Loving Couples 1964

Since 1984, the Criterion Collection, has been dedicated to gathering the greatest films from around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements for a wider and wider audience. The foundation of the collection is the work of such masters of cinema as Kurosawa, Fellini, Bergman, Tarkovsky, Hitchcock, and Kubrick. Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen. To date, more than 150 filmmakers have made it into the collection.

Source: https://www.criterion.com/library/list_view?b=Criterion&m=dvd&s=spine

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.

Films listed in order of spine numbers. Releases with multiple films are listed as individual items where appropiate.

Last Update: Releases up to July 2024 (Spine #1228)

Source: https://www.criterion.com/shop/browse/list?sort=spine_number

TCM's monumental three-month-long festival, Women Make Film, celebrating female filmmakers with groundbreaking, 14-part documentary from Mark Cousins, Women Make Film: A New Road Movie Through Cinema (2020), and three dozen movies by women directors. Cousins' extensive documentary is a TCM premiere, as are 23 of the 36 films in this installment of the festival. By the time it is completed TCM will have paid tribute to 100 films and 100 filmmakers spanning six continents, 44 countries and 12 decades! // CITATION: TCM. "WOMEN MAKE FILM - TUESDAYS IN SEPTEMBER." Accessd September 13, 2020. http://www.tcm.com/

TCM PREMIERE DATES ††
01—08 SEP 01 2020 — Openings; Tone
09—15 SEP 08 2020 — Believability; Introducing Character; Meet Cute
16—22 SEP 15 2020 — Conversation; Framing; Tracking
23—29 SEP 22 2020 — Staging; Journey; Discovery
30—37 SEP 29 2020 — Adult/Child; Economy; Editing
38—44 OCT 06 2020 — POV; Close-Up; Dream
45—51 OCT 13 2020 — Bodies; Sex
52—58 OCT 20 2020 — Home; Religion; Work
59—65 OCT 27 2020 — Politics; Gear Change; Comedy
66—73 NOV 03 2020 — Melodrama; Sci Fi; Horror and Hell
74—80 NOV 10 2020 — Tension; Status; Leave Out
81—87 NOV 17 2020 — Reveal; Memory; Time
88—94 NOV 24 2020 — Life Inside; Meaning of Life; Love
95—101 DEC 01 2020 — Death; Endings; Song and Dance

† NOTE: This is first of two lists based on Women Make Film: A New Road Movie Through Cinema (2019) by Mark Cousins. This list (with TCM premier dates) is narrower in scope and is a complete showcase of TCM's 2020 Women Make Film Film Festival through DEC 1, 2020. My second list (similar but broader), Women Make Film II, is a compendium of all the films by chapter that appear in Cousins' 14 hour documentary. It's ranked and notated to mirror the documentary's structure. https://trakt.tv/users/lezelmaz/lists/women-make-film-ii

†† NOTE: As I developed my broader Women Make Film II list, I noticed that while most films curated by TCM for their Women Make Film Film festival are culled from Cousins' documentary, several films (along with those female directors) did not originate from his doc, and are not included in that other Women Make Film II list.

Women Make Film II †
https://www.womenmakefilm.net/

Introductions and Chapters††
01 – 05 / Introductions
06 – 29 / Chapter 01 | Openings
30 – 42 / Chapter 02 | Tone
43 – 56 / Chapter 03 | Believability
57 – 66 / Chapter 04 | Introducing Character
67 – 76 / Chapter 05 | Meet Cute
77 – 88 / Chapter 06 | Conversation
89–104 / Chapter 07 | Framing
105–109 / Chapter 08 | Tracking
110–114 / Chapter 09 | Staging
115–126 / Chapter 10 | Journey
127–136 / Chapter 11 | Discovery
137–149 / Chapter 12 | Adult/Child
150–150 / Chapter 13 | Economy
151–154 / Chapter 14 | Editing
155–161 / Chapter 15 | POV
162–166 / Chapter 16 | Close Up
167–173 / Chapter 17 | Surrealism and Dreams
174–180 / Chapter 18 | Bodies
181–191 / Chapter 19 | Sex
192–197 / Chapter 20 | Home
198–199 / Chapter 21 | Religion
200–207 / Chapter 22 | Work
208–219 / Chapter 23 | Politics
220–221 / Chapter 24 | Gear Change
222–228 / Chapter 25 | Comedy
229–232 / Chapter 26 | Melodrama
233–235 / Chapter 27 | SCI-FI
236–241 / Chapter 28 | Horror and Hell
242–245 / Chapter 29 | Tension
246–251 / Chapter 30 | Stasis
252–254 / Chapter 31 | Leave Out
255–259 / Chapter 32 | Reveal
260–264 / Chapter 33 | Memory
265–267 / Chapter 34 | Time
268–270 / Chapter 35 | Life Inside
271–275 / Chapter 36 | The Meaning of Life
276–XXX / Chapter 37 | Love
XXX–XXX / Chapter 38 | Death
XXX–XXX / Chapter 39 | Endings
XXX–XXX / Chapter 40 | Song and Dance

† NOTE: This is my second and broader list based on Women Make Film: A New Road Movie Through Cinema (2019) by Mark Cousins. It's a complete list of all films by chapter that appear in Cousins' 14 hour documentary. It's ranked and notated to mirror the documentary's structure. My other (first) list is similar but more narrow selection of films and their TCM premier dates, based on the same Cousins' documentary which airs in TCM's 2020 Women Make Film Film Festival. https://trakt.tv/users/lezelmaz/lists/women-make-film-tcm-tuesdays-2020

†† NOTE: This list notes the first instance only of a film that may appear in multiple chapters.

In 2012, FLM asked 50 film critics and academics to vote for the best Swedish films of all time. The original list was a top 25. This list includes all films that received at least 1 vote. See this spreadsheet for the vote counts, top directors, and ballots.

Utvandrarna/Nybyggarna are listed together. One critic voted for "Roy Anderssons reklamfilmsouevre" (Roy Andersson's commercials).

Source: http://flm.nu/2012/08/de-25-basta-svenska-filmerna-genom-tiderna/

Movies I need to see