Princess Mononoke 1997

Gods and demons, wolves and boars, cute little bobble head spirits, some blood and gore, a shit ton of talking animals and an outcast Pokahontas princess. Princess Mononoke delivers a good adventure but... compared to Nausicaä, Nausicaä takes the cake! They share themes on environmentalism, strong female leads and impressive world-building but all of these aspects are done better in Nausicaä.

The biggest drawback for me is the characters: Nausicaä has one strong main character that drives the whole movie while Mononoke has two main characters but they feel diluted. Ashitaka isn't very interesting as a character and Mononoke feels underdevelopped and isn't central enough. I wanted more of her story or a flashback or something. I had a hard time connecting to any of the two and because of that, the romantic aspect is lessened.

For a movie that's considered a masterpiece by most, i'm surprised to see how simple and by the book the story is. It doesn't necessarily bring anything exceptional. The ending even more so. I feel like I never got used to the talking animals, i've hardly ever had that problem before but for some reason it was a complete turn-off here. It felt so jarring when the wolf started talking, it could be considered a twist because hell that surprised me. I think it clashed too much with the serious tone of everything prior to the wolf talking.

Brilliant score, beautiful animation, imaginative creatures and mythos, love the more mature tone compared to other Ghibli films. A good watch overall, it just doesn't live up to the acclaim this movie has.

Animations provide such a brilliant vehicle for storytelling. It's untethered by the limitations of reality. You see Studio Ghibli's works and you'd realize how even adult themes can also work in the form if presented well.

This is my second Studio Ghibli movie, the first being Spirited Away (2001). In a sense, you may think that in 1997, Miyazaki was already writing on the themes of Avatar, the 2009 film.

It's 14th-century Japan. The spirits are real and so is humankind's greed. There is a power struggle between the forest spirit and the lady of the iron town. Our protagonist, exiled from his clan, is engulfed in this power struggle unwittingly.

There is violence so this is not a kid's movie. Miyazaki goes to one of the oldest power struggles. It is in a way a struggle between eastern and western thought. Enterprises and profiteering vs communal living and harmony. Unfortunately, greed has survived and we no longer see the spirits among us. Call it magical realism if you may, but Miyazaki's spirits are relatable. You fall for their simplicity and crave to wind the clocks back to the 14th century. It is perplexing that almost everyone would feel for the forest spirits without realizing or conveniently ignoring that they represent the iron town. The incessant march of capitalism will ruin us all.

In a way this an old story. It was probably old even in 1997. Still, in 2023, it had a lot to offer. When you conduct an experiment and plot data points on a graph, there are some which are outliers. Sometimes your experiment execution is wrong and sometimes the points are wrong. Movies like these are the outliers on our entertainment spectrum. They tell you which direction is right. Depending on how far away your graph is from them, you know how much of a correction you still need to do.

Got a chance to rewatch "Princess Mononoke" after years thanks to the Japanese movie theaters initiative to bring back Studio Ghibli classics to the big screen. I was surprised to find it way more mature, grim, and violent than I remembered.

The film deals with the relationship between man and nature as a problem that cannot be ultimately solved. Mankind's instinct is to progress, destroy, and conquer, but it's ultimately doomed to extinction like any other species, no matter how advanced its weapons become. Nature, represented by the gods of the forest, may seem to be subject to mankind's domination and manipulation, but still remains the only irrational force that can give and take arbitrarily. Ashitaka's position is neutral; he is just doing his best to keep living aware of his condition as a human being and avoid conflict. None of the characters is truly good or bad, but conflict is inevitable as part of our nature (corruption even drives Ashitaka to unwillingly kill people).

The art direction is flawless as always, this time focused on the equivalent of Japan's medieval age and its animistic beliefs. Every Studio Ghibli film has its own unique atmosphere, but the mystic, grim mood of “Princess Mononoke” is still unsurpassed. Joe Hisaishi's soundtrack also heightens the epic quality and intensity of the film, with some of his most famous compositions. It gives me goosebumps every time.

My only complaint is that, like in most of Studio Ghibli's films, the ending felt rushed despite the extremely long, slow-paced buildup.

I'm convinced this is the film Studio Ghibli spent its early years building up to. While previous efforts like Castle in the Sky and My Neighbor Totoro contained mythical elements - sleepy deities, spritely spirits, magic-tinged talents - the influence of god-level beings often feels secondary, relegated to a few enchanting (yet fleeting) glimpses. In Princess Mononoke, such divine creatures are essential, active participants. They speak, argue, swing their weight around. We aren't left to guess about their opinions or motivations, because their words and actions carry such a resonant influence. It's mesmerizingly effective, a contrast between the seemingly petty concerns of human tribes and the mass and muscle of a much heavier entity.

Mononoke represents a huge step up for the studio, particularly in that sense of scale. Rather than maintaining the quaint, intimate essence that typified their early output, this time Ghibli has gone sweeping and epic. Everything, from the ambitious, enveloping symphonic score to the wide, gorgeous landscapes and distinct environs, emphasizes this point. We've left the village to find there's a broad undiscovered world out there. Yet the distinguishing little touches and unspoken human gestures haven't been lost in the transition, either. It still looks and feels like a Miyazaki movie, calmingly earnest and heartstrong, but the canvas is larger and more potentially powerful. And man, do they make the most of that promise.

Phew< A lot happens in this film. It has an epic scope: political strife, eco-messages, natural and human violence, romance, deception, misguided philanthropy. Where to begin? First, I'd issue a warning that about the violence, unfortunate word choices and uncomfortable life situations for consumption by young audiences. This was unexpected, so I spent quite a bit of time surreptitiously observing my 9 year old viewing companion for adverse reactions. We also had a good debriefing conversation on the way home from the movies. I feel confident that I did not return her to her parents scarred for life (once again >phew<). Apart from those concerns, both she and I really enjoyed the movie. The artwork was superb, the characters were well drawn, the action was fast paced, the suspense was compelling, the voice talent was superb. Truly, is there another studio that surpasses Ghibli in its field? I give the film an 8 (great) out of 10. (I will have to come back to this review with my young reviewers rating and reaction (our conversation never circle back to those basic conversational points we usually cover on the drive home, but, hopefully, we'll revisit those and share them here.) [Anime Adventure]

As a kid and young adult I was never into Manga or Anime or Japanese culture, so I believe that I've actually never seen a Japanese Anime before this one. I did watch the Last Airbender series, though, but even though they use the typical Japanese Anime style I'd feel like cheating if I'd list that as an Anime, because it's a US production.

However, as someone that is interested in movies and talks to other movie enthusiasts, there are certain Anime movies that you will simply hear popping up. Director Hayao Miyazaki and his Studio Ghibli productions for instance, and Princess Mononoke as one of his works is - according to many - something you should have seen. His works are celebrated as classics, even among non Anime-enthusiasts, his movie Spirited Away is listed in Steven Jay Schneider's !1001 movies to see before you die", and in the IMDB Top 250 movies you'll even find 6 of his movies, one of them being Princess Mononoke. This is just one reason why I always planned on giving those movies a try - I just never came around. Another one was just added recently as I started learning Japanese and saw it a good practice to watch movies in Japanese. And a third reason was a recent special in a YouTube format I like to watch (for the German readers: "Rocket Beans TV's Kino+"), where the guests talked about their Top 20 anime movies.

So finally I got myself the Blu-ray to もののけ姫. I actually really wanted to get the Japanese releases on Blu-ray but as they are extremely expensive, I settled for the German Steelbook releases which look fine as well (but unfortunately don't feature the Japanese Titles). Mononoke was the first I got, because it was the one with the lowest availability. It wasn't the movie that I was interested most in (that is actually "Spirited Away" but that is already out of print :( ), but it became the first I watched.

As someone who isn't that deep into Japanese Anime Culture the movie was somewhat confusing at the beginning. There where a few things I did not pick up, and this might have also been due to the fact that I watched it with original soundtrack and German subtitles - I feel like it's much harder to read subtitles on animated movies than it is on live action movies. But even though I was sometimes a bit confused about the behaviors, I generally enjoyed the movie. It had a few really cute ideas, e.g. I enjoyed the "Kodamas" as they are called - the wood spirits. And I liked the general idea of the Shishigami - the forest spirit. I did expect this movie to be much more about the girl (called San, not Mononoke - also she is not really a princess - so the title is a bit puzzling) though. However it is told entirely from the perspective of prince Ashitaka, who is actually a prince who got attacked by a vengeful spirit and tries to find a cure/and or the cause of the demons existence and finds it in Lady Eboshi and her Iron Town, who seek to destroy the forest and by doing so defeat all the Gods and spirits that dwell in it.

As you might already have heard out of the small plot summary, this movie bears a deeper meaning, and it is really strange from any western movie, because even though we get a typical antagonist, we actually never ever really get a showdown with her. She is still treated as someone who is good and protected by our protagonist, even though her actions are pure evil and threaten the world and are the cause of curses and wild demons savaging the nearby villages.

All in all, it's an interesting movie, it has a deep meaning that we should all think about, yet it is also really strange and at times confusing. I feel like I'll have to watch it a second time, and maybe at least once with German dubbings.

I was excited though. The art is beautifully done, and there are really creative ideas that went into this movie. I am probably still not an Anime/Manga guy - yet even I can realize that it is worth a watch.