Personal Lists featuring...

Pitfall 1962

405

A selection of films, famed for their decision to throw convention out of the window. This list pays homage to the great surrealist films from the history of cinema.

333

Since 1984, the Criterion Collection, has been dedicated to gathering the greatest films from around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements for a wider and wider audience. The foundation of the collection is the work of such masters of cinema as Kurosawa, Fellini, Bergman, Tarkovsky, Hitchcock, and Kubrick. Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen. To date, more than 150 filmmakers have made it into the collection.

Source: https://www.criterion.com/library/list_view?b=Criterion&m=dvd&s=spine

3

Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.

Films listed in order of spine numbers. Releases with multiple films are listed as individual items where appropiate.

Last Update: Releases up to July 2024 (Spine #1228)

Source: https://www.criterion.com/shop/browse/list?sort=spine_number

266

The Masters of Cinema Series is a specially curated DVD collection of classic and world cinema using the finest available materials for home viewing.

An ongoing collaboration between mastersofcinema.org and Eureka Entertainment, the MoC Series started in early 2004 and has so far included award-winning DVD editions of films by Carl Th. Dreyer, F. W. Murnau, Jean Renoir, Akira Kurosawa, John Ford, Masaki Kobayashi, Roberto Rossellini, Kaneto Shindo, Nicholas Ray, Satyajit Ray, Hiroshi Teshigahara, Peter Watkins, Sadao Yamanaka, Rene Laloux, Fritz Lang, Shohei Imamura, Vittorio De Sica and many more.

MoC Series releases all come with extensive booklets, and where applicable, a host of extra features.

Source: https://www.eurekavideo.co.uk/moc

7

The Criterion Collection is a video distribution company which specializes in licensing and selling "important classic and contemporary films" in "editions that offer the highest technical quality and award-winning, original supplements."

This is a list of all films (main feature, extra featurette, making of, box-set meta entry, etc if it has a separate entry on trakt) released under Criterion Collection catalog, Essential Art House, Eclipse, Merchant Ivory collections etc. as DVD/BluRay. So far LaserDisc releases have not been included.

Notes to self:
Reviewed/cross-checked entries till Criterion Collection #200.
Last entry: Criterion Collection Spine #845 / Eclipse Series #44.

244

From the Short Cuts book Fantasy Cinema: Impossible Worlds on Screen.

quote:
Often dismissed as simple escapist tales of sword and sorcery, fantasy is one of the fundamental impulses in filmmaking, a source of some of the most vivid and memorable films ever made that reaches far beyond the confines of a single genre. As well as some of the major genres, stylistic approaches and exponents of cinematic fantasy - from Georges Méliè̀s, Walt Disney, and Andrei Tarkovsky to contemporary fantasists such as Terry Gilliam and Peter Jackson - this volume focuses on fantasy's social function with case studies including The Thief of Baghdad (1924), Excalibur (1981), the Lord of the Rings trilogy (2001-03), and Bruce Almighty (2003). Taking in the popular and the experimental, subversive desires and reactionary dreams, this book is an accessible introduction to one of the vital energies in cinema. The Short Cuts series is a comprehensive list of introductory texts covering the full spectrum of Film Studies, specifically designed for building an individually-styled library for all students and enthusiasts of cinema and popular culture.

Three films are considered lost:
- La cigale et la fourmi (1897)
- La caverne maudite (1898)
- Le petit chaperon rouge (1901)

Source: https://www.amazon.com/Fantasy-Cinema-Impossible-Worlds-Wallflower/dp/1906660166

21

From the revered classics of Akira Kurosawa, to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. The directory aims to play a part in the distribution of academic output by building a forum for the study of film from a disciplined theoretical base.

This is in the form of an A-Z of reviews, longer essays and research resources. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters are discussed in addition to the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.

-

The list is based on the contents of the Book, sorted by chapters:
Film of the Year
Alternative Japan
Anime / Animation
Chambara / Samurai Cinema
Contemporary Blockbusters
Jidaigeki & Gendaigeki / Period & Contemporary
J-Horror / Japanese Horror
Kaiju Eiga / Monster Movies
Nuberu Bagu / The Japanese New Wave
Pinku Eiga / Pink Films
Yakuza / Gangster

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

List for the 2nd edition: http://trakt.tv/user/sp1ti/lists/directory-of-world-cinema-japan-2

[Missing Virus (1980), has the same year+name as another movie (TMDB:41972)]

53

Thanks to all who’ve made this a very popular list, in spite of glitches causing dozens of fans to suddenly disappear :(

A big welcome to the land of cinematic wonders!

I’ve aimed for a rounded overview to include not only personal favourites but popular hits and international award winners, animé landmarks, avant-
garde films, the New Wave, erotic “pink films” and the great classics that are still the glory of world cinema.

Much of silent cinema before the 1930s has been lost, its Benshi narrators displaced but good finally to have the landmark film Souls on the Road on Mubi. In the 20s directors were able to learn their trade through prolific practice, aware of and encorporating developments in both the Soviet Union and the West… and then, what a wealth of wonders! Older masters: the unequalled aesthetic refinement of Mizoguchi, the charm of Shimizu, the quiet observational wisdom of Ozu, the tragically curtailed promise of Yamanaka, the balanced restraint of Naruse, the muscular humanism of Kurosawa… Then, a new generation from the late 50s, in full swing in the sexually freer 60s: the idealism of Kobayashi, the political bite of Oshima, the earthy subversion of Imamura, the cool of Suzuki and Masumura. the avant-garde Terayama.. So many to explore: Yoshida, Ichikawa Kon, Teshigahara, Shinoda, Wakamatsu, Kumai, the documentaries of Ogawa and Hara, the stop motion master Kawamoto, the blood soaked Fukasaku.. the rise of animé, with the international success of Studio Ghibli and Miyazaki’s beautiful flights of fancy, the spiky Tsukamoto, the popular appeal of Kitano, the prolific shocker Miike.. up to the present with Koreeda, Naomi Kawase, Sono, Kurosawa Kiyoshi… oh and i almost went without mentioning Samurai and Godzilla.

Source: http://mubi.com/lists/kenjis-japanese-canon

Missing on TMDB as of now:
ID: tt0242845, Title: Narita: The Peasants of the Second Fortress, Year: -

55

From the revered classics of Akira Kurosawa, to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. The Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. The directory aims to play a part in the distribution of academic output by building a forum for the study of film from a disciplined theoretical base.

This is in the form of an A-Z of reviews, longer essays and research resources. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters are discussed in addition to the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.

The list is based on the contents of the Book, sorted by chapters:

  • Film of the Year
  • Alternative Japan
  • Anime / Animation
  • Chambara / Samurai Cinema
  • Contemporary Blockbusters
  • Jidaigeki & Gendaigeki / Period & Contemporary
  • J-Horror / Japanese Horror
  • Kaiju Eiga / Monster Movies
  • Nuberu Bagu / The Japanese New Wave
  • Pinku Eiga / Pink Films
  • Yakuza / Gangster

More information on this is also aviable on http://worldcinemadirectory.co.uk/!

List for the 2nd edition: http://trakt.tv/users/sp1ti/lists/directory-of-world-cinema-japan-2

47

The J-Film Pow-Wow has been going for nearly four years now and during that time we've reported on the annual Top Ten lists put out by various online and print sources and Chris, Bob, Marc, Matt and Eric have spent our fair share of time scouring and critiquing other people's Top 100 lists of Japanese films. It got to the point where we thought we'd put ourselves out there with our own list, something beyond our monthly Top Ten lists. With that in mind we pooled our collective movie-going experiences and have come up with the J-Film Pow-Wow's own Top 100 Japanese Films list.

Now, before you read on you should keep something in mind. This list was tabulated by all five of the Pow-Wow crew making lists of their own favorite Japanese films - not films we felt were historically important and not films that parroted other lists that have created the present canon of Japanese cinema. Our main concern was to come up with films that we held a real heartfelt love for. Once we drew up our lists we ranked them, assigned a points system and cross referenced all five to come up with this Top 100 list. There are some obvious picks ranking in obvious positions, there are some critically-favoured films in the Japanese film canon that didn't fare as well, and there are a lot of surprises. Those are the films on the list we're all most excited about.

Source: http://jfilmpowwow.blogspot.ch/2011/01/toronto-j-film-pow-wow-top-100-favorite.html

20

tous les films policiers

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