Personal Lists featuring...

Mothra 1961

23

Tends to focus on psychological horror, tension building (suspense), and the supernatural, particularly involving ghosts (yūrei) and poltergeists.

266

The Masters of Cinema Series is a specially curated DVD collection of classic and world cinema using the finest available materials for home viewing.

An ongoing collaboration between mastersofcinema.org and Eureka Entertainment, the MoC Series started in early 2004 and has so far included award-winning DVD editions of films by Carl Th. Dreyer, F. W. Murnau, Jean Renoir, Akira Kurosawa, John Ford, Masaki Kobayashi, Roberto Rossellini, Kaneto Shindo, Nicholas Ray, Satyajit Ray, Hiroshi Teshigahara, Peter Watkins, Sadao Yamanaka, Rene Laloux, Fritz Lang, Shohei Imamura, Vittorio De Sica and many more.

MoC Series releases all come with extensive booklets, and where applicable, a host of extra features.

Source: https://www.eurekavideo.co.uk/moc

2

Godzilla and his pals get into all kinds of crazy shenanigans

7

Kaiju films and other movies with giant monsters

6

These are films that Quentin has mentioned in best-of lists, end of the year top films lists, QT Film Fests, podcasts, off-hand remarks in interviews, etc.

These have been sourced from many lists online, and made available here, in one spot, for your enjoyment.

Sources:
https://screenrant.com/quentin-tarantinos-favorite-movies-time-ranked/
https://mubi.com/lists/quentin-tarantinos-favorite-movies
https://imdb.com/list/ls043093231/
https://faroutmagazine.co.uk/quentin-tarantino-favourite-11-films-handwritten-list/
https://www.indiewire.com/gallery/quentin-tarantino-favorite-movies/
https://wiki.tarantino.info/index.php/Tarantino's_favorite_films
https://www.pulpfiction.com/quentin-tarantinos-top-20-films-1992-to-2009

Please comment on any that I may have missed.

29

Movies and series mentioned in a forum thread on Yog-Sothoth

13

This Collection features all Godzilla films made by Toho as well as other Toho productions that are related and officially counted in-canon. (Summary from original list)

This list is in no way official and the original list on imdb is now gone that explained all the connections.

1

Cine Trash: a inesquecível e nostálgica sessão de filmes de terror trash.

28
5

Japanese Giant Monster Movies
(Talkies)

56

Collection of additional "must-see" Danny Perry's movies, presented in the back of his "Guide for the Film Fanatic"

546 movies missing. Imported from external source.

21

From the revered classics of Akira Kurosawa, to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. The directory aims to play a part in the distribution of academic output by building a forum for the study of film from a disciplined theoretical base.

This is in the form of an A-Z of reviews, longer essays and research resources. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters are discussed in addition to the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.

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The list is based on the contents of the Book, sorted by chapters:
Film of the Year
Alternative Japan
Anime / Animation
Chambara / Samurai Cinema
Contemporary Blockbusters
Jidaigeki & Gendaigeki / Period & Contemporary
J-Horror / Japanese Horror
Kaiju Eiga / Monster Movies
Nuberu Bagu / The Japanese New Wave
Pinku Eiga / Pink Films
Yakuza / Gangster

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

List for the 2nd edition: http://trakt.tv/user/sp1ti/lists/directory-of-world-cinema-japan-2

[Missing Virus (1980), has the same year+name as another movie (TMDB:41972)]

55

From the revered classics of Akira Kurosawa, to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. The directory aims to play a part in the distribution of academic output by building a forum for the study of film from a disciplined theoretical base.

This is in the form of an A-Z of reviews, longer essays and research resources. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters are discussed in addition to the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.

The list is based on the contents of the Book, sorted by chapters:

  • Film of the Year
  • Alternative Japan
  • Anime / Animation
  • Chambara / Samurai Cinema
  • Contemporary Blockbusters
  • Jidaigeki & Gendaigeki / Period & Contemporary
  • J-Horror / Japanese Horror
  • Kaiju Eiga / Monster Movies
  • Nuberu Bagu / The Japanese New Wave
  • Pinku Eiga / Pink Films
  • Yakuza / Gangster

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

List for the 2nd edition: http://trakt.tv/users/sp1ti/lists/directory-of-world-cinema-japan-2

5

Showa Era
The “classic” period of Godzilla movies, the Shōwa era contains most of the films people think of when they picture our favorite atomic lizard. Weirdly, even though this period begins with the decidedly bleak and somber 1954 original, it’s best known for the franchise’s goofier moments, including Godzilla’s ludicrous son Minilla and pretty much every pro-wrestling-style GIF you’ve ever seen of the mighty kaiju.

Heisei Era
The Heisei era is much darker than the Shōwa era, an attempt to return Godzilla to his roots as an antagonist and as a grim allegory of the nuclear arms race. It also includes the longest stretch of continuity of any period of the franchise, with each film directly carrying events and characters over into the next.

Millennium Era
The Millennium era of Godzilla movies goes in the opposite direction of the Heisei era, with virtually no film in this period sharing any continuity with each other (Godzilla Against Mechagodzilla and Godzilla: Tokyo S.O.S. being the only exceptions). Its tone is a mix of the previous two eras, but the primarily villainous characterization of Godzilla is closer to the Heisei period.

Reiwa Era
The Reiwa era began with the 2016 live-action reboot Shin Godzilla and continued with a self-contained trilogy of animated features. This period contains the biggest narrative changes in the Godzilla franchise; in particular, the animated trilogy takes place in a distant future, long after the entire planet has fallen to Godzilla.

MonsterVerse
While the Marvel Cinematic Universe and the DCU tend to be the biggest topics of conversation among shared universes, Warner Bros. and Legendary Entertainment have had a pretty successful run with their MonsterVerse. The franchise updates two iconic movie monsters, Godzilla and King Kong, and has created its own mythology and recurring characters, and long-form plot developments. Different directors have come in and put their stamp on these characters, and audiences have embraced this franchise.

30

A list of (war) films that are in a foreign language that might be worth watching.
NOT included on List 17.

3

The best of kaiju, sentai, and Japanese special effects through the ages.

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