The complete list of movies for the Oscar 2018.
01, 02, 03, 04, 05, 06, 07, 08 & 09: BEST PICTURE -> Winner: 08 - The Shape of Water;
01, 02, 04, 06 & 10: BEST ACTOR IN A LEADING ROLE -> Winner: 02 - Darkest Hour (Gary Oldman);
05, 07, 08, 09 & 11: BEST ACTRESS IN A LEADING ROLE -> Winner: 09 - Three Billboards Outside Ebbing, Missouri (Frances McDormand);
08, 09, 09, 12 & 13: BEST ACTOR IN A SUPPORTING ROLE -> Winner: 09 - Three Billboards Outside Ebbing, Missouri (Sam Rockwell);
05, 06, 08, 11 & 14: BEST ACTRESS IN A SUPPORTING ROLE -> Winner: 11 - I, Tonya (Allison Janney);
15, 16, 17, 18 & 19: BEST ANIMATED FEATURE FILM -> Winner: 17 - Coco;
02, 03, 08, 14 & 20: BEST CINEMATOGRAPHY -> Winner: 20 - Blade Runner 2049;
06, 08, 20, 21 & 22: BEST COSTUME DESIGN -> Winner: 06 - Phantom Thread;
03, 04, 05, 06 & 08: BEST DIRECTING -> Winner: 08 - The Shape of Water (Guillermo del Toro);
23, 24, 25, 26 & 27: BEST DOCUMENTARY FEATURE -> Winner: 25 - Icarus;
28, 29, 30, 31 & 32: BEST DOCUMENTARY SHORT -> Winner: 29 - Heaven Is a Traffic Jam on the 405;
03, 08, 09, 11 & 33 : BEST FILM EDITING -> Winner: 03 - Dunkirk;
34, 35, 36, 37 & 38: BEST FOREIGN LANGUAGE FILM -> Winner: 34 - A Fantastic Woman;
02, 22 & 39: BEST MAKEUP AND HAIRSTYLING -> Winner: 02 - Darkest Hour;
03, 06, 08, 09 & 40: BEST MUSIC - ORIGINAL SCORE -> Winner: 08 - The Shape of Water;
01, 14, 17, 41 & 42: BEST MUSIC - ORIGINAL SONG -> Winner: 17 - Coco (Remember Me);
02, 03, 08, 20 & 21: BEST PRODUCTION DESIGN -> Winner: 08 - The Shape of Water;
43, 44, 45, 46 & 47: BEST SHORT FILM - ANIMATED -> Winner: 43 - Dear Basketball;
48, 49, 50, 51 & 52: BEST SHORT FILM - LIVE ACTION -> Winner: 51 - The Silent Child;
03, 08, 20, 33 & 40: BEST SOUND EDITING -> Winner: 03 - Dunkirk;
03, 08, 20, 33 & 40: BEST SOUND MIXING -> Winner: 03 - Dunkirk;
20, 40, 53, 54 & 55: BEST VISUAL EFFECTS -> Winner: 20 - Blade Runner 2049;
01, 14, 56, 57 & 58: BEST WRITING - ADAPTED SCREENPLAY -> Winner: 01 - Call Me by Your Name;
04, 05, 08, 09 & 59: BEST WRITING - ORIGINAL SCREENPLAY -> Winner: 04 - Get Out.
Tip: Pick a movie and search (ctrl+f) by the number to view all its nominations above,
e.g. search 01 to view all nominations & wins for "Call Me by Your Name".
Practically the whole of your childhood is dead (including the Powerpuff Girls), bigotry has entered the White House, we are about to face similar problems for the same reason, and Pokémon have taken people out of reality and off of cliffs. It's no wonder I go to the cinema so many goddamn times. However, with all these disinteresting sequels and "original" concepts, I don't see that happening nearly as much as 2016.
As far as I know, there's no farting corpses, very little hot dogs, hardly any seagulls, no chance of cute 3D redheads and a bunch of gems I've already witnessed first at a festival. Until another festival can surprise me, be it Flare, Sundance, LFF or even the LIAF, the most notable experience I can think of as of yet is seeing who else will attend the My Little Pony movie.
One thing's for sure - there will be less to see than last year, and the rising interest in digital releases doesn't help (especially with the region cheats). Will there be another Carol like there was twice last year, not counting their UK releases this year? Or is 2017 just going to be the weakest year for film by far? Unless we act soon, it won't just be democracy that's dead.
The All-Time Worldwide Box office list includes movies that have grossed over $200,000,000 at the box office during their theatrical runs. Only theatrical box office receipts (movie ticket sales) are included, video rentals, television rights and other revenues are thus ignored. The total may include theatrical re-release receipts. Figures are not adjusted for inflation.
List of Nominees and Winners.
TIMOTHÉE CHALAMET "Call Me by Your Name"
DANIEL DAY-LEWIS "Phantom Thread"
DANIEL KALUUYA "Get Out"
GARY OLDMAN "Darkest Hour" - WINNER
DENZEL WASHINGTON "Roman J. Israel, Esq."
WILLEM DAFOE "The Florida Project"
WOODY HARRELSON "Three Billboards outside Ebbing, Missouri"
RICHARD JENKINS "The Shape of Water"
CHRISTOPHER PLUMMER "All the Money in the World"
SAM ROCKWELL "Three Billboards outside Ebbing, Missouri" - WINNER
SALLY HAWKINS "The Shape of Water"
FRANCES MCDORMAND "Three Billboards outside Ebbing, Missouri" - WINNER
MARGOT ROBBIE "I, Tonya"
SAOIRSE RONAN "Lady Bird"
MERYL STREEP "The Post"
MARY J. BLIGE "Mudbound"
ALLISON JANNEY "I, Tonya" - WINNER
LESLEY MANVILLE "Phantom Thread"
LAURIE METCALF "Lady Bird"
OCTAVIA SPENCER "The Shape of Water"
"THE BOSS BABY" Tom McGrath and Ramsey Naito
"THE BREADWINNER" Nora Twomey and Anthony Leo
"COCO" Lee Unkrich and Darla K. Anderson - WINNER
"FERDINAND" Carlos Saldanha
"LOVING VINCENT" Dorota Kobiela, Hugh Welchman and Ivan Mactaggart
"BLADE RUNNER 2049" Roger A. Deakins - WINNER
"DARKEST HOUR" Bruno Delbonnel
"DUNKIRK" Hoyte van Hoytema
"MUDBOUND" Rachel Morrison
"THE SHAPE OF WATER" Dan Laustsen
"BEAUTY AND THE BEAST" Jacqueline Durran
"DARKEST HOUR" Jacqueline Durran
"PHANTOM THREAD" Mark Bridges - WINNER
"THE SHAPE OF WATER" Luis Sequeira
"VICTORIA & ABDUL" Consolata Boyle
"DUNKIRK" Christopher Nolan
"GET OUT" Jordan Peele
"LADY BIRD" Greta Gerwig
"PHANTOM THREAD" Paul Thomas Anderson
"THE SHAPE OF WATER" Guillermo del Toro - WINNER
"ABACUS: SMALL ENOUGH TO JAIL" Steve James, Mark Mitten and Julie Goldman
"FACES PLACES" Agnès Varda, JR and Rosalie Varda
"ICARUS" Bryan Fogel and Dan Cogan - WINNER
"LAST MEN IN ALEPPO" Feras Fayyad, Kareem Abeed and Søren Steen Jespersen
"STRONG ISLAND" Yance Ford and Joslyn Barnes
"EDITH+EDDIE" Laura Checkoway and Thomas Lee Wright
"HEAVEN IS A TRAFFIC JAM ON THE 405" Frank Stiefel - WINNER
"HEROIN(E)" Elaine McMillion Sheldon and Kerrin Sheldon
"KNIFE SKILLS" Thomas Lennon
"TRAFFIC STOP" Kate Davis and David Heilbroner
"BABY DRIVER" Paul Machliss and Jonathan Amos
"DUNKIRK" Lee Smith - WINNER
"I, TONYA" Tatiana S. Riegel
"THE SHAPE OF WATER" Sidney Wolinsky
"THREE BILLBOARDS OUTSIDE EBBING, MISSOURI" Jon Gregory
"A FANTASTIC WOMAN" Chile - WINNER
"THE INSULT" Lebanon
"ON BODY AND SOUL" Hungary
"THE SQUARE" Sweden
"DARKEST HOUR" Kazuhiro Tsuji, David Malinowski and Lucy Sibbick - WINNER
"VICTORIA & ABDUL" Daniel Phillips and Lou Sheppard
"WONDER" Arjen Tuiten
"DUNKIRK" Hans Zimmer
"PHANTOM THREAD" Jonny Greenwood
"THE SHAPE OF WATER" Alexandre Desplat - WINNER
"STAR WARS: THE LAST JEDI" John Williams
"THREE BILLBOARDS OUTSIDE EBBING, MISSOURI" Carter Burwell
"MIGHTY RIVER" from "Mudbound"; Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson
"MYSTERY OF LOVE" from "Call Me by Your Name"; Music and Lyric by Sufjan Stevens
"REMEMBER ME" from "Coco"; Music and Lyric by Kristen Anderson-Lopez and Robert Lopez - WINNER
"STAND UP FOR SOMETHING" from "Marshall"; Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren
"THIS IS ME" from "The Greatest Showman"; Music and Lyric by Benj Pasek and Justin Paul
"CALL ME BY YOUR NAME" Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, Producers
"DARKEST HOUR" Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, Producers
"DUNKIRK" Emma Thomas and Christopher Nolan, Producers
"GET OUT" Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, Producers
"LADY BIRD" Scott Rudin, Eli Bush and Evelyn O'Neill, Producers
"PHANTOM THREAD" JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi, Producers
"THE POST" Amy Pascal, Steven Spielberg and Kristie Macosko Krieger, Producers
"THE SHAPE OF WATER" Guillermo del Toro and J. Miles Dale, Producers - WINNER
"THREE BILLBOARDS OUTSIDE EBBING, MISSOURI" Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
"BEAUTY AND THE BEAST" Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
"BLADE RUNNER 2049" Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola
"DARKEST HOUR" Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
"DUNKIRK" Production Design: Nathan Crowley; Set Decoration: Gary Fettis
"THE SHAPE OF WATER" Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin - WINNER
"DEAR BASKETBALL" Glen Keane and Kobe Bryant - WINNER
"GARDEN PARTY" Victor Caire and Gabriel Grapperon
"LOU" Dave Mullins and Dana Murray
"NEGATIVE SPACE" Max Porter and Ru Kuwahata
"REVOLTING RHYMES" Jakob Schuh and Jan Lachauer
"DEKALB ELEMENTARY" Reed Van Dyk
"THE ELEVEN O'CLOCK" Derin Seale and Josh Lawson
"MY NEPHEW EMMETT" Kevin Wilson, Jr.
"THE SILENT CHILD" Chris Overton and Rachel Shenton - WINNER
"WATU WOTE/ALL OF US" Katja Benrath and Tobias Rosen
"BABY DRIVER" Julian Slater
"BLADE RUNNER 2049" Mark Mangini and Theo Green
"DUNKIRK" Richard King and Alex Gibson - WINNER
"THE SHAPE OF WATER" Nathan Robitaille and Nelson Ferreira
"STAR WARS: THE LAST JEDI" Matthew Wood and Ren Klyce
"BABY DRIVER" Julian Slater, Tim Cavagin and Mary H. Ellis
"BLADE RUNNER 2049" Ron Bartlett, Doug Hemphill and Mac Ruth
"DUNKIRK" Mark Weingarten, Gregg Landaker and Gary A. Rizzo - WINNER
"THE SHAPE OF WATER" Christian Cooke, Brad Zoern and Glen Gauthier
"STAR WARS: THE LAST JEDI" David Parker, Michael Semanick, Ren Klyce and Stuart Wilson
"BLADE RUNNER 2049" John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover - WINNER
"GUARDIANS OF THE GALAXY VOL. 2" Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick
"KONG: SKULL ISLAND" Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus
"STAR WARS: THE LAST JEDI" Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould
"WAR FOR THE PLANET OF THE APES" Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist
"CALL ME BY YOUR NAME" Screenplay by James Ivory - WINNER
"THE DISASTER ARTIST" Screenplay by Scott Neustadter & Michael H. Weber
"LOGAN" Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold
"MOLLY'S GAME" Written for the screen by Aaron Sorkin
"MUDBOUND" Screenplay by Virgil Williams and Dee Rees
"THE BIG SICK" Written by Emily V. Gordon & Kumail Nanjiani
"GET OUT" Written by Jordan Peele - WINNER
"LADY BIRD" Written by Greta Gerwig
"THE SHAPE OF WATER" Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro
"THREE BILLBOARDS OUTSIDE EBBING, MISSOURI" Written by Martin McDonagh
From surgical quietude and nocturnal nightmares to feral mermaid sisters and antiporno sadism
For many people, 2017 was a year endured rather than lived. If 2016 was marked by the sheer immediacy of survival, then that sense of heightened awareness led us to wonder just how the fuck we got to where we are now. As reality continued to morph into the cartoonishly hyperreal landscapes of a nightmare, the cinema of 2017 brought forth a much-needed wave of pragmatism, forcing us to take a long, hard look at our collective histories — both recent and long ago, historical and fictional — as a means of regaining our bearings in a world where the rug had seemingly been pulled out from under our feet.
Whether these films were tackling issues of race (Mudbound, I Am Not Your Negro), sexuality (BPM, Call Me By Your Name), or even our youthful connection to the towns we grew up in (Lady Bird), there was an urgent sense of gazing back in time to reckon with our mistakes. And these contemplative reevaluations wisely skirted pure nostalgia, paving the way for thrilling narrative and visual experiments, from slowly peeling back the perfectionist veneer of the 1950s London fashion world to reveal its psychological kinks (Phantom Thread) and extolling the humor and wit of a reclusive poet (A Quiet Passion) to examining a collision between personal obsession and imperialism (The Lost City of Z) and a daring retcon of the world’s most ubiquitous film series (Star Wars: The Last Jedi).
Even topics that have been long since rendered inert were made exciting once again in 2017. Christopher Nolan’s use of World War II (Dunkirk) as an experiment in crosscutting and tension-building and Albert Serra’s wry Renaissance-painting-come-to-life (The Death of Louis XIV) displayed new aesthetic strategies for representing and grappling with the past, while James Franco used the behind-the-scenes on-set comedy (The Disaster Artist) to explore both the authenticity of our attachment to so-bad-it’s-good cinema as well as the emotional and economic intricacies behind its own making.
But where many films looked behind us, there were still plenty drawing inspiration from the urgency of our current and near-future predicaments. Some of our favorites managed to touch on the potential repercussions that technological advancements will have on our consciousness and memory (Marjorie Prime) or our sense of self-worth (Ingrid Goes West), while others remained firmly grounded in the struggle to simply exist and make it to the end of each day (The Florida Project, Good Time). These 30 films demonstrate that the art of filmmaking can still be emboldened by sociopolitical turmoil to re-examine its own means of production, simultaneously breathing new life into once-stale forms and breaking boundaries to create new ones. –DEREK SMITH