Though only a third of this final issue of Kino-Pravda seems to survive, we are nonetheless treated to Aleksandr Bushkin’s time-lapse animation and his brilliant sequence in which, as Yuri Tsivian describes, “a cross-section of a photographically correct izba (Russian peasant’s log hut) is penetrated by schematically charted radio waves”—a testament to the magical properties and propagandistic uses of radio in reaching out to Russia’s distant peasantry.