Personal Lists featuring...

The Go-Between 1971

335

Well over a century has passed since the Lumière brothers frightened the life out of Parisians with The Arrival of a Train at a Station, and well over a million titles have since been recorded - if the Internet Movie Database is anything to go by.

Out of these million-plus movies, our team of experts has picked what we believe is the essential 1,000 - those that best sum up the dazzling achievement and variety of the movies.

Source: https://www.theguardian.com/film/series/1000-films-to-see-before-you-die

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This list is drawn from "The New York Times Book of Movies: The Essential 1,000 Films to See", published in 2019. It contains a selection of 1000 reviews that have been printed in The New York Times. The majority of movies in this book are among the "10 Best Films" chosen by New York Times critics at the end of each year.

Source: https://www.amazon.com/New-York-Times-Book-Movies/dp/078933657X

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Since the 2015 TSPDT has released a companion to their greatest 1000 films, consisting of the films ranked 1001-2000. This list contains the most recent version of this list, with all the previous lists in the history.

Source: http://www.theyshootpictures.com/gf1000_films1001-2000.htm

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The Palme d'Or (English: Golden Palm) is the highest prize awarded at the Cannes Film Festival. It was introduced in 1955 by the organising committee. From 1939 to 1954, the highest prize was the Grand Prix du Festival International du Film. (Wikipedia)

Source: http://www.festival-cannes.fr/en/archives/2015/awardCompetition.html

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"In 1999 the British Film Institute surveyed 1,000 people from the world of British film and television to produce the BFI 100 list of the greatest British films of the 20th century. Voters were asked to choose up to 100 films that were 'culturally British'."

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Also check my other bigger list here:

Most Disturbing, Controversial, Shocking, Bizarre, and Messed Up Films:
https://trakt.tv/lists/23937323

47

The BAFTA Award for Best Film is given annually by the British Academy of Film and Television Arts and presented at the British Academy Film Awards. It has been given since the 1st BAFTA Awards, representing the best films of 1947, but until 1969 it was called the BAFTA Award for Best Film From Any Source.

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Trading on its impeccable reputation, Halliwell’s now presents it’s Top 1,000 favorite films. Starting at number 1,000, each entry includes a plot summary, cast and crew, awards, key critical comments, DVD and soundtrack availability, and a wealth of other interesting details. To supplement the countdown, there is commentary from film stars, show business personalities, well-known critics, and the movers and shakers in the film industry, each naming their favorite films or weighing in on Halliwell’s selection. Illustrated throughout with classic and modern film stills and posters, this is a book that every cinema fan will want to own. John Walker is one of Britain’s leading film critics.

The list has 42 extra films, because trilogies, or series, are counted as one entry (The Godfather, The Apu Trilogy, The Lord of the Rings, Antoine Doinel, Laurel and Hardy shorts, etc...)

Source: https://www.amazon.com/Halliwells-Top-1000-Ultimate-Countdown/dp/0007181655

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The Cannes Film Festival, founded in 1946, is one of the world's oldest film festivals. The private festival is held annually (usually in May) in the resort town of Cannes, in the south of France. Cannes is extremely important for critical and commercial interests and for European attempts to sell films on the basis of their artistic quality. Additionally, given massive media exposure, the non-public festival is attended by many movie stars and is a popular venue for film producers to launch their new films and attempt to sell their works to the distributors who come from all over the globe.

Source: https://en.wikipedia.org/wiki/Palme_d%27Or#Award_winners

241

The best 100 British films were chosen by 1,000 people from the UK's film industry, including producers, directors, writers, actors, technicians, academics, exhibitors, distributors, executives and critics. The final selection spans seven decades and accommodates the work of 70 film directors. Unsurprisingly, literary adaptations feature strongly - ranging from Shakespeare and Dickens to Roddy Doyle and Irvine Welsh - and the highbrow mixes easily with the low.

Source:
http://news.bbc.co.uk/2/hi/entertainment/455170.stm

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The 100 best British films as chosen by a panel of 150 film industry experts, including directors Sam Mendes, Mike Leigh, Ken Loach and Wes Anderson, actors David Morrissey, Sally Hawkins and Thandie Newton, newspaper and magazine critics and the heads of the UK's major cultural organisations.

Source: https://www.timeout.com/london/film/100-best-british-films

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Todo el mejor cine de la historia

12

The Palme d'Or (English: Golden Palm) is the highest prize awarded at the Cannes Film Festival. It was introduced in 1955 by the organising committee. From 1939 to 1954, the highest prize was the Grand Prix du Festival International du Film.

In 1964, it was replaced again by the Grand Prix du Festival before being reintroduced in 1974 as the Palme d'Or.

Last edit: 27/02/2019

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In French - as this is a French Festival.
La Palme d'or est la récompense suprême décernée par le jury officiel du Festival de Cannes. Elle est accordée au meilleur film de la sélection officielle, élu parmi ceux en compétition.

De 1946 à 1954, la Palme d’or n’ayant pas encore été créée, le Jury décernait le "Grand Prix du Festival International du Film".
De 1951 à 1954, le Grand Prix est remis sous la forme d'un diplôme accompagné d'une œuvre d'art signée d'un artiste en vogue.
La Palme d’or est créée en 1954 à l’initiative de Robert Favre Le Bret. Elle est décernée pour la première fois en 1955.
De 1964 à 1974 le Festival de Cannes décide de revenir à la remise d’un Grand Prix International en lieu et place de la Palme d’or.
En 1975, la Palme d’or est réhabilitée.

Elle demeure jusqu’à aujourd’hui le prix le plus prestigieux du Palmarès, considéré comme l'une des distinctions cinématographiques les plus importantes à l’international.

8

Festival de Cannes (en: Cannes Festival, also known as Cannes Film Festival) is an annual film festival held in Cannes, France, which previews new films of all genres, including documentaries, from around the world. Before 2002 it was known as Festival international du film (en: International Film Festival).

Palme d'Or (en: Golden Palm) is the highest prize awarded at Cannes. In past years the highest prize for film has been known by various names.

Year wise remarks:
* 1939–54: Highest Prize for festival was known as Grand Prix du Festival International du Film.
* 1939: The festival's debut was to take place in 1939, but it was cancelled due to World War II. Palme d'Or was awarded retrospectively in 2002 by a contemporary jury from the original selection of 1939.
* 1946: Festival debuted. Eleven films were awarded Grand Prix du Festival International du Film at the first festival.
* 1947: Highest prize was not awarded.
* 1948: Festival wasn't organised due to financial problems.
* 1950: Festival wasn't organised due to financial problems.
* 1955–63: Palme d'Or was created and replaced Grand Prix du Festival International du Film as highest prize.
* 1964–74: Grand Prix du Festival International du Film replaced Palme d'Or as highest prize.
* 1968: Festival was not held due to May 1968 events in France.
* 1975 onwards: Palme d'Or was reintroduced as highest prize replacing Grand Prix du Festival International du Film.
* In some years, two films have been awarded highest prize.

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List of Nominees and Winners.

  • ACTOR IN A SUPPORTING ROLE

WINNER - BEN JOHNSON "The Last Picture Show"
ROY SCHEIDER "The French Connection"
JEFF BRIDGES "The Last Picture Show"
LEONARD FREY "Fiddler on the Roof"
RICHARD JAECKEL "Sometimes a Great Notion"

  • ACTRESS IN A SUPPORTING ROLE

WINNER - CLORIS LEACHMAN "The Last Picture Show"
ANN-MARGRET "Carnal Knowledge"
ELLEN BURSTYN "The Last Picture Show"
BARBARA HARRIS "Who Is Harry Kellerman and Why Is He Saying Those Terrible Things about Me?"
MARGARET LEIGHTON "The Go-Between"

  • BEST PICTURE

WINNER - "THE FRENCH CONNECTION" Philip D'Antoni, Producer
"A CLOCKWORK ORANGE" Stanley Kubrick, Producer
"FIDDLER ON THE ROOF" Norman Jewison, Producer
"THE LAST PICTURE SHOW" Stephen J. Friedman, Producer
"NICHOLAS AND ALEXANDRA" Sam Spiegel, Producer

  • CINEMATOGRAPHY

WINNER - "FIDDLER ON THE ROOF" Oswald Morris
"THE FRENCH CONNECTION" Owen Roizman
"THE LAST PICTURE SHOW" Robert Surtees
"NICHOLAS AND ALEXANDRA" Freddie Young
"SUMMER OF '42" Robert Surtees

  • COSTUME DESIGN

WINNER - "NICHOLAS AND ALEXANDRA" Yvonne Blake, Antonio Castillo
"BEDKNOBS AND BROOMSTICKS" Bill Thomas
"DEATH IN VENICE" Piero Tosi
"MARY, QUEEN OF SCOTS" Margaret Furse
"WHAT'S THE MATTER WITH HELEN?" Morton Haack

  • DIRECTING

WINNER - "THE FRENCH CONNECTION" William Friedkin
"A CLOCKWORK ORANGE" Stanley Kubrick
"FIDDLER ON THE ROOF" Norman Jewison
"THE LAST PICTURE SHOW" Peter Bogdanovich
"SUNDAY BLOODY SUNDAY" John Schlesinger

  • FILM EDITING

WINNER - "THE FRENCH CONNECTION" Jerry Greenberg
"THE ANDROMEDA STRAIN" Stuart Gilmore, John W. Holmes
"A CLOCKWORK ORANGE" Bill Butler
"KOTCH" Ralph E. Winters
"SUMMER OF '42" Folmar Blangsted

  • FOREIGN LANGUAGE FILM

WINNER - "THE GARDEN OF THE FINZI CONTINIS" Italy
"THE POLICEMAN" Israel
"TCHAIKOVSKY" Union of Soviet Socialist Republics
"DODES'KA-DEN" Japan
"THE EMIGRANTS" Sweden

  • ACTOR

WINNER - GENE HACKMAN "The French Connection"
PETER FINCH "Sunday Bloody Sunday"
WALTER MATTHAU "Kotch"
GEORGE C. SCOTT "The Hospital"
TOPOL "Fiddler on the Roof"

  • ACTRESS

WINNER - JANE FONDA "Klute"
JULIE CHRISTIE "McCabe & Mrs. Miller"
GLENDA JACKSON "Sunday Bloody Sunday"
VANESSA REDGRAVE "Mary, Queen of Scots"
JANET SUZMAN "Nicholas and Alexandra"

  • ART DIRECTION

WINNER - "NICHOLAS AND ALEXANDRA" Art Direction: John Box, Ernest Archer, Jack Maxsted, Gil Parrondo; Set Decoration: Vernon Dixon
"THE ANDROMEDA STRAIN" Art Direction: Boris Leven, William Tuntke; Set Decoration: Ruby Levitt
"BEDKNOBS AND BROOMSTICKS" Art Direction: John B. Mansbridge, Peter Ellenshaw; Set Decoration: Emile Kuri, Hal Gausman
"FIDDLER ON THE ROOF" Art Direction: Robert Boyle, Michael Stringer; Set Decoration: Peter Lamont
"MARY, QUEEN OF SCOTS" Art Direction: Terence Marsh, Robert Cartwright; Set Decoration: Peter Howitt

  • DOCUMENTARY (SHORT SUBJECT)

WINNER - "SENTINELS OF SILENCE" Manuel Arango and Robert Amram, Producers
"ADVENTURES IN PERCEPTION" Han van Gelder, Producer
"ART IS..." Julian Krainin and DeWitt L. Sage, Jr., Producers
"THE NUMBERS START WITH THE RIVER" Donald Wrye, Producer
"SOMEBODY WAITING" Hal Riney, Dick Snider and Sherwood Omens, Producers

  • DOCUMENTARY (FEATURE)

WINNER - "THE HELLSTROM CHRONICLE" Walon Green, Producer
"ON ANY SUNDAY" Bruce Brown, Producer
"THE RA EXPEDITIONS" Lennart Ehrenborg and Thor Heyerdahl, Producers
"THE SORROW AND THE PITY" Marcel Ophuls, Producer
"ALASKA WILDERNESS LAKE" Alan Landsburg, Producer

  • SHORT SUBJECT (LIVE ACTION)

WINNER - "SENTINELS OF SILENCE" Manuel Arango and Robert Amram, Producers
"GOOD MORNING" Denny Evans and Ken Greenwald, Producers
"THE REHEARSAL" Stephen F. Verona, Producer

  • WRITING (SCREENPLAY--BASED ON MATERIAL FROM ANOTHER MEDIUM)

WINNER - "THE FRENCH CONNECTION" Ernest Tidyman
"A CLOCKWORK ORANGE" Stanley Kubrick
"THE CONFORMIST" Bernardo Bertolucci
"THE GARDEN OF THE FINZI CONTINIS" Ugo Pirro, Vittorio Bonicelli
"THE LAST PICTURE SHOW" Larry McMurtry, Peter Bogdanovich

= SOUND

WINNER - "FIDDLER ON THE ROOF" Gordon K. McCallum, David Hildyard
"KOTCH" Richard Portman, Jack Solomon
"MARY, QUEEN OF SCOTS" Bob Jones, John Aldred
"DIAMONDS ARE FOREVER" Gordon K. McCallum, John Mitchell, Alfred J. Overton
"THE FRENCH CONNECTION" Theodore Soderberg, Christopher Newman

  • SPECIAL VISUAL EFFECTS

WINNER - "BEDKNOBS AND BROOMSTICKS" Alan Maley, Eustace Lycett, Danny Lee
"WHEN DINOSAURS RULED THE EARTH" Jim Danforth, Roger Dicken

  • MUSIC (SONG--ORIGINAL FOR THE PICTURE)

WINNER - "Theme From Shaft" from "SHAFT" Music and Lyrics by Isaac Hayes
"Life Is What You Make It" from "KOTCH" Music by Marvin Hamlisch; Lyrics by Johnny Mercer
"The Age Of Not Believing" from "BEDKNOBS AND BROOMSTICKS" Music and Lyrics by Richard M. Sherman and Robert B. Sherman
"All His Children" from "SOMETIMES A GREAT NATION" Music by Henry Mancini; Lyrics by Alan Bergman and Marilyn Bergman
"Bless The Beasts & Children" from "BLESS THE BEASTS & CHILDREN" Music and Lyrics by Barry DeVorzon and Perry Botkin, Jr.

  • WRITING (STORY AND SCREENPLAY--BASED ON FACTUAL MATERIAL OR MATERIAL NOT PREVIOUSLY PUBLISHED OR PRODUCED)

WINNER - "THE HOSPITAL" Paddy Chayefsky
"INVESTIGATION OF A CITIZEN ABOVE SUSPICION" Elio Petri, Ugo Pirro
"KLUTE" Andy Lewis, Dave Lewis
"SUMMER OF '42" Herman Raucher
"SUNDAY BLOODY SUNDAY" Penelope Gilliatt

  • MUSIC (ORIGINAL DRAMATIC SCORE)

WINNER - "SUMMER OF '42" Michel Legrand
"MARY, QUEEN OF SCOTS" John Barry
"NICHOLAS AND ALEXANDRA" Richard Rodney Bennett
"SHAFT" Isaac Hayes
"STRAW DOGS" Jerry Fielding

  • MUSIC (SCORING: ADAPTATION AND ORIGINAL SONG SCORE)

WINNER - "FIDDLER ON THE ROOF" Adaptation Score by John Williams
"BEDKNOBS AND BROOMSTICKS" Song Score by Richard M. Sherman and Robert B. Sherman; Adaptation Score by Irwin Kostal
"THE BOY FRIEND" Adaptation Score by Peter Maxwell Davies and Peter Greenwell
"TCHAIKOVSKY" Adaptation Score by Dimitri Tiomkin
"WILLY WONKA AND THE CHOCOLATE FACTORY" Song Score by Leslie Bricusse and Anthony Newley; Adaptation Score by Walter Scharf

  • SHORT SUBJECT (ANIMATED)

WINNER - "THE CRUNCH BIRD" Ted Petok, Producer
"EVOLUTION" Michael Mills, Producer
"THE SELFISH GIANT" Peter Sander and Murray Shostak, Producers

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Collection of additional "must-see" Danny Perry's movies, presented in the back of his "Guide for the Film Fanatic"

546 movies missing. Imported from external source.

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