A Personal Journey with Martin Scorsese Through American Movies is a documentary film of 225 minutes in length, presented by Martin Scorsese and produced by the British Film Institute.
In the film Martin Scorsese examines a selection of his favorite American films grouped according to three different types of directors: the director as an illusionist: D.W. Griffith or F. W. Murnau, who created new editing techniques among other innovations that made the appearance of sound and color possible later on, the director as a smuggler - filmmakers such as Douglas Sirk, Samuel Fuller, and Vincente Minnelli, who used to hide subversive messages in their films and the director as an iconoclast, those filmmakers attacking social conventionalism — Charles Chaplin, Erich von Stroheim, Orson Welles, Elia Kazan, Nicholas Ray, Stanley Kubrick, Arthur Penn, and Sam Peckinpah."
The list includes the films mentioned in order of appearance. The documentary can be found here https://trakt.tv/movies/a-personal-journey-with-martin-scorsese-through-american-movies-1995.
They Shoot Pictures, Don't They? (TSPDT) is a modest but growing film resource dedicated to the art of motion picture filmmaking and most specifically to that one particular individual calling the shots from behind the camera - the film director.
This list is based on TSPDT's 1,000 Greatest Films, a list compilated by Bill Georgaris using thousands of best-of/all-time lists.
The 2013 edition can be found at http://trakt.tv/user/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2013.
Welcome to 2012's edition of the 1,000 Greatest Films. This will be the last update prior to the publication of the 'earth-shattering' Sight & Sound poll which will be unfurled later in the year. The Sight & Sound results will no doubt have a major impact on TSPDT's 1,000 Greatest Films listing. It will become the most heavily weighted poll within our calculations. Anyway, that is then, and this is now."
The 2013 version of TSPDT’s 1,000 Greatest Films is finally here. After months of stop-start, data-building and unhealthy calculation antics, the latest group of 1,000 movie offerings has been assembled once again for your pleasure (or displeasure). Depending on your observation skills, you may have already noticed that there is a new presentation for this ongoing project.
The old 2012 edition can be found @http://trakt.tv/users/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2012
The They Shoot Pictures, Don't They? 1,000 greatest films list is primarily compiled by using 1,825 individual critics' and filmmakers' best-films-of-all-time lists/ballots. The resulting list is very diverse and spans virtually all movie-producing decades and countries.
Deciding that Londoners should have the opportunity to view a film masterpiece approximately every day during the course of the year, BFI film archivist David Meeker approached the board of directors at the BFI in 1982 with his idea of compiling a list of 360 of the world’s cinema masterpieces, collect brand new, state-of-the-art prints of each film and issue a companion book for each movie. This list of films, referred to as the 360 Classic Feature Films project, was published in Sight and Sound's June 1998 issue.
The top films in the 2012 Sight and Sound Poll from the combined votes of 846 critics and 359 directors. Contains films with 3 or more votes. In order by number of votes.
The following is a list of positions and the number of corresponding votes. 21-22 (66 votes), 27-28 (55 votes), 29-30 (54 votes), 36-37 (46 votes), 39-42 (44 votes), 43-46 (43 votes), 47-50 (41 votes), 51-52 (40 votes), 53-55 (39 votes), 56-57 (38 votes), 59-60 (35 votes), 62-74 (33 votes), 75-77 (32 votes), 78-79 (31 votes), 82-88 (28 votes), 89-90 (27 votes), 91-93 (26 votes), 94-99 (25 votes), 100-103 (24 votes), 104-106 (23 votes), 107-110 (22 votes), 111-118 (21 votes), 119-127 (20 votes), 128-139 (19 votes), 140-146 (18 votes), 147-153 (17 votes), 154-166 (16 votes), 167-182 (15 votes), 183-193 (14 votes), 194-206 (13 votes), 207-228 (12 votes), 229-243 (11 votes), 244-271 (10 votes), 272-302 (9 votes), 303-330 (8 votes), 331-375 (7 votes), 376-423 (6 votes), 424-497 (5 votes), 498-624 (4 votes), 625-817 (3 votes)
This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.
Addresses the perennial appeal of the Western, exploring its 19th century popular culture, and its relationship to the economic structure of Hollywood. This work considers the defining features of the Western and traces its main cycles, from the epic Westerns of the 1920s and singing cowboys of the 1930s to the Spaghetti Westerns of the 1960s.