Personal Lists featuring...

Moonstruck 1987

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1001 Movies You Must See Before You Die is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics.

Source: http://en.wikipedia.org/wiki/1001_Movies_You_Must_See_Before_You_Die

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Source: IMDB
Filter: Votes >= 10000
Order: Votes Descending
Date: 2014-08-23

2

Movies nominated for the Oscars since 1960.

317

A list of movies which famous movie critic Roger Ebert considers to be the best movies of all-time. Ebert has written extensive reviews for each and every one of these movies.

Source: https://www.rogerebert.com/great-movies

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https://editorial.rottentomatoes.com/guide/essential-comedy-movies/

UPDATED: 1/29/24

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Romantic comedy (also known as the portmanteaus romedy or romcom) is a genre with light-hearted, humorous plotlines, centered on romantic ideals such as that true love is able to surmount most obstacles. A fairy-tale-style happy ending is a typical feature.

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Since 1984, the Criterion Collection, has been dedicated to gathering the greatest films from around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements for a wider and wider audience. The foundation of the collection is the work of such masters of cinema as Kurosawa, Fellini, Bergman, Tarkovsky, Hitchcock, and Kubrick. Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen. To date, more than 150 filmmakers have made it into the collection.

Source: https://www.criterion.com/library/list_view?b=Criterion&m=dvd&s=spine

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Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.

Films listed in order of spine numbers. Releases with multiple films are listed as individual items where appropiate.

Last Update: Releases up to July 2024 (Spine #1228)

Source: https://www.criterion.com/shop/browse/list?sort=spine_number

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Since the 2015 TSPDT has released a companion to their greatest 1000 films, consisting of the films ranked 1001-2000. This list contains the most recent version of this list, with all the previous lists in the history.

Source: http://www.theyshootpictures.com/gf1000_films1001-2000.htm

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This list is drawn from "The New York Times Book of Movies: The Essential 1,000 Films to See", published in 2019. It contains a selection of 1000 reviews that have been printed in The New York Times. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.

Source: https://www.amazon.com/New-York-Times-Book-Movies/dp/078933657X

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Concepts like the Blockbuster is introduced. 1980s is called 'one of the weaker decades in cinema'. The rise of independent films revive cinema again in the 1990s.
[This is a series of lists listing films deemed important based on their technical, artistic, historical or cultural significance. This shall also serve as a good resource for film studies however it is extensively based on my own personal preferences.
Resources:
[1]r/truefilm, IMDb, AFI's top 100, Sight & Sound Critic's Directors' Top 100, and various others.
[2] Looking at Movies: https://www.amazon.com/Looking-Movies-Fifth-Richard-Barsam/dp/0393600653 and The Movie Book:
https://www.amazon.com/Movie-Book-Ideas-Simply-Explained-ebook/dp/B017AR0MUS
[3] Download Links:Qxr, Sartre, Garshasp for more iconic ones. Yify and others for the rest. (Piracy Is Illegal ffs & I shall not be responsible)
Excerpt From https://www.imdb.com/user/ur73738276/watchlist?sort=release_date%2Casc&view=detail listing films from 1981's *Christiane F to 2000's Traffic
PS: Trakt has incorrect dates for a great many titles. so use IMDb or wikipedia! This list uses IMDb and 'Rank' is the correct order. ]
Films already watched have been exempted. Imported 274/276

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#BEST ACTRESS & CORRESPONDING MOVIE BY YEAR

  1. 1927/1928
    • Janet Gaynor (Diane) - 7th Heaven
    • Janet Gaynor (Angela) - Street Angel
    • Janet Gaynor (The Wife) - Sunrise: A Song of Two Humans
  2. 1928/1929
    • Mary Pickford (Norma Besant) - Coquette
  3. 1929/1930
    • Norma Shearer (Jerry Bernard Martin) - The Divorcee
  4. 1930/1931
    • Marie Dressler (Min Divot) - Min and Bill
  5. 1931/1932
    • Helen Hayes (Madelon Claudet) - The Sin of Madelon Claudet
  6. 1932/1933
    • Katharine Hepburn (Eva Lovelace) - Morning Glory
  7. 1934
    • Claudette Colbert (Ellie Andrews) - It Happened One Night
  8. 1935
    • Bette Davis (Joyce Heath) - Dangerous
  9. 1936
    • Luise Rainer (Anna Held) - The Great Ziegfeld
  10. 1937
    • Luise Rainer (O-Lan) - The Good Earth
  11. 1938
    • Bette Davis (Julie Marsden) - Jezebel
  12. 1939
    • Vivien Leigh (Scarlett O'Hara) - Gone with the Wind
  13. 1940
    • Ginger Rogers (Kitty Foyle) - Kitty Foyle
  14. 1941
    • Joan Fontaine (Line McLaidlaw Aysgarth) - Suspicion
  15. 1942
    • Greer Garson (Kay Miniver) - Mrs. Miniver
  16. 1943
    • Jennifer Jonas (Bernadette Soubirous) - The Song of Bernadette
  17. 1944
    • Ingrid Bergman (Paula Alquist Anton) - Gaslight
  18. 1945
    • Joan Crawford (Mildred Pierce Beragon) - Mildred Pierce
  19. 1946
    • Olivia de Havilland (Josephine "Jody" Norris) - To Each His Own
  20. 1947
    • Loretta Young (Katie Holstrom) - The Farmer's Daughter
  21. 1948
    • Jane Wyman (Belinda McDonald) - Johnny Belinda
  22. 1949
    • Olivia de Havilland (Catherine Sloper) - The Heiress
  23. 1950
    • Judy Holliday (Emma "Billie" Dawn) - Born Yesterday
  24. 1951
    • Viven Leigh (Blanche DuBois) - A Streetcar Named Desire
  25. 1952
    • Shirley Booth (Lola Delaney) - Come Back, Little Sheba
  26. 1953
    • Audrey Hepburn (Princess Ann) - Roman Holiday
  27. 1954
    • Grace Kelly (Georgie Elgin) - The Country Girl
  28. 1955
    • Anna Magnani (Serafina Delle Rose) - The Rose Tattoo
  29. 1956
    • Ingrid Bergman (Anna Koreff/Anastasia) - Anastasia
  30. 1957
    • Joane Woodward (Eve White/Eve Black/Jane) - The Three Faces of Eve
  31. 1958
    • Susan Hayward (Barbara Graham) - I Want to Live!
  32. 1959
    • Simone Signoret (Alice Aisgill) - Room at the Top
  33. 1960
    • Elizabeth Taylor (Gloria Wandrous) - BUtterfield 8
  34. 1961
    • Sophia Loren (Cesira) - Two Women
  35. 1962
    • Anne Bancroft (Annie Sullivan) - The Miracle Worker
  36. 1963
    • Patricia Neal (Alma Brown) - Hud
  37. 1964
    • Julie Andrews (Mary Poppins) - Mary Poppins
  38. 1965
    • Julie Christie (Diana Scott) - Darling
  39. 1966
    • Elizabeth Taylor (Martha) - Who's Afraid of Virginia Woolf?
  40. 1967
    • Katharine Hepburn (Christina Drayton) - Guess Who's Coming to Dinner
  41. 1968
    • Katharine Hepburn (Elanor of Aquitaine) - The Lion in Winter
    • Barbra Streisand (Fanny Brice) - Funny Girl
  42. 1969
    • Maggie Smith (Jean Brodie) - The Prime of Miss Jean Brodie
  43. 1970
    • Glenda Jackson (Gudrun Brangwen) - Women in Love
  44. 1971
    • Jane Fonda (Bree Daniels) - Klute
  45. 1972
    • Liza Minnelli (Sally Bowles) - Cabaret
  46. 1973
    • Glenda Jackson (Vickie Allessio) - A Touch of Class
  47. 1974
    • Ellen Burtlyn (Alice Graham-Hyatt) - Alice Doesn't Live Here Anymore
  48. 1975
    • Louise Fletcher (Nurse Mildred Ratched) - One Flew Over the Cuckoo's Nest
  49. 1976
    • Faye Dunaway (Diana Christensen) - Network
  50. 1977
    • Diane Keaton (Annie Hall) - Annie Hall
  51. 1978
    • Jane Fonda (Sally Hyde) - Coming Home
  52. 1979
    • Sally Field (Norma Rae Webster) - Norma Rae
  53. 1980
    • Sissy Spacek (Loretta Lynn) - Coal Miner's Daughter
  54. 1981
    • Katharine Hepburn (Ethel Thayer) - On Golden Pond
  55. 1982
    • Meryl Streep (Sophie Zawistowski) - Sophie's Choice
  56. 1983
    • Shirley MacLaine (Aurora Greenway) - Terms of Endearment
  57. 1984
    • Sally Field (Edna Spalding) - Places in the Heart
  58. 1985
    • Geraldine Page (Carrie Watts) - The Trip to Bountiful
  59. 1986
    • Marlee Matlin (Sarah Norman) - Children of a Lesser God
  60. 1987
    • Cher (Loretta Castorini) - Moonstruck
  61. 1988
    • Jodie Foster (Sarah Tobias) - The Accused
  62. 1989
    • Jessica Tandy (Daisy Werthan) - Driving Miss Daisy
  63. 1990
    • Kathy Bates (Annie Wilkes) - Misery
  64. 1991
    • Jodie Foster (Clarice Starling) - Silence of the Lambs
  65. 1992
    • Emma Thompson (Margaret Schlegel) - Howards End
  66. 1993
    • Holly Hunter (Ada McGrath) - The Piano
  67. 1994
    • Jessica Lange (Carly Marshall) - Blue Sky
  68. 1995
    • Susan Sarandon (Helen Prejean) - Dead Man Walking
  69. 1996
    • Frances McDormand (Marge Gunderson) - Fargo
  70. 1997
    • Helen Hunt (Carol Connelly) - As Good as It Gets
  71. 1998
    • Gwyneth Paltrow (Viola de Lesseps/Thomas Kent) - Shakespeare in Love
  72. 1999
    • Hilary Swank (Brandon Teena) - Boys Don't Cry
  73. 2000
    • Julia Roberts (Erin Brockovich) - Erin Brockovich
  74. 2001
    • Halle Berry (Leticia Musgrove) - Monster's Ball
  75. 2002
    • Nicole Kidman (Virginia Woolf) - The Hours
  76. 2003
    • Charlize Theron (Aileen "Lee" Wuornos) - Monster
  77. 2004
    • Hilary Swank ("Maggie Fitzgerald) - Million Dollar Baby
  78. 2005
    • Reese Witherspoon (June Carter Cash) - Walk the Line
  79. 2006
    • Helen Mirren (Queen Elizabeth II) - The Queen
  80. 2007
    • Marion Cotillard (Edith Plaf) - La Vie en Rose
  81. 2008
    • Kate Winslet (Hanna Schmitz) - The Reader
  82. 2009
    • Sandra Bullock (Leigh Anna Tuohy) - The Blind Side
  83. 2010
    • Natalie Portman (Nina Sayers) - Black Swan
  84. 2011
    • Meryl Streep (Margaret Thatcher) - The Iron Lady
  85. 2012
    • Jennifer Lawrence (Tiffany Maxwell) - Silver Linings Playbook
  86. 2013
    • Cate Blanchett (Jeanette "Jasmine" Francis) - Blue Jasmine
  87. 2014
    • Julianne Moore (Alice Howland) - Still Alice
  88. 2015
    • Brie Larson (Joy Newsome) - Room
  89. 2016
    • Emma Stone (Mia Dolan) - La La Land
  90. 2017
    • Frances McDormand (Mildred Hayes) - Three Billboards Outside Ebbing, Missouri
  91. 2018
    • Olivia Colman (Anne, Queen of Great Britain) - The Favourite
  92. 2019
    • Renee Zellweger (Judy Garland) - Judy
  93. 2020
    • Frances McDormand (Fern) - Nomadland
  94. 2021
    • Jessica Chastain (Tammy Faye Baker) - The Eyes of Tammy Faye
  95. 2022
    • Michelle Yeoh (Evelyn Wang) - Everything Everywhere All at Once

Actresses only show up next to their first movie until Trakt allows the same item multiple times on a list

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https://editorial.rottentomatoes.com/guide/best-romantic-comedies-of-all-time/

UPDATED: 2/13/24

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This is a list of the 100 funniest American films of all time.
The list was unveiled by the American Film Institute on June 13, 2000.

According to the AFI, the criteria for nomination are:

  • Feature-Length Fiction Film: The film must be in narrative format typically over 60 minutes in length;
  • American Film: The film must be in the English language with significant creative and/or financial production elements from the United States;
  • Funny: Regardless of genre, the total comedic impact of a film’s elements that creates an experience greater than the sum of the smiles;
  • Legacy: Laughs that echo across time, enriching America’s film heritage and inspiring artists and audiences today.

https://www.afi.com/afis-100-years-100-laughs/

9

Shows and movies released between 1980 and 1989.

2

Includes all the films of the 1001 Movies You Must See Before You Die Book, including films culled to make way for newer releases, up to the 2021 edition.

3

I well remember being taken to Blazing Saddles at the age of 10, when I was far too young to understand most of the jokes. At the same time, I could see how important Blazing Saddles was to my parents and their friends. They quoted from it for months—years—afterward.

As much as savoring a particular joke, I realize now, they were trying to reclaim that initial, joyful shock to the system. There’s not a film on the WGA’s 101 Funniest Screenplays that doesn’t produce such an unexpected jolt, if not a sustained quake, and for the same reasons Blazing Saddles did—by transgressing accepted norms.

One question that this list asks, however: Should a great comedy simply be gauged by the laughter it elicits? “Satire is what closes on Saturday night,” George S. Kaufman famously quipped. A number of the comedies on this list went under-appreciated at the box office and by critics; years, if not decades, had to pass before the work began to receive its due. This was as true for Buster Keaton’s The General as it was nearly half a century later for Harold and Maude, and 30 years after that for Office Space.

The oldest movie on the list is Charlie Chaplin’s The Gold Rush (1925), while the most recent is Bridesmaids, released in 2011. The latter also has the distinction of being written by two women—Kristen Wiig and Annie Mumolo, working in slapstick, a genre historically dominated by men. Bridesmaids comes in at no. 16, immediately after When Harry Met Sally, written by the legendary Nora Ephron. Comedy screenwriting has long been a playground that women and writers of color have not had enough time in. The work of Richard Pryor on Blazing Saddles, Tina Fey on Mean Girls, Amy Heckerling on Clueless, and Hagar Wilde, co-writer of Bringing Up Baby, makes you wonder what a list would be if the playground had been more inclusive all along.

In the end, the variety of films on the list—as different as Being There is to Airplane! or Duck Soup is to Fargo—indicates how difficult it is to gauge a great comedy by any set of particular criteria. Better to say the best comedy writers and comedians are like astronauts, launching themselves beyond the ozone layer of the tasteful and the expected in order to find the forbidden or the outrageous or the merely uncomfortable. Whether that produces an outrageous comedy like Mrs. Doubtfire or a satire like Dr. Strangelove, the goal is still provocation. And truth.

Written by Paul Brownfield
2015-11-15

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