From https://letterboxd.com/reelstats/list/the-1001-greatest-movies-of-all-time-according/
All credits go to IMDb user: RDLongoria
Since the 2015 TSPDT has released a companion to their greatest 1000 films, consisting of the films ranked 1001-2000. This list contains the most recent version of this list, with all the previous lists in the history.
Source: http://www.theyshootpictures.com/gf1000_films1001-2000.htm
Not my selection, but an easier way to track theirs:
https://lwlies.com/articles/the-100-best-films-of-the-decade/
The 21st Century's Most Acclaimed Films list serves as a companion to the They Shoot Pictures, Don't They? 1,000 Greatest Films of all time list which, - by its nature - tends to have very few films from the 21st century in it. The 21st Century's Most Acclaimed Films list attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that are likely to be included in the 1,000 Greatest Films list sooner or later.
Source: http://www.theyshootpictures.com/21stcentury.htm
Source: https://film.avclub.com/the-100-best-movies-of-the-2010s-1839846306
All the movies with "Must-See" badge on Metacritic. Movie gets the badge when it has a score of 81 or higher and has been reviewed by at least 15 pro critics.
In 2014, Sight & Sound polled 340 documentary critics, curators, academics and filmmakers asking for top 10 documentary lists. Over 1000 films got votes, from years as early as 1892 to as recent as 2013. This list is the combined critics and filmmakers list of all films that received 3 or more votes.
Source: http://www.bfi.org.uk/sight-sound-magazine/greatest-docs
Liste des films présents dans le livre et le site Movieland www.movieland.io
Most movies are about relationships—between law and order, between desire and duty, between the past and the present. But in 2013, many of the great and memorable films—the ones that moved or shocked or stuck with us—were about relationships in the most traditional sense of the word: This was the year of Jesse and Céline, of Adèle and Emma, and of Joaquin Phoenix and his computer. There were mysterious romances, like the pig-related courtship of Upstream Color, and platonic love stories, like Frances Ha and Prince Avalanche. For cinephiles, love wasn’t just in the movies, but also in the air: There was so much to adore—so many fine, unconventional films, a large number of them American—that a list of 20 almost doesn’t do the year justice. Regardless, that’s what we’ve assembled below, joining heads to count down the best of what 2013 had to offer.
https://film.avclub.com/the-best-films-of-2013-1798242589
While the filmic landscape of 2012 A.D. was characterized by apocalypses, our favorite films this year pointed toward a triumph of the real, reveling in our fucked up world instead of imagining its destruction. Directors turned their lenses (usually warped ones) to the immediate and the present — or at the very least, the rippling continued effects of the past (12 Years a Slave). Sure, our list includes some fantastical films — most obviously ones about robots (Pacific Rim and World’s End), but also mind-controlling worms (Upstream Color) and nearly everything else (Wrong, The Rambler). But overwhelmingly, in 2013, shit got real.
More documentaries (a half dozen!) ranked in our favorite 30 than any previous year, with two in our top five (Act of Killing, Leviathan). And whether dismantling documentary veracity in search of personal truths (Stories We Tell), foregoing narrative altogether (Bestiaire, Leviathan), or limiting themselves to found footage (Let the Fire Burn), all the docs (not to mention Everything is Terrible’s found-footage collage double feature) on our list manipulated form in search of new ways to represent our world.
Meanwhile, the dismembered scraps of traditional documentary techniques littered our favorite fictional films, which employed found footage, mockumentary, non-actors, vlogs, and voyeurism to show us such horrors as the wreckage of post-tsunami Japan (Himizu), school shootings (The Dirties), sex tourism (Paradise: Love), economically stagnated suburbs (Pavilion), nerds (Computer Chess), and Florida beach culture (Spring Breakers). Even in the films that fell solidly within the formal confines of fiction, subject matter was immersed in large-scale contemporary concerns (Drug War, Mud, Frances Ha), while the generic conventions of realism were reworked for contemporary audiences (Sun Don’t Shine, Before Midnight).
As always, we had a difficult time narrowing our list down to 30 films: Hors Satan, Pain and Gain, Beyond the Hills, and Escape from Tomorrow all deserve honorable mentions. But this year, our staff had more consensus than ever about the films we loved. Maybe it’s just that we live in a weird time, both IRL and filmically, and our list reflects that. I mean, a release with no press became one of our favorites (Black Box), a Harmony Korine film played in nearly every multiplex, Pacific Rim’s kaiju washed ashore, and, amazingly, we actually laughed at stand-up comedy (Everything is Terrible: Comic Relief Zero). –BENJAMIN PEARSON"
The commented choices are over @http://www.tinymixtapes.com/features/2013-favorite-30-films-of-2013
Below is our updated running tally of the films most frequently mentioned by individual critics on their year-end Top Ten lists. Note that if a critic ranks more than the standard 10 films, we will not include films ranked 11th or worse. In case of a tie for first or second, each film will receive the full points for that position.
https://www.metacritic.com/feature/film-critic-top-10-lists-best-movies-of-2013
The films that have been required viewing for my cinema focused degree.
Documentaries mentioned in : https://www.youtube.com/watch?v=n_Syn8obfyM
Movies on the list still not checked out
Visually Insane
by majeedpkVIP 3