This list is drawn from "The New York Times Book of Movies: The Essential 1,000 Films to See", published in 2019. It contains a selection of 1000 reviews that have been printed in The New York Times. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.
Source: https://www.amazon.com/New-York-Times-Book-Movies/dp/078933657X
Source:
Years 1931-2018 come from:
The New York Times: Book of Movies
the essential 1,000 films to see
2019 ed
Years after 2018 come from NYT website.
work in progress
There are discrepancies between the website and the book, particular for years after 2003. Please leave a comment for any errors you find.
List created and maintained by https://listrr.pro
The Criterion Channel removed all 4 Sara Driver films from the Leaving carousel by December 24, 2020.
Blog: https://www.criterion.com/current/posts/7198-the-criterion-channel-s-december-2020-lineup
Tags: #service #criterion_channel #collection-order #complete
Women Make Film II †
https://www.womenmakefilm.net/
Introductions and Chapters††
01 – 05 / Introductions
06 – 29 / Chapter 01 | Openings
30 – 42 / Chapter 02 | Tone
43 – 56 / Chapter 03 | Believability
57 – 66 / Chapter 04 | Introducing Character
67 – 76 / Chapter 05 | Meet Cute
77 – 88 / Chapter 06 | Conversation
89–104 / Chapter 07 | Framing
105–109 / Chapter 08 | Tracking
110–114 / Chapter 09 | Staging
115–126 / Chapter 10 | Journey
127–136 / Chapter 11 | Discovery
137–149 / Chapter 12 | Adult/Child
150–150 / Chapter 13 | Economy
151–154 / Chapter 14 | Editing
155–161 / Chapter 15 | POV
162–166 / Chapter 16 | Close Up
167–173 / Chapter 17 | Surrealism and Dreams
174–180 / Chapter 18 | Bodies
181–191 / Chapter 19 | Sex
192–197 / Chapter 20 | Home
198–199 / Chapter 21 | Religion
200–207 / Chapter 22 | Work
208–219 / Chapter 23 | Politics
220–221 / Chapter 24 | Gear Change
222–228 / Chapter 25 | Comedy
229–232 / Chapter 26 | Melodrama
233–235 / Chapter 27 | SCI-FI
236–241 / Chapter 28 | Horror and Hell
242–245 / Chapter 29 | Tension
246–251 / Chapter 30 | Stasis
252–254 / Chapter 31 | Leave Out
255–259 / Chapter 32 | Reveal
260–264 / Chapter 33 | Memory
265–267 / Chapter 34 | Time
268–270 / Chapter 35 | Life Inside
271–275 / Chapter 36 | The Meaning of Life
276–XXX / Chapter 37 | Love
XXX–XXX / Chapter 38 | Death
XXX–XXX / Chapter 39 | Endings
XXX–XXX / Chapter 40 | Song and Dance
† NOTE: This is my second and broader list based on Women Make Film: A New Road Movie Through Cinema (2019) by Mark Cousins. It's a complete list of all films by chapter that appear in Cousins' 14 hour documentary. It's ranked and notated to mirror the documentary's structure. My other (first) list is similar but more narrow selection of films and their TCM premier dates, based on the same Cousins' documentary which airs in TCM's 2020 Women Make Film Film Festival. https://trakt.tv/users/lezelmaz/lists/women-make-film-tcm-tuesdays-2020
†† NOTE: This list notes the first instance only of a film that may appear in multiple chapters.
Mix of New and Old movies that I've watched this year order by most recently watched
The 53 Magyar Film is a list compiled in 2012 by Magyar Művészeti Akadémia (The Hungarian Academy of Arts) of feature length Hungarian narrative films.
The voting led by Sandor Sara yielded a list of 53 films between the years ranging from the first Hungarian film in 1931 up to 1994.
Source: http://www.mma.hu/53magyarfilm
All credits go to IMDb user: jakilcz
This list is drawn from the second edition of "The New York Times Guide to the Best 1,000 Movies Ever Made" (St. Martin's Griffin, $24.95), edited by Peter M. Nichols and published in 2004. For additional information about the list, read Peter M. Nichols's preface, or A. O. Scott's introduction.
Movies I need to see
Movies released during the 1980s to watch
Hungary has submitted films for the Academy Award for Best Foreign Language Film every year since 1965. This list contains all of them by date.
A cinematic history mixed with contemporary art.
Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ‘the eccentric’ - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.
www.g03.org/stillframe
The New York Times's Book of Movies
by maxwelldeuxVIP 8