Personal Lists featuring...

The Mill and the Cross 2011

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The Arts & Faith's Top 100 Films (previously known as the 100 most spiritually significant films) list has been selected by the Arts & Faith members, which is dedicated to the combination of art and faith.

2020 update added a new restriction of one film per director, but other films that would have made the list without that restriction can be seen in the subtitle for each main entry in the source.

Source: http://artsandfaith.com/index.php?/films/year/8-2020-top-100/

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In 2015, the Museum of Cinematography in Łódź asked 279 film professionals to vote for the best Polish films of all time. The top 65 films are ranked, all with 12 votes or more. The next 40 films are unranked, with 6-11 votes.

Source: http://kinomuzeum.pl/?p=15020

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Last year was a surprisingly arty time for mainstream Hollywood. This year wasn’t. Despite the fact that wise-guy Martin Scorsese dropped a remarkably good children’s movie, the majority of 2011 was Hollywood business as usual: remakes, sequels, lurching franchises, and comic book adaptations. Granted, it was also the year of the (relatively) small pro-women’s film like Bridesmaids and The Help that crashed Hollywood’s CGI-machismo party, taking home a sizeable slice of the guests. But neither of those movies are any good (nor on our list), despite their claims to feminism. Which left Hollywood right where it generally likes to be: profitable and dull.

Which also left Tiny Mix Tapes in our most favored position. We young culture writers have noticed the trends, yes, but we’ve responded mainly by eschewing the big stuff (to be fair, we did favorably review Thor and Captain America) in order to keep our keen eyes and ears on what really mattered, on where and how film really thrived: among the outsiders, in fresh forms whose relevance may take time to become clear. The list below is our proof that 2011 can stand beside the best recent years for artistic genius in film, if, as we did, you look carefully.

Perhaps the individual greatnesses of our 25 picks have some common link, a sense of vibrant loneliness that puts them in touch with the modern world. Certainly the big names that appear on our list (Kiarostami, Apichatpong, von Trier, Malick, Almodovar, July) were aiming to define the isolation made real by an ungrounded, frenetic time. But look at the films we’ve noticed that the year all but passed over — Cold Weather, The Four Times, Meek’s Cutoff, Leap Year, William Never Married, Dragonslayer — and ask yourself if the link isn’t just as much a collective, unconscious backlash against Hollywood’s tentpole mentality, a simple need for good films possessed by the times themselves. Maybe all we’re doing is keeping our eyes open. —Alex Peterson

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"Making lists is not my favorite occupation. They inevitably inspire only reader complaints. Not once have I ever heard from a reader that my list was just fine, and they liked it. Yet an annual Best Ten list is apparently a statutory obligation for movie critics.

My best guess is that between six and ten of these movies won't be familiar. Those are the most useful titles for you, instead of an ordering of movies you already know all about.

One recent year I committed the outrage of listing 20 movies in alphabetical order. What an uproar! Here are my top 20 films, in order of approximate preference."

You can read the full, commented listed at Ebert's Blog: http://blogs.suntimes.com/ebert/2011/12/the_best_films_of_2011.html!

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A list of (war) films that are in a foreign language that might be worth watching.
NOT included on List 17.

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Movies from around all the eras past and future ones.

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Movies released from 2010-2017 to watch

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"2010 Ocak'tan bugüne en sevdiğim 50 filmi listeledim ben de."
https://twitter.com/erevistekeri/status/1198698987215376384

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Docs and films that are not necessarily avante-grade, but simply are unusual or cover something that is not the usual topic matter.

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Making lists is not my favorite occupation. They inevitably inspire only reader complaints. Not once have I ever heard from a reader that my list was just fine, and they liked it. Yet an annual Best Ten list is apparently a statutory obligation for movie critics.

My best guess is that between six and ten of these movies won't be familiar. Those are the most useful titles for you, instead of an ordering of movies you already know all about.

One recent year I committed the outrage of listing 20 movies in alphabetical order. What an uproar! Here are my top 20 films, in order of approximate preference.

Source: http://blogs.suntimes.com/ebert/2011/12/the_best_films_of_2011.html

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