The Book of Vision 2021

IMDb movies from 7.5 to 7.9 rating (min. votes = 10k, min year = 2006)

01–18 / venezia 77 competition
19–28 / out of competition. fiction
29–39 / out of competition. non-fiction
40–42 / out of competition. short films
43 / out of competition. special screenings
+ 30 Monedas — 30 Coins. Álex de la Iglesia. ep. 1
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44–62 / orizzonti. competition
63–74 / orizzonti. short films — competition
75–76 / orizzonti. short films — out of competition
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77–86 / giornate degli autori. official selection
87 / giornate degli autori. closing film
88–91 / giornate degli autori. special events
92–93 / giornate degli autori. miu miu women's tales
94–101 / giornate degli autori. venetian nights
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102–108 / sic. film critics' week. competition
109–110 / sic. film critics' week. special events
111–112 / sic[at]sic. competition
113–119 / sic[at]sic. special events
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120–132 / venezia classici. restored films
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133–134 / biennale college cinema

Movies I plan to watch.

I know that there are lot of classics still left on this list. I'm trying to get to them but there are just too many movies and too little time.

Including my TV show watchlist I would need to watch 3 hours every day until 2028 to watch everything on here.

psychological, etc

18th & 19th centuries; set in the years 1701 - 1900
Notable periods:
Plantation era (c. 1700–c. 1860)
Georgian 1714-1837
American Revolutionary War 1775 – 1783
Regency 1811–1820
Victorian 1837-1900
Gilded Age 1870 to 1900

Film scores are unquestionably strange beasts. They enliven the material, bring texture to worlds, and personify emotions, and the best ones become eternally tied to a film, property, or a vibe. (No train ride through the countryside is complete without the Lord of the Rings soundtrack.) Most years have standout themes and orchestral juggernauts, but 2021 is a bit of an oddity there. In a year populated by film musicals, brassy Marvel epics, and space adventures, the most iconic theme is probably that of The Power of the Dog, which — hot take inbound — doesn’t even have a great score, but rather boasts a very ear-wormy guitar-and-violin sting from Jonny Greenwood that the film constantly reuses.

Set in years 2001 - Current