The greatest films ever made, as voted by MUBI’s global community of film lovers.
https://mubi.com/lists/the-top-1000
Source:
Years 1931-2018 come from:
The New York Times: Book of Movies
the essential 1,000 films to see
2019 ed
Years after 2018 come from NYT website.
work in progress
There are discrepancies between the website and the book, particular for years after 2003. Please leave a comment for any errors you find.
This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.
#1 - #1012: original list
#1013 - #1073: 2008 additions
#1074 - #1133: 2016 additions
Source: https://www.amazon.com/Essential-Cinema-Necessity-Film-Canons/dp/0801889715
Rotten Tomatoes - Best of year
The 21st Century's Most Acclaimed Films list serves as a companion to the They Shoot Pictures, Don't They? 1,000 Greatest Films of all time list which, - by its nature - tends to have very few films from the 21st century in it. The 21st Century's Most Acclaimed Films list attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that are likely to be included in the 1,000 Greatest Films list sooner or later.
Source: http://www.theyshootpictures.com/21stcentury.htm
Greatest Italian films according to 109 critics/scholars and 50 filmmakers.
Note - this entry is just for one segment of an anthology film:
Ro.Go.Pa.G = La ricotta (Pier Paolo Pasolini, 1963)
Last year was a surprisingly arty time for mainstream Hollywood. This year wasn’t. Despite the fact that wise-guy Martin Scorsese dropped a remarkably good children’s movie, the majority of 2011 was Hollywood business as usual: remakes, sequels, lurching franchises, and comic book adaptations. Granted, it was also the year of the (relatively) small pro-women’s film like Bridesmaids and The Help that crashed Hollywood’s CGI-machismo party, taking home a sizeable slice of the guests. But neither of those movies are any good (nor on our list), despite their claims to feminism. Which left Hollywood right where it generally likes to be: profitable and dull.
Which also left Tiny Mix Tapes in our most favored position. We young culture writers have noticed the trends, yes, but we’ve responded mainly by eschewing the big stuff (to be fair, we did favorably review Thor and Captain America) in order to keep our keen eyes and ears on what really mattered, on where and how film really thrived: among the outsiders, in fresh forms whose relevance may take time to become clear. The list below is our proof that 2011 can stand beside the best recent years for artistic genius in film, if, as we did, you look carefully.
Perhaps the individual greatnesses of our 25 picks have some common link, a sense of vibrant loneliness that puts them in touch with the modern world. Certainly the big names that appear on our list (Kiarostami, Apichatpong, von Trier, Malick, Almodovar, July) were aiming to define the isolation made real by an ungrounded, frenetic time. But look at the films we’ve noticed that the year all but passed over — Cold Weather, The Four Times, Meek’s Cutoff, Leap Year, William Never Married, Dragonslayer — and ask yourself if the link isn’t just as much a collective, unconscious backlash against Hollywood’s tentpole mentality, a simple need for good films possessed by the times themselves. Maybe all we’re doing is keeping our eyes open. —Alex Peterson
Italian cinema has proved very popular with international audiences, and yet a surprising unfamiliarity remains regarding the rich traditions from which its most fascinating moments arose. Directory of World Cinema: Italy aims to offer a wide film and cultural study in which to situate some of Italian cinema’s key aspects, from political radicalism to opera, and from the arthouse to popular genres. Essays by leading academics about prominent genres, directors and themes provide insight into the cinema of Italy and are bolstered by reviews of significant titles. From silent spectacle to the giallo, the spaghetti western to the neorealist masterworks of Rossellini, this book offers a comprehensive historical sweep of Italian cinema that will appeal to film scholars and cinephiles alike
List import based on the book. Thematic chapters:
More information on this is also aviable on http://worldcinemadirectory.co.uk/!
Movies I need to see
The "Kinotipp der Katholischen Filmkritik" is a label used on filmdienst.de to highlight films that address religious themes in a special way, tell of human hardships, worries and hopes, and formulate answers to existential questions.
(https://www.filmdienst.de/empfehlungen/kinotipp)
The Criterion Channel removed all 4 Khalik Allah films from the Leaving carousel by June 22, 2020.
Blog: https://www.criterion.com/current/posts/6963-the-criterion-channel-s-june-2020-lineup
Tags: #service #criterion_channel #collection-order #complete
Movies released from 2010-2017 to watch
Pulled from: https://www.rottentomatoes.com/top/bestofrt/?year=2011
MUBI: The 1000 best films ever made
by MikeVIP 3