Que Viva Mexico! 1979

Since the 2015 TSPDT has released a companion to their greatest 1000 films, consisting of the films ranked 1001-2000. This list contains the most recent version of this list, with all the previous lists in the history.

Source: http://www.theyshootpictures.com/gf1000_films1001-2000.htm

Surrealism in cinema refers to the use of dreamlike and irrational elements in films to create a unique visual style that challenges conventional notions of reality. It originated from the artistic movement of surrealism in the 1920s and 30s, which sought to tap into the subconscious mind through the use of irrational imagery and symbolism. In film, surrealism often employs techniques such as discontinuous editing, unexpected imagery, and the use of special effects to create a dream-like atmosphere and to challenge the viewer's perception of reality. The aim of surrealist films is to provoke an emotional and intellectual response from the audience, and to blur the boundaries between the conscious and the unconscious mind.

A list of my favorite movies

A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.

Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X

Todo el mejor cine de la historia

In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.

The 2013 edition can be found at http://trakt.tv/user/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2013.

Welcome to 2012's edition of the 1,000 Greatest Films. This will be the last update prior to the publication of the 'earth-shattering' Sight & Sound poll which will be unfurled later in the year. The Sight & Sound results will no doubt have a major impact on TSPDT's 1,000 Greatest Films listing. It will become the most heavily weighted poll within our calculations. Anyway, that is then, and this is now."

Source: http://www.theyshootpictures.com/gf1000.htm

In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.

Source: http://www.slantmagazine.com/features/article/100-essential-films

The Japanese Contemporary Arthouse Guide asked 18 Japanese directors to name 5 documentaries to introduce new viewers to the charm of cinema.

Original answers (Japanese):
https://arthouse-guide.jp/#enquete

Translation by @​Asian_docs:
https://twitter.com/Asian_docs/status/1574343628729683968

Which directors have selected a given film is indicated in the film's note.

Links to directors on Trakt:
Irie Yu: https://trakt.tv/people/yu-irie
Ogawa Sara: https://trakt.tv/people/sara-ogawa
Oda Kaori: https://trakt.tv/people/kaori-oda
Kusano Natsuka: https://trakt.tv/people/natsuka-kusano
Komori Haruka: https://trakt.tv/people/haruka-komori
Shimada Ryuichi: https://trakt.tv/people/ryuichi-shimada
Shiraishi Koji: https://trakt.tv/people/koji-shiraishi
Seta Natsuki: https://trakt.tv/people/natsuki-seta
Soda Kazuhiro: https://trakt.tv/people/kazuhiro-soda
Tomita Katsuya: https://trakt.tv/people/katsuya-tomita
Hirose Nanako: https://trakt.tv/people/nanako-hirose
Fukada Koji: https://trakt.tv/people/koji-fukada
Fujimoto Akio: https://trakt.tv/people/akio-fujimoto
Hokimoto Sora: https://trakt.tv/people/hokimoto-sora
Matsubayashi Yoju: https://trakt.tv/people/yoju-matsubayashi
Miyake Sho: https://trakt.tv/people/sho-miyake
Yamanaka Yoko: https://trakt.tv/people/yoko-yamanaka
Yokohama Satoko: https://trakt.tv/people/satoko-yokohama

Movies I need to see

La vraie liste

"While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive “greatest films” package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems."

Source: http://www.slantmagazine.com/features/article/100-essential-films

Pelis que ver

Let’s start te game

The 481 films listed below were included in previous editions of the They Shoot Pictures, Don't They?'s 1,000 Greatest Films.

The 2013 version of TSPDT’s 1,000 Greatest Films is finally here. After months of stop-start, data-building and unhealthy calculation antics, the latest group of 1,000 movie offerings has been assembled once again for your pleasure (or displeasure). Depending on your observation skills, you may have already noticed that there is a new presentation for this ongoing project.

Source: http://www.theyshootpictures.com/gf1000.htm

The old 2012 edition can be found @http://trakt.tv/users/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2012