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Spies 1928

351

The They Shoot Pictures, Don't They? 1,000 greatest films list is primarily compiled by using over 6000 individual critics' and filmmakers' best-films-of-all-time lists/ballots. The resulting list is very diverse and spans virtually all movie-producing decades and countries.

Source: http://www.theyshootpictures.com/gf1000.htm

326

The top films in the 2012 Sight and Sound Poll from the combined votes of 846 critics and 359 directors. Contains films with 3 or more votes. In order by number of votes.

The following is a list of positions and the number of corresponding votes. 21-22 (66 votes), 27-28 (55 votes), 29-30 (54 votes), 36-37 (46 votes), 39-42 (44 votes), 43-46 (43 votes), 47-50 (41 votes), 51-52 (40 votes), 53-55 (39 votes), 56-57 (38 votes), 59-60 (35 votes), 62-74 (33 votes), 75-77 (32 votes), 78-79 (31 votes), 82-88 (28 votes), 89-90 (27 votes), 91-93 (26 votes), 94-99 (25 votes), 100-103 (24 votes), 104-106 (23 votes), 107-110 (22 votes), 111-118 (21 votes), 119-127 (20 votes), 128-139 (19 votes), 140-146 (18 votes), 147-153 (17 votes), 154-166 (16 votes), 167-182 (15 votes), 183-193 (14 votes), 194-206 (13 votes), 207-228 (12 votes), 229-243 (11 votes), 244-271 (10 votes), 272-302 (9 votes), 303-330 (8 votes), 331-375 (7 votes), 376-423 (6 votes), 424-497 (5 votes), 498-624 (4 votes), 625-817 (3 votes)

Source: http://www.bfi.org.uk/films-tv-people/sightandsoundpoll2012

266

The Masters of Cinema Series is a specially curated DVD collection of classic and world cinema using the finest available materials for home viewing.

An ongoing collaboration between mastersofcinema.org and Eureka Entertainment, the MoC Series started in early 2004 and has so far included award-winning DVD editions of films by Carl Th. Dreyer, F. W. Murnau, Jean Renoir, Akira Kurosawa, John Ford, Masaki Kobayashi, Roberto Rossellini, Kaneto Shindo, Nicholas Ray, Satyajit Ray, Hiroshi Teshigahara, Peter Watkins, Sadao Yamanaka, Rene Laloux, Fritz Lang, Shohei Imamura, Vittorio De Sica and many more.

MoC Series releases all come with extensive booklets, and where applicable, a host of extra features.

Source: https://www.eurekavideo.co.uk/moc

327

The top 300 best silent era films are based on the votes on the silentera.com website. The list is not limited to features exclusively. True silent films (like City Lights) not made in the default silent cinema timeline (1891-1929) are also accepted. Films receiving votes must still exist somewhere and in some viewable form. We limit the list to films that were produced to be silent films exclusively (synchronized music tracks are acceptable, but part-talkies and talkies that have only survived as silents are out).

Source: http://silentera.com/info/top100.html

289

This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

#1 - #1012: original list
#1013 - #1073: 2008 additions
#1074 - #1133: 2016 additions

Source: https://www.amazon.com/Essential-Cinema-Necessity-Film-Canons/dp/0801889715

342

Over 1,000 films are listed in this visually arresting, full-color celebration of the silver screen. Film personalities, including actors, directors, cinematographers, and animators, write about their favorite films from a variety of angles. Martin Scorsese, Nicole Kidman, and Nick Hornby are among those who weigh in. Writers are matched to suitable (or sometimes surprising) themes and genres within the wider subject of how films can alter the course of a life. Movie stills and posters, trivia, and top-ten lists make this a book that can be dipped into or read from cover to cover. Great screen moments — endings, beginnings, kisses, death scenes — are given special spreads. The eclectic approach speaks to fans of big Hollywood blockbusters and factoid-reciting film geeks alike.

Source: https://www.amazon.com/Time-1000-Films-Change-Guides/dp/1904978738

240

Deciding that Londoners should have the opportunity to view a film masterpiece approximately every day during the course of the year, BFI film archivist David Meeker approached the board of directors at the BFI in 1982 with his idea of compiling a list of 360 of the world’s cinema masterpieces, collect brand new, state-of-the-art prints of each film and issue a companion book for each movie. This list of films, referred to as the 360 Classic Feature Films project, was published in Sight and Sound's June 1998 issue.

5

They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.

This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.

www.theyshootpictures.com

3

Every movie featured in a Cinefix top ten video all in one place.

6

A list for the Masters of Cinema releases in blu-ray format

62

This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

57

In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

16

In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.

34

The 2013 edition can be found at http://trakt.tv/user/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2013.

Welcome to 2012's edition of the 1,000 Greatest Films. This will be the last update prior to the publication of the 'earth-shattering' Sight & Sound poll which will be unfurled later in the year. The Sight & Sound results will no doubt have a major impact on TSPDT's 1,000 Greatest Films listing. It will become the most heavily weighted poll within our calculations. Anyway, that is then, and this is now."

Source: http://www.theyshootpictures.com/gf1000.htm

44

In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.

Source: http://www.slantmagazine.com/features/article/100-essential-films

12

This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

10

This collection includes Spy films, themes and government intelligence based titles.

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