The Future 2011

Source:
Years 1931-2018 come from:
The New York Times: Book of Movies
the essential 1,000 films to see
2019 ed

Years after 2018 come from NYT website.

work in progress
There are discrepancies between the website and the book, particular for years after 2003. Please leave a comment for any errors you find.

Movies about labor movements, civil rights struggles, anti-war efforts, or community organizing. These movies often blend strong narrative storytelling with a deep exploration of social and political themes, providing viewers with not just a compelling story, but also a thought-provoking examination of the human condition and the power of collective action.

https://trakt.tv/users/hdlists/lists/fantasy-sci-fi-movies-top-rated-from-1980-to-today?sort=released,asc

Women Make Film II †
https://www.womenmakefilm.net/

Introductions and Chapters††
01 – 05 / Introductions
06 – 29 / Chapter 01 | Openings
30 – 42 / Chapter 02 | Tone
43 – 56 / Chapter 03 | Believability
57 – 66 / Chapter 04 | Introducing Character
67 – 76 / Chapter 05 | Meet Cute
77 – 88 / Chapter 06 | Conversation
89–104 / Chapter 07 | Framing
105–109 / Chapter 08 | Tracking
110–114 / Chapter 09 | Staging
115–126 / Chapter 10 | Journey
127–136 / Chapter 11 | Discovery
137–149 / Chapter 12 | Adult/Child
150–150 / Chapter 13 | Economy
151–154 / Chapter 14 | Editing
155–161 / Chapter 15 | POV
162–166 / Chapter 16 | Close Up
167–173 / Chapter 17 | Surrealism and Dreams
174–180 / Chapter 18 | Bodies
181–191 / Chapter 19 | Sex
192–197 / Chapter 20 | Home
198–199 / Chapter 21 | Religion
200–207 / Chapter 22 | Work
208–219 / Chapter 23 | Politics
220–221 / Chapter 24 | Gear Change
222–228 / Chapter 25 | Comedy
229–232 / Chapter 26 | Melodrama
233–235 / Chapter 27 | SCI-FI
236–241 / Chapter 28 | Horror and Hell
242–245 / Chapter 29 | Tension
246–251 / Chapter 30 | Stasis
252–254 / Chapter 31 | Leave Out
255–259 / Chapter 32 | Reveal
260–264 / Chapter 33 | Memory
265–267 / Chapter 34 | Time
268–270 / Chapter 35 | Life Inside
271–275 / Chapter 36 | The Meaning of Life
276–XXX / Chapter 37 | Love
XXX–XXX / Chapter 38 | Death
XXX–XXX / Chapter 39 | Endings
XXX–XXX / Chapter 40 | Song and Dance

† NOTE: This is my second and broader list based on Women Make Film: A New Road Movie Through Cinema (2019) by Mark Cousins. It's a complete list of all films by chapter that appear in Cousins' 14 hour documentary. It's ranked and notated to mirror the documentary's structure. My other (first) list is similar but more narrow selection of films and their TCM premier dates, based on the same Cousins' documentary which airs in TCM's 2020 Women Make Film Film Festival. https://trakt.tv/users/lezelmaz/lists/women-make-film-tcm-tuesdays-2020

†† NOTE: This list notes the first instance only of a film that may appear in multiple chapters.

The 21st Century's Most Acclaimed Films list serves as a companion to the They Shoot Pictures, Don't They? 1,000 Greatest Films of all time list which, - by its nature - tends to have very few films from the 21st century in it. The 21st Century's Most Acclaimed Films list attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that are likely to be included in the 1,000 Greatest Films list sooner or later.

Source: http://www.theyshootpictures.com/21stcentury.htm

The movies directed by Miranda July sorted by release order.

Last year was a surprisingly arty time for mainstream Hollywood. This year wasn’t. Despite the fact that wise-guy Martin Scorsese dropped a remarkably good children’s movie, the majority of 2011 was Hollywood business as usual: remakes, sequels, lurching franchises, and comic book adaptations. Granted, it was also the year of the (relatively) small pro-women’s film like Bridesmaids and The Help that crashed Hollywood’s CGI-machismo party, taking home a sizeable slice of the guests. But neither of those movies are any good (nor on our list), despite their claims to feminism. Which left Hollywood right where it generally likes to be: profitable and dull.

Which also left Tiny Mix Tapes in our most favored position. We young culture writers have noticed the trends, yes, but we’ve responded mainly by eschewing the big stuff (to be fair, we did favorably review Thor and Captain America) in order to keep our keen eyes and ears on what really mattered, on where and how film really thrived: among the outsiders, in fresh forms whose relevance may take time to become clear. The list below is our proof that 2011 can stand beside the best recent years for artistic genius in film, if, as we did, you look carefully.

Perhaps the individual greatnesses of our 25 picks have some common link, a sense of vibrant loneliness that puts them in touch with the modern world. Certainly the big names that appear on our list (Kiarostami, Apichatpong, von Trier, Malick, Almodovar, July) were aiming to define the isolation made real by an ungrounded, frenetic time. But look at the films we’ve noticed that the year all but passed over — Cold Weather, The Four Times, Meek’s Cutoff, Leap Year, William Never Married, Dragonslayer — and ask yourself if the link isn’t just as much a collective, unconscious backlash against Hollywood’s tentpole mentality, a simple need for good films possessed by the times themselves. Maybe all we’re doing is keeping our eyes open. —Alex Peterson

Shortlist from 2011 Sundance Film Festival:
- Awarded movies (U.S. and World Cinema Competitions)
- Premieres
- Spotlight
- Park City at Midnight
- Next.

How good was 2011 for cinema? So good that even an unusually tepid awards-season crop didn’t keep us from expanding from our Top 10 lists to a Top 15 (plus a bonus five), which still left a diversity of great films off our ballots. If there’s a common theme to the year’s best, it’s the wealth of ambitious personal visions, from Terrence Malick evoking creation to tell the story of his upbringing in The Tree Of Life to Martin Scorsese channeling his boyhood enthusiasm for spectacle in Hugo to Kenneth Lonergan finally delivering the beautiful, wounded Margaret after six years in post-production purgatory. It was a year where documentaries sought to expand the form, where the best American independent films went far out on a limb, and where old masters like Abbas Kiarostami and Pedro Almodóvar released films that felt exuberant and alive with possibility. A few titles weren’t available to see before press time—The Girl With The Dragon Tattoo, Extremely Loud And Incredibly Close, and Alvin And The Chipmunks: Chipwrecked among them—but we’ve worked hard to give a special year its due. For your consideration...

Source: http://www.avclub.com/articles/best-films-of-2011,66423/

yes.

Blog: https://www.criterion.com/current/posts/7081-the-criterion-channel-s-september-2020-lineup
Tags: #service #criterion_channel #collection-order #complete

01.18 - 05.14

Time travel, time loops, time distortion, alternate timelines, parallel universes & related themes