The Prowler 1951

Based on the book by Jennifer Eiss

Collection of additional "must-see" Danny Perry's movies, presented in the back of his "Guide for the Film Fanatic"

546 movies missing. Imported from external source.

TSPDT is building a list of 1000 Noir films to expand on its previous 250 Quintessential Noirs. Following the initial collection of 100 noirs, a further 900 noir films (or films with prominent noir elements) will steadily be added (in a fairly random manner). This list will contain the full 1000 films which are the 1,000 most cited noir films (according to TSPDT's research). Please note that this list has not been and will not be ranked.

Source: http://www.theyshootpictures.com/noir1000.htm

The title here should be "The Big Film Noir-ish List" but I leave it as is for easy searching.

Film Noir is not a genre, rather it was a movement. The last true film in that movement was "Touch of Evil" in 1958. This list includes Film Noir, Neo-Noir, Post-Modernist Neo-Noir, and other films that were informed - either in theme or form - by the Film Noir movement.

If your favorite didn't make the list, feel free to comment so I can add them to the list.

From the book by Jennifer Eiss. The list is arranged by chapter. Each chapter starts with a top 10 (in alphabetical order), followed by the "best of the rest" (in alphabetical order).

#1-83: Dramatic Situatons
#84-133: Gripping Tales
#134-165: Lights, Camera…!
#166-228: Visionary Universes
#229-280: Criminal Underworlds
#281-360: Tales of Terror
#361-432: Cult Humor
#433-453: The Wild Wild West
#454-502: Film Lab

Source: https://www.amazon.com/500-Essential-Cult-Movies-Ultimate/dp/1402774869

The 250 Quintessential Noir Films listing contains 241 films that all contain three key ingredients.

1. They were all produced in the United States
2. They were all shot in black-and-white
3. They were all produced between 1940 to 1959.

The nine films, that have been included, that exclude at least one of these key ingredients are two Non-American-produced noir (The Third Man and Mr. Arkadin), four colour noir films (Leave Her to Heaven, Niagara, Party Girl and Slightly Scarlet), and three films from the early 1960s (Cape Fear, Underworld, U.S.A. and The Naked Kiss).

List has been curated by Bill Georgaris on They Shoot Pictures, Don't They?

Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. Film noir encompasses a range of plots: the central figure may be a private investigator (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.). Although film noir was originally associated with American productions, the term has been used to describe films from around the world. Many films released from the 1960s onward share attributes with film noirs of the classical period, and often treat its conventions self-referentially. Some refer to such latter-day works as neo-noir.

A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.

Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X

Collection of additional "must-see" Danny Perry's movies, presented in the back of his "Guide for the Film Fanatic"

546 movies missing. Imported from external source.

Movies in black in white from 1940 to 1959.

Classic Movies

The Fabulous Fifties: An era of identical pink pressboard suburban houses filled with smiling, apron-clad housewives. All the men wear slippers and fedoras and smoke pipes, all the girls are teenaged and wear poodle skirts, and all the boys are cute, freckle faced scamps with slingshots in their pockets. Parents sleep in separate beds and only kiss each other on the cheek.

Anyone who isn't any of these characters are either greasers, Beatniks, gas station attendants, or Elvis (who, in this era, wouldn't be caught dead in a rhinestone jumpsuit). With the possible exception of the gas station attendants, everyone on that list is a direct threat to the upright morals and values of the era and will not be afforded a spot in the basement bomb shelter

https://letterboxd.com/david_crdza/list/sean-price-williams-legendary-top-1000-films/