The Reckless Moment 1949

1001 Movies You Must See Before You Die is a film reference book edited by Steven Jay Schneider with original essays on each film contributed by over 70 film critics.

Source: http://en.wikipedia.org/wiki/1001_Movies_You_Must_See_Before_You_Die

The They Shoot Pictures, Don't They? 1,000 greatest films list is primarily compiled by using over 6000 individual critics' and filmmakers' best-films-of-all-time lists/ballots. The resulting list is very diverse and spans virtually all movie-producing decades and countries.

Source: http://www.theyshootpictures.com/gf1000.htm

This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

#1 - #1012: original list
#1013 - #1073: 2008 additions
#1074 - #1133: 2016 additions

Source: https://www.amazon.com/Essential-Cinema-Necessity-Film-Canons/dp/0801889715

TSPDT is building a list of 1000 Noir films to expand on its previous 250 Quintessential Noirs. Following the initial collection of 100 noirs, a further 900 noir films (or films with prominent noir elements) will steadily be added (in a fairly random manner). This list will contain the full 1000 films which are the 1,000 most cited noir films (according to TSPDT's research). Please note that this list has not been and will not be ranked.

Source: http://www.theyshootpictures.com/noir1000.htm

A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.

Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X

From the Short Cuts book Fantasy Cinema: Impossible Worlds on Screen.

quote:
Often dismissed as simple escapist tales of sword and sorcery, fantasy is one of the fundamental impulses in filmmaking, a source of some of the most vivid and memorable films ever made that reaches far beyond the confines of a single genre. As well as some of the major genres, stylistic approaches and exponents of cinematic fantasy - from Georges Méliè̀s, Walt Disney, and Andrei Tarkovsky to contemporary fantasists such as Terry Gilliam and Peter Jackson - this volume focuses on fantasy's social function with case studies including The Thief of Baghdad (1924), Excalibur (1981), the Lord of the Rings trilogy (2001-03), and Bruce Almighty (2003). Taking in the popular and the experimental, subversive desires and reactionary dreams, this book is an accessible introduction to one of the vital energies in cinema. The Short Cuts series is a comprehensive list of introductory texts covering the full spectrum of Film Studies, specifically designed for building an individually-styled library for all students and enthusiasts of cinema and popular culture.

Three films are considered lost:
- La cigale et la fourmi (1897)
- La caverne maudite (1898)
- Le petit chaperon rouge (1901)

Source: https://www.amazon.com/Fantasy-Cinema-Impossible-Worlds-Wallflower/dp/1906660166

Todo el mejor cine de la historia

They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.

This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.

www.theyshootpictures.com

Movies in black in white from 1940 to 1959.

Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. Film noir encompasses a range of plots: the central figure may be a private investigator (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.). Although film noir was originally associated with American productions, the term has been used to describe films from around the world. Many films released from the 1960s onward share attributes with film noirs of the classical period, and often treat its conventions self-referentially. Some refer to such latter-day works as neo-noir.

The 250 Quintessential Noir Films listing contains 241 films that all contain three key ingredients.

1. They were all produced in the United States
2. They were all shot in black-and-white
3. They were all produced between 1940 to 1959.

The nine films, that have been included, that exclude at least one of these key ingredients are two Non-American-produced noir (The Third Man and Mr. Arkadin), four colour noir films (Leave Her to Heaven, Niagara, Party Girl and Slightly Scarlet), and three films from the early 1960s (Cape Fear, Underworld, U.S.A. and The Naked Kiss).

List has been curated by Bill Georgaris on They Shoot Pictures, Don't They?