name)
As for other works by Yoshiura: I'm not really a fan of the other short ones, Patema Inverted however looks pretty great.
Original Edition (2003) + additions (2004-2018) in that order.
Based on http://1001films.wikia.com/wiki/The_List
2018 Edition Additions:
- The Handmaiden (2016)
- Dawson City: Frozen Time (2016)
- Lady Macbeth (2016)
- Lady Bird (2017)
- The Shape of Water (2017)
- Three Billboards Outside Ebbing, Missouri (2017)
- Call Me by Your Name (2017)
- Mother! (2017)
- Blade Runner 2049 (2017)
- Get Out (2017)
- Black Panther (2018)
Studio Ponoc just released Trailer #3 for Mary and The Witch's Flower. Looks awesome: https://www.youtube.com/watch?v=WfCNyIQ6yzU
This is a comprehensive list of Studio Ghibli related people and their work.
It contains some older work by Miyazaki and Takahata which is everything from before Studio Ghibli's formation in 1985 (Yes, Nausicaä is actually not a Studio Ghibli Movie). Including Miyazaki's and Takahata's directorial debuts Lupin the Third: The Castle of Cagliostro and The Little Norse Prince as well as some well-known World Masterpiece Theater TV Series directed by them.
The Kingdom of Dreams and Madness is a feature film long, behind the scenes, documentary following the work at Studio Ghibli during the production of Miyazaki's and Takahata's final movies The Wind Rises and The Tale of the Princess Kaguya.
Work by Studio Ghibli staff after the announcement to restructure the company in 2014:
Ronia the Robber's Daughter is a CG animated TV Series based on the children's book by Astrid Lindgren. Directed by Hayao Miyazaki's son Gorō Miyazaki, animated by Polygon Pictures and co-produced by Studio Ghibli.
The Red Turtle is another co-production, this time between the Dutch-British animator Michaël Dudok de Wit, German distribution company Wild Bunch and Studio Ghibli. The movie was nominated for 2017's Oscars in the category: Animated Feature Film.
Even though Miyazaki (once again) went into retirement 3 years ago he decided to come back and work on the animated short film Kemushi no Boro (Boro the Caterpillar) set to release in summer of 2017. Here are some clips taken during production:
After the restructuring announcement, part of the staff decided to create Studio Ponoc in 2015. The word Ponoc is Croatian for "midnight", it's meant to symbolize that a new day is starting. Here is the first trailer from their newly announced movie Mary and The Witch's Flower directed by Hiromasa Yonebayashi (Arrietty and Marnie) set to release sometime in 2017:
A top-notch analysis about what makes Miyazaki's movies so special:
Hayao Miyazaki - The Essence of Humanity by Channel Criswell
About Miyazaki's scene composition:
How Hayao Miyazaki Maps A Setting by Digibro
A retrospective of Japanese animation:
Miyazaki, Lineage, and Depth by Pause and Select
Have fun watching
“Now you're looking for the secret. But you won't find it because of course, you're not really looking. You don't really want to work it out. You want to be fooled.”
― John Cutter, 'The Prestige' (2006)
Great films with poignant, memorable, Shyamalanesque, or downright traumatic endings.
When Movie Twists Fail, via Georg Rockall-Schmidt:
What a Twist: Double Consciousness and M. Night Shyamalan, via Back Row:
6 Huge Movie Plot Twists That Caused Even Bigger Plot Holes, via Cracked:
'mother!’s Ending: What Does It All Mean?, via Vanity Fair:
Why 'The Sixth Sense' Ending Has Never Been Matched, via Esquire:
And the Award for the Grossest Twist Ending of the Year Goes To…, via The Mary Sue:
Thanks to all who’ve made this a very popular list, in spite of glitches causing dozens of fans to suddenly disappear :(
A big welcome to the land of cinematic wonders!
I’ve aimed for a rounded overview to include not only personal favourites but popular hits and international award winners, animé landmarks, avant-
garde films, the New Wave, erotic “pink films” and the great classics that are still the glory of world cinema.
Much of silent cinema before the 1930s has been lost, its Benshi narrators displaced but good finally to have the landmark film Souls on the Road on Mubi. In the 20s directors were able to learn their trade through prolific practice, aware of and encorporating developments in both the Soviet Union and the West… and then, what a wealth of wonders! Older masters: the unequalled aesthetic refinement of Mizoguchi, the charm of Shimizu, the quiet observational wisdom of Ozu, the tragically curtailed promise of Yamanaka, the balanced restraint of Naruse, the muscular humanism of Kurosawa… Then, a new generation from the late 50s, in full swing in the sexually freer 60s: the idealism of Kobayashi, the political bite of Oshima, the earthy subversion of Imamura, the cool of Suzuki and Masumura. the avant-garde Terayama.. So many to explore: Yoshida, Ichikawa Kon, Teshigahara, Shinoda, Wakamatsu, Kumai, the documentaries of Ogawa and Hara, the stop motion master Kawamoto, the blood soaked Fukasaku.. the rise of animé, with the international success of Studio Ghibli and Miyazaki’s beautiful flights of fancy, the spiky Tsukamoto, the popular appeal of Kitano, the prolific shocker Miike.. up to the present with Koreeda, Naomi Kawase, Sono, Kurosawa Kiyoshi… oh and i almost went without mentioning Samurai and Godzilla.
Missing on TMDB as of now:
ID: tt0242845, Title: Narita: The Peasants of the Second Fortress, Year: -
They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.
This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.
Hand-drawn. Computer graphics. Stop-motion. Oil paint, canvas by canvas, or stick figures, line by line. Animation isn’t a genre. It’s a medium, capable of telling any story and eliciting any emotion, from a toolbox as varied as any live-action filmmaker’s.
Now we present the 100 best Fresh animated movies ever (they had to be 60% or higher on the Tomatometer), drawing from all of cinema history.