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The Hunt 1966

In this film, calibrated through metaphors and symbols, there is masculinity, envy and violence, a portrait not captured by the censorship of a Spain in which the rabbit shelters remained like scars from bloody battles. A gathering of predatory alpha males who talk about women and money, who look at each other suspiciously while they load their weapons, and which today (this is the great merit of the film) maintains the forcefulness of its language and the virulence of its message. RIP Carlos Saura.

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