Personal Lists featuring...

Sleeper 1973

1

Taken from TotalSciFiOnline.com

http://totalscifionline.com/features/3809-the-100-greatest-sci-fi-movies

405

A selection of films, famed for their decision to throw convention out of the window. This list pays homage to the great surrealist films from the history of cinema.

32

1001 Movies You Must See Before You Die is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics.

Source: http://en.wikipedia.org/wiki/1001_Movies_You_Must_See_Before_You_Die

6

Source: IMDB
Filter: Votes >= 10000
Order: Votes Descending
Date: 2014-08-23

342

Over 1,000 films are listed in this visually arresting, full-color celebration of the silver screen. Film personalities, including actors, directors, cinematographers, and animators, write about their favorite films from a variety of angles. Martin Scorsese, Nicole Kidman, and Nick Hornby are among those who weigh in. Writers are matched to suitable (or sometimes surprising) themes and genres within the wider subject of how films can alter the course of a life. Movie stills and posters, trivia, and top-ten lists make this a book that can be dipped into or read from cover to cover. Great screen moments — endings, beginnings, kisses, death scenes — are given special spreads. The eclectic approach speaks to fans of big Hollywood blockbusters and factoid-reciting film geeks alike.

Source: https://www.amazon.com/Time-1000-Films-Change-Guides/dp/1904978738

24

Excludes superhero/supervillain movies

336

This list is drawn from "The New York Times Book of Movies: The Essential 1,000 Films to See", published in 2019. It contains a selection of 1000 reviews that have been printed in The New York Times. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.

Source: https://www.amazon.com/New-York-Times-Book-Movies/dp/078933657X

352

Since the 2015 TSPDT has released a companion to their greatest 1000 films, consisting of the films ranked 1001-2000. This list contains the most recent version of this list, with all the previous lists in the history.

Source: http://www.theyshootpictures.com/gf1000_films1001-2000.htm

404

Surrealism in cinema refers to the use of dreamlike and irrational elements in films to create a unique visual style that challenges conventional notions of reality. It originated from the artistic movement of surrealism in the 1920s and 30s, which sought to tap into the subconscious mind through the use of irrational imagery and symbolism. In film, surrealism often employs techniques such as discontinuous editing, unexpected imagery, and the use of special effects to create a dream-like atmosphere and to challenge the viewer's perception of reality. The aim of surrealist films is to provoke an emotional and intellectual response from the audience, and to blur the boundaries between the conscious and the unconscious mind.

18

Source:
Years 1931-2018 come from:
The New York Times: Book of Movies
the essential 1,000 films to see
2019 ed

Years after 2018 come from NYT website.

work in progress
There are discrepancies between the website and the book, particular for years after 2003. Please leave a comment for any errors you find.

8

This is a list of the 100 funniest American films of all time.
The list was unveiled by the American Film Institute on June 13, 2000.

According to the AFI, the criteria for nomination are:

  • Feature-Length Fiction Film: The film must be in narrative format typically over 60 minutes in length;
  • American Film: The film must be in the English language with significant creative and/or financial production elements from the United States;
  • Funny: Regardless of genre, the total comedic impact of a film’s elements that creates an experience greater than the sum of the smiles;
  • Legacy: Laughs that echo across time, enriching America’s film heritage and inspiring artists and audiences today.

https://www.afi.com/afis-100-years-100-laughs/

7

ref: https://en.wikipedia.org/wiki/The_Film_That_Changed_My_Life

3

I well remember being taken to Blazing Saddles at the age of 10, when I was far too young to understand most of the jokes. At the same time, I could see how important Blazing Saddles was to my parents and their friends. They quoted from it for months—years—afterward.

As much as savoring a particular joke, I realize now, they were trying to reclaim that initial, joyful shock to the system. There’s not a film on the WGA’s 101 Funniest Screenplays that doesn’t produce such an unexpected jolt, if not a sustained quake, and for the same reasons Blazing Saddles did—by transgressing accepted norms.

One question that this list asks, however: Should a great comedy simply be gauged by the laughter it elicits? “Satire is what closes on Saturday night,” George S. Kaufman famously quipped. A number of the comedies on this list went under-appreciated at the box office and by critics; years, if not decades, had to pass before the work began to receive its due. This was as true for Buster Keaton’s The General as it was nearly half a century later for Harold and Maude, and 30 years after that for Office Space.

The oldest movie on the list is Charlie Chaplin’s The Gold Rush (1925), while the most recent is Bridesmaids, released in 2011. The latter also has the distinction of being written by two women—Kristen Wiig and Annie Mumolo, working in slapstick, a genre historically dominated by men. Bridesmaids comes in at no. 16, immediately after When Harry Met Sally, written by the legendary Nora Ephron. Comedy screenwriting has long been a playground that women and writers of color have not had enough time in. The work of Richard Pryor on Blazing Saddles, Tina Fey on Mean Girls, Amy Heckerling on Clueless, and Hagar Wilde, co-writer of Bringing Up Baby, makes you wonder what a list would be if the playground had been more inclusive all along.

In the end, the variety of films on the list—as different as Being There is to Airplane! or Duck Soup is to Fargo—indicates how difficult it is to gauge a great comedy by any set of particular criteria. Better to say the best comedy writers and comedians are like astronauts, launching themselves beyond the ozone layer of the tasteful and the expected in order to find the forbidden or the outrageous or the merely uncomfortable. Whether that produces an outrageous comedy like Mrs. Doubtfire or a satire like Dr. Strangelove, the goal is still provocation. And truth.

Written by Paul Brownfield
2015-11-15

3

https://www.timeout.com/london/film/the-100-best-sci-fi-movies-how-many-have-you-seen

3

HollyWood Movies based on Popularity

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