The Inglorious Bastards 1978

Trashy cult cinema from the fringes of good taste.

These are films that Quentin has mentioned in best-of lists, end of the year top films lists, QT Film Fests, podcasts, off-hand remarks in interviews, etc.

These have been sourced from many lists online, and made available here, in one spot, for your enjoyment.

Sources:
https://screenrant.com/quentin-tarantinos-favorite-movies-time-ranked/
https://mubi.com/lists/quentin-tarantinos-favorite-movies
https://imdb.com/list/ls043093231/
https://faroutmagazine.co.uk/quentin-tarantino-favourite-11-films-handwritten-list/
https://www.indiewire.com/gallery/quentin-tarantino-favorite-movies/
https://wiki.tarantino.info/index.php/Tarantino's_favorite_films
https://www.pulpfiction.com/quentin-tarantinos-top-20-films-1992-to-2009

Please comment on any that I may have missed.

A list originally mirrored from Letterboxd.

All credits go to IMDb user: RDLongoria

https://www.imdb.com/user/ur37216974

All credits go to IMDb user: RDLongoria

https://www.imdb.com/user/ur37216974

All credits go to IMDb user: RDLongoria

https://www.imdb.com/user/ur37216974

Cinema Suicide was a popular, long-running website celebrating cheap thrills and the grimy, dusty titles tucked away on video store shelves.

All credits go to IMDb user: RDLongoria

https://www.imdb.com/user/ur37216974

The U.S. film industry term "grindhouse" refers to (now mostly defunct) movie theaters specializing in B-movies, often exploitation films, shown in a multiple-feature format.

From the tragically ludicrous to the ludicrously tragic.

Movies and shows that pertain to wars in some way.

Scripted Live Action Movies

The Nazi Party emerged from the extremist German nationalist, racist and populist Freikorps paramilitary culture, which fought against the communist uprisings in post–World War I Germany. The party was created to draw workers away from communism and into völkisch nationalism. Initially, Nazi political strategy focused on anti–big business, anti-bourgeois, and anti-capitalist rhetoric. This was later downplayed to gain the support of business leaders, and in the 1930s the party's main focus shifted to antisemitic and anti-Marxist themes.