Personal Lists featuring...

Two in the Shadow 1967

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Since the 2015 TSPDT has released a companion to their greatest 1000 films, consisting of the films ranked 1001-2000. This list contains the most recent version of this list, with all the previous lists in the history.

Source: http://www.theyshootpictures.com/gf1000_films1001-2000.htm

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List created and maintained by https://listrr.pro

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The ‘Asian Cinema 100’ is a collaboration project with the Busan International Film Festival and the Busan Cinema Center to shed light on the values of Asian film. The list will be updated every 5 years to act as a guide for the aesthetic value and history of Asian cinema and to discover hidden masterpieces and talented directors of Asia.

For the project, 73 prominent film professionals at home and abroad included film critics such as Jonathan Rosenbaum, Tony Rayns, Hasumi Shigehiko, and renowned festival executives, programmers, and directors Mohsen Makhmalbaf, Bong Joon-ho, and Apichatpong Weerasethakul. They recommended their top 10 films, resulting in 113 selections and 106 directors (including joint rankings) for the final 100 list.

This list is from 2015. See the list source for the top directors and to see which films are tied.

Source: http://web.archive.org/web/20151031145338/http://www.biff.kr/Template/Builder/00000001/page.asp?page_num=5865

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Thanks to all who’ve made this a very popular list, in spite of glitches causing dozens of fans to suddenly disappear :(

A big welcome to the land of cinematic wonders!

I’ve aimed for a rounded overview to include not only personal favourites but popular hits and international award winners, animé landmarks, avant-
garde films, the New Wave, erotic “pink films” and the great classics that are still the glory of world cinema.

Much of silent cinema before the 1930s has been lost, its Benshi narrators displaced but good finally to have the landmark film Souls on the Road on Mubi. In the 20s directors were able to learn their trade through prolific practice, aware of and encorporating developments in both the Soviet Union and the West… and then, what a wealth of wonders! Older masters: the unequalled aesthetic refinement of Mizoguchi, the charm of Shimizu, the quiet observational wisdom of Ozu, the tragically curtailed promise of Yamanaka, the balanced restraint of Naruse, the muscular humanism of Kurosawa… Then, a new generation from the late 50s, in full swing in the sexually freer 60s: the idealism of Kobayashi, the political bite of Oshima, the earthy subversion of Imamura, the cool of Suzuki and Masumura. the avant-garde Terayama.. So many to explore: Yoshida, Ichikawa Kon, Teshigahara, Shinoda, Wakamatsu, Kumai, the documentaries of Ogawa and Hara, the stop motion master Kawamoto, the blood soaked Fukasaku.. the rise of animé, with the international success of Studio Ghibli and Miyazaki’s beautiful flights of fancy, the spiky Tsukamoto, the popular appeal of Kitano, the prolific shocker Miike.. up to the present with Koreeda, Naomi Kawase, Sono, Kurosawa Kiyoshi… oh and i almost went without mentioning Samurai and Godzilla.

Source: http://mubi.com/lists/kenjis-japanese-canon

Missing on TMDB as of now:
ID: tt0242845, Title: Narita: The Peasants of the Second Fortress, Year: -

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