The objective of this Collection are Movies with:
Complex plot
Big plot twist.
Ending twist
Pulled from PTP collection
Psychological thriller
Thriller psicologico
Time Travel
Viajes en el tiempo
Loop
Bucles
Unexpected endings
Finales Inesperados
A selection of films, famed for their decision to throw convention out of the window. This list pays homage to the great surrealist films from the history of cinema.
The 21st Century's Most Acclaimed Films list serves as a companion to the They Shoot Pictures, Don't They? 1,000 Greatest Films of all time list which, - by its nature - tends to have very few films from the 21st century in it. The 21st Century's Most Acclaimed Films list attempts to highlight and honour this century's most critically revered films and act as a sort of 'resting bay' for many great films that are likely to be included in the 1,000 Greatest Films list sooner or later.
Source: http://www.theyshootpictures.com/21stcentury.htm
Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!
Source: http://366weirdmovies.com/category/weird-movies/
The 21st Century’s Most Acclaimed Films (including films from 2000!)
9th edition (March 2016)
List curated by Bill Georgaris on They Shoot Pictures, Don't They?
Source: https://www.theyshootpictures.com/21stcentury.htm
All the movies with "Must-See" badge on Metacritic. Movie gets the badge when it has a score of 81 or higher and has been reviewed by at least 15 pro critics.
All credits go to IMDb user: RDLongoria
Excludes superhero/supervillain movies
HollyWood Movies based on Popularity
https://editorial.rottentomatoes.com/guide/the-50-best-sci-fi-movies-of-the-2010s/
Source: https://film.avclub.com/the-100-best-movies-of-the-2010s-1839846306
Our new issue looks back at the past year in cinema with the help of over one hundred international critics, curators and academics – and features some surprises in our popular poll. As a taster, here’s our voters top ten films of the year, plus (further down the page) our editors’ own selections and highlights. Read more in our January 2014 issue, out now in print and digital.
Source: http://www.bfi.org.uk/news-opinion/sight-sound-magazine/polls-surveys/annual-round-ups/best-films-2013
Shortlist from 2013 Sundance Film Festival:
- Awarded movies (U.S. and World Cinema Competitions)
- Premieres
- Spotlight
- Next.
2013 released movies I probably want to watch.
Most movies are about relationships—between law and order, between desire and duty, between the past and the present. But in 2013, many of the great and memorable films—the ones that moved or shocked or stuck with us—were about relationships in the most traditional sense of the word: This was the year of Jesse and Céline, of Adèle and Emma, and of Joaquin Phoenix and his computer. There were mysterious romances, like the pig-related courtship of Upstream Color, and platonic love stories, like Frances Ha and Prince Avalanche. For cinephiles, love wasn’t just in the movies, but also in the air: There was so much to adore—so many fine, unconventional films, a large number of them American—that a list of 20 almost doesn’t do the year justice. Regardless, that’s what we’ve assembled below, joining heads to count down the best of what 2013 had to offer. (Each of the seven contributors submitted a ranked list of 15 favorites; a number-one choice earned 15 points, a number-two choice earned 14 points, and so forth.) Don’t see a personal favorite? Tell us about it in the comments. Those curious to see how the voting went down can also check out the individual ballots, from which this highly subjective ranking was formed. And don’t forget to vote for your favorite film of the year in our readers’ poll."
Source: http://www.avclub.com/article/the-best-films-of-2013-200655
While the filmic landscape of 2012 A.D. was characterized by apocalypses, our favorite films this year pointed toward a triumph of the real, reveling in our fucked up world instead of imagining its destruction. Directors turned their lenses (usually warped ones) to the immediate and the present — or at the very least, the rippling continued effects of the past (12 Years a Slave). Sure, our list includes some fantastical films — most obviously ones about robots (Pacific Rim and World’s End), but also mind-controlling worms (Upstream Color) and nearly everything else (Wrong, The Rambler). But overwhelmingly, in 2013, shit got real.
More documentaries (a half dozen!) ranked in our favorite 30 than any previous year, with two in our top five (Act of Killing, Leviathan). And whether dismantling documentary veracity in search of personal truths (Stories We Tell), foregoing narrative altogether (Bestiaire, Leviathan), or limiting themselves to found footage (Let the Fire Burn), all the docs (not to mention Everything is Terrible’s found-footage collage double feature) on our list manipulated form in search of new ways to represent our world.
Meanwhile, the dismembered scraps of traditional documentary techniques littered our favorite fictional films, which employed found footage, mockumentary, non-actors, vlogs, and voyeurism to show us such horrors as the wreckage of post-tsunami Japan (Himizu), school shootings (The Dirties), sex tourism (Paradise: Love), economically stagnated suburbs (Pavilion), nerds (Computer Chess), and Florida beach culture (Spring Breakers). Even in the films that fell solidly within the formal confines of fiction, subject matter was immersed in large-scale contemporary concerns (Drug War, Mud, Frances Ha), while the generic conventions of realism were reworked for contemporary audiences (Sun Don’t Shine, Before Midnight).
As always, we had a difficult time narrowing our list down to 30 films: Hors Satan, Pain and Gain, Beyond the Hills, and Escape from Tomorrow all deserve honorable mentions. But this year, our staff had more consensus than ever about the films we loved. Maybe it’s just that we live in a weird time, both IRL and filmically, and our list reflects that. I mean, a release with no press became one of our favorites (Black Box), a Harmony Korine film played in nearly every multiplex, Pacific Rim’s kaiju washed ashore, and, amazingly, we actually laughed at stand-up comedy (Everything is Terrible: Comic Relief Zero). –BENJAMIN PEARSON"
The commented choices are over @http://www.tinymixtapes.com/features/2013-favorite-30-films-of-2013
Essential movies for lonely people out there... if you want to feel something in this big big world.…
Finding consensus among nine writers can be a struggle, but when a year is as strong as 2013, the abundance of riches makes it especially hard to figure out which great films to line up behind—and which great films are relegated to “any other year” status. For The Dissolve’s inaugural year-end best-of list, only one film appeared on all Top 15 ballots: Spike Jonze’s Her, a forward-thinking science-fiction/romance that takes place in the near future, but captured the tenor of the times like no other film this year. From there, the list opens up to a full spectrum of cinematic visions, from the IMAX spectacle of Gravity to the piercing intimacy of films like Destin Cretton’s Short Term 12, or The Past, Asghar Farhadi’s worthy follow-up to A Separation. And the 20 films below are just the beginning: Many others connected with one—or a few—of us, but couldn’t quite wrangle up the votes. For those, stay tuned for Monday, when we reveal our individual ballots and the orphans and also-rans that are worth tracking down."
Source: http://thedissolve.com/features/2013-in-review/330-the-best-films-of-2013/
Mindfuck
by LISHVIP 9