I just love Rob Zombie..
Absolute RUBBISH. Stupid, boring film. Waste of time
I just hate Rob Zombie..
Underrated horror. Rob zombies best movie in my opinion. It is just craziness all the way. Rewatched it more than any other rob zombie film. Though his stuff does tend to be pretty hit or miss. The sequel to this is pretty good too.
There is a wide variety of different controversial thoughts on this film as it is not everyone's cup of tea. Rob Zombie's House of 1000 Corpses provides great sense of feeling like a 70s horror film with the benefits of NO CGI (Practical effects are ALWAYS better) which makes the gore and all the effects work so much better on creating an eerie 70s horror tone. The score was great and matched the emotions of the film throughout with some awesome horror rock and early 70s music. It takes much inspiration from The Texas Chainsaw Massacre (1974) and has a similar story with more of a extended amount of interesting never seen before psychopaths. Personally I think the film starts and ends great but the middle falls short as it feels almost like any of the recent Texas chainsaw movies and it is just missing a twist to fully separate itself from the TCM films, but I think the ending will satisfy any cult classic horror fans. If you like 70s and 80s horror you should enjoy this. (Sid Haig as Captain Spaulding is the best part and needed to be involved more in the movie)
This movie started off okay but quickly deteriorated. The first half hour or so was very cohesive and felt like a setup to a proper horror movie. After that though, it turned into one of those indie horror flicks that tries to be artful by cutting in old film effects and shots of random people chanting and footage from fictional horror movies. So the last hour of the movie was spent not on progressing any kind of story or focused on the victims but jumping back and forth between those "art" shots and other shots of the killers laughing or dancing or whatever.
Any actual killing or torture comprises only several seconds total of the film. There are no escape attempts, no plans, no fighting back, no interaction between the victims once they're captured as we only ever see them tied up individually. Characters who are killed are killed quickly and we don't care about them. We know nothing about the killer family. All in all, this movie is a whole lot of nothing.
3 Thoughts After Re-Watching ‘House of 1000 Corpses’:
It isn’t a great film, but it’s a solid B-horror film — and I think that’s exactly what it was meant to be.
I’ve seen this multiple times and had zero clue that that was Chris Hardwick. Such random casting.
Zombie definitely has a particular flair — and there’s some great imagery and use of music here — but there’s something about his films that fail to grab me or leave me excited to see what he has coming up next.
[2.2/10] Most haunted houses don’t have stories. That’s not really their goal. Sure, some ambitious ones try to construct a full narrative, but most of them settle on a theme or a premise and just let things spin out from there. You’re in a butcher shop that serves human, or a bunch of crazies have escaped from the local asylum, or you’ve been thrust into some sort of deranged circus. There’s less of a plot than there is a canvas upon which to create scares, united by a loose concept.
That works when the only purpose is to herd a bunch of anxious teenagers through a spook house for ten minutes. It fails miserably when you have to try to sustain that energy for nearly two hours. Because House of 1,000 corpses isn’t really a movie. It’s just a cinematic haunted house. There aren’t really characters or a plot or any sort of narrative progression. Instead, it’s just a bunch of aimless scares in search of an actual film.
That approach might work in a half-hour special or something more condensed. But stretched out to feature length it becomes utterly exhausting. Rob Zombie’s debut as a director is a pile of day-glo, blood-stained garbage, regurgitating the most hackneyed of horror tropes in a haphazard manner until the clock runs out. There’s nothing in House of 1,000 Corpses that even the moderately seasoned horror fan hasn’t seen before and seen better done elsewhere.
The worst part is that basically none of those scares is any good. There’s some juice in the final act, when a woman whose name I can’t even remember (despite finishing the movie less than an hour ago) trudges through some underground lair for the various victims and perpetrators she saw rhapsodized in a roadside attraction earlier. There’s at least some interesting production design, make-up, and prosthetics work there to create some scary images out of the famed “Dr. Satan” and bizarre fleshy Terminator-type who hunts hurt down.
But that’s really all this film has to offer. Everything else is a reheated and/or overblown version of other standard horror film blood and guts. There’s a creepy redneck murder family. There’s some faux-artistic vivisection. There’s creepy clowns and uncomfortable dinner scenes and random murders. It’s a grab bag of tropes stapled together by the flimsiest of premises. There’s no intentionality to any of it. It’s a cinematic exercise in “throw it against a wall and see what sticks.”
That extends to the godawful editing and direction. Tapped from the world of music, writer-director Rob Zombie shoots and chops up House of 1,000 Corpses like a music video. It’s full of thoughtless split diopter shots or odd filters or negative image color-grading thrown in at random that don’t advance any meanings or even scariness, but instead make the movie feel like the visual equivalent of a ten-year-old playing a casio keyboard and running through fifty different sound and rhythm settings in two minutes.
With that, the film is utterly spastic. It jumps from scene to scene, occasionally intercutting with some random nonsense, without any real rhythm or momentum. Even within a scene, the movie jumps from one moment to the next without enough connective tissue. Taken most charitable, you could argue that this is meant to give the film a disorienting quality, in the hopes of putting the audience in the victims’ shoes. But that doesn’t work when you use that approach for the whole movie, not just the moments where our would-be heroes are supposed to be caught off-guard.
But hey, that’s fine, because the characters are all terrible and barely-formed in this movie anyway. This is a film without a protagonist which, hey, can absolutely work in some circumstances. Here, on the other hand, it just adds to the lumpy formlessness of the whole endeavor. You can have great ensemble films, but that requires a variety of well-developed characters with distinctive personalities, and this film contains approximately none.
The quartet of young horror-researchers are forgettable idiots, especially the irksome and enthusiastic ring-leader who nearly makes it to the end. The two girls in the group are given basically no shading beyond “I want to get out of here.” And a pre-The Office Rainn Wilson possesses some charm but gets killed off too early in the movie to make much of an impact. All of the members of the redneck murder family and the police force are generic archetypes, with nothing to recommend them or make them memorable beyond the stale tropes each one invokes.
It doesn’t help that the acting in this film is godawful. The writing does the performers no favors, but everyone here, with a few minor exceptions, sounds either like they’re reading off the page or unconvincingly plays it for the cheap seats. The one exception is horror vet Sid Haig who plays the proprietor of a local roadside attraction with a creepy clown suit and the gift of gab. His lines and presence are cartoony, to be sure, but he chews the scenery in an entertaining and charismatic way when the rest of the cast can barely get in a good bite.
But the movie doesn’t know what to do with him. If you squint, you can see the outline of a story here -- a basic tale of road-tripping youths investigating local legends taken down by the town’s creepiest residents. Despite that, there’s not really a plot here, just a collection of scenes indiscriminately stitched together without any sense of building or turns or, you know, a point to it all.
The point, as best I understand it, is just to freak out the audience. In isolated pockets, the material Zombie puts up on the screen is disturbing enough to make your skin crawl. But genuinely frightening folks takes more than just random interludes of vaguely-scary crap. It calls for characters whose fates you give a damn about, actual tension in scenes so there’s a ramping up and catharsis when the kills happen, and, you know, actual talent at putting those scares together.
If Rob Zombie just wanted to do a haunted house, or even a music video, with this approach, it might be glancing and creepy enough to work in those mediums. But as a movie, House of 1,000 is a failed experiment that produced something no less mangled or unpleasant-to-watch than Dr. Satan’s victims.
House of 1000 Corpses is Rob Zombie's attempt to make Texas Chainsaw Massacre. Zombie's direction both helps and harms the film. I never found it to be scary because it seems like Zombie is trying to make the killers glamorous and not horrifying. I also didn't care about any of the people being tortured. It really didn't matter to me if they lived of died. Sid Haig is a stand out though. I just wish he had more than 4 scenes.
It's the perfect mix of camp and disgusting shock horror. Unfortunately, the "creative" editing is just confusing, annoying and quite cheap. A shame, though, as it had some very interesting scenes and characters as well as wesomely disgusting costume, make-up and practical effects. Great acting too. However, in the end, it just felt like going through a haunted house while on acid.
House of 1,000 Corpses is like a spook alley - It's a steady stream of disconnected madness, a faint story, and terrible acting. Fortunately, it was never bad enough that I felt the need to use the emergency exit.
Rom Zombie directed this movie. Funny horror movie. I get Rob's sence of humor. The effects, cuts are really horroristic and funny. There is even a character who is called Dr. Satan i mean i pissed myself laughting. It is not for everybody but horror hunny scary as fuck.
I don't know if I like it or not. It has some great moments but the bad outweighs the good.
"Huntin' humans ain't nothin' but nothin'. They all run like scared little rabbits. Run, rabbit, run. Run, rabbit. Run, rabbit. Run rabbit. Run, rabbit, run! RUN, RABBIT, RUN!"
I had seen The Devil's Rejects when it came out but had no idea it was a sequel to this movie. I finally got around to watching it during Halloween 2020 and oh man... it is crazy. Dr. Satan is something I won't be able to get out of my head for a while.
Rob Zombie's first feature is uneven because the first half is too much Rob but the second half finally gets Zombie. P.S. If you're watching this film because you like Wes Craven, stop, you're in the wrong universe.
Shout by Ninja PoonBlockedParent2018-02-25T07:15:52Z
Doctor Satan! Doctor Sataaaannnn!!! Yeaahhhhhhhh!!!