Personal Lists featuring...

The Littlest Rebel 1935

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From the coming of sound to the 1960s, the musical was central to Hollywood production. Exhibiting – often in spectacular fashion – the remarkable resources of the Hollywood studios, musicals came to epitomise the very idea of 'light entertainment'. Films like Top Hat and 42nd Street, Meet Me in St. Louis and On the Town, Singin' in the Rain and Oklahoma!, West Side Story and The Sound of Music were hugely popular, yet were commonly regarded by cultural commentators as trivial and escapist. It was the 1970s before serious study of the Hollywood musical began to change critical attitudes and foster an interest in musical films produced in other cultures. Hollywood musicals have become less common, but the genre persists and both academic interest in and fond nostalgia for the musical shows no signs of abating.

100 Film Musicals provides a stimulating overview of the genre's development, its major themes and the critical debates it has provoked. While centred on the dominant Hollywood tradition, 100 Film Musicals includes films from countries that often tried to emulate the Hollywood style, like Britain and Germany, as well as from very different cultures like India, Egypt and Japan. Jim Hillier and Douglas Pye also discuss post-1960s films from many different sources which adapt and reflect on the conventions of the genre, including recent examples such as Moulin Rouge! and High School Musical, demonstrating that the genre is still very much alive.

Source: http://shop.bfi.org.uk/books/bfi-screen-guides/100-film-musical-book.html#.Wg3fhGhSzIU

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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

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Shirley Temple was easily the most popular and famous child star of all time. She got her start in the movies at the age of three and soon progressed to super stardom. Shirley could do it all: act, sing and dance and all at the age of five! Fans loved her as she was bright, bouncy and cheerful in her films and they ultimately bought millions of dollars' worth of products that had her likeness on them. Dolls, phonograph records, mugs, hats, dresses, whatever it was, if it had her picture on there they bought it. Shirley was box-office champion for the consecutive years 1935-36-37-38, beating out such great grown-up stars as Clark Gable, Bing Crosby, Robert Taylor, Gary Cooper and Joan Crawford. By 1939, her popularity declined. Although she starred in some very good movies like Since You Went Away (1944) and the Bachelor Knight (1947), her career was nearing its end. Later, she served as an ambassador to Ghana and Czechoslovakia. It was once guessed that she had more than 50 golden curls on her head.

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import to my radarr

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A bunch of films with White people in them, and can involve White culture. They have to show them in a positive light, that's really it. This is built off Yggdrasil's pro-White list and many others from forums/greentext boards. These are what I'd consider great films, most of which teach good morals, that feature predominantly White casts. Given the extreme anti-White rhetoric plaguing American mainstream right now, it's nice to have a reliable list of watchable films. This list encompasses all genres, that's why it's a mess.

If you have a problem with this list existing, move on. There are plenty of racial pride lists for other ethnicities on Letterboxd, including black nationalism. This is just to catalog the best of cinema featuring Europeans.

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In his Guide for the Film Fanatic (1986), Danny Peary provides short reviews for over 1600 “Must See” films.

104 movies missing. Imported from external source.

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