Personal Lists featuring...

Will Success Spoil Rock Hunter? 1957

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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

#1 - #1012: original list
#1013 - #1073: 2008 additions
#1074 - #1133: 2016 additions

Source: https://www.amazon.com/Essential-Cinema-Necessity-Film-Canons/dp/0801889715

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The Masters of Cinema Series is a specially curated DVD collection of classic and world cinema using the finest available materials for home viewing.

An ongoing collaboration between mastersofcinema.org and Eureka Entertainment, the MoC Series started in early 2004 and has so far included award-winning DVD editions of films by Carl Th. Dreyer, F. W. Murnau, Jean Renoir, Akira Kurosawa, John Ford, Masaki Kobayashi, Roberto Rossellini, Kaneto Shindo, Nicholas Ray, Satyajit Ray, Hiroshi Teshigahara, Peter Watkins, Sadao Yamanaka, Rene Laloux, Fritz Lang, Shohei Imamura, Vittorio De Sica and many more.

MoC Series releases all come with extensive booklets, and where applicable, a host of extra features.

Source: https://www.eurekavideo.co.uk/moc

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Movies released during the 1950s to watch

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The National Film Registry is the United States National Film Preservation Board's selection of films for preservation in the Library of Congress. The Board was established in 1988. Each year, 25 "culturally, historically, or aesthetically significant films" are preserved, to increase awareness for its preservation. To be eligible for inclusion, a film must be at least ten years old but it is not required to be feature-length, nor is it required to have been theatrically released.

Source: https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/

1

:popcorn::earth_africa:
Updated Jan 2022

Description

Cahiers du Cinéma, (Notebooks on Cinema) is a French film magazine founded in 1951. Top 10 films chosen annually by the critics of Cahiers du Cinéma.

Background

The history of the Cahiers is related to the Cinéma history, in particular because of a generation of enthusiasts who gave birth to the Nouvelle Vague. Jean-Luc Godard, François Truffaut, Éric Rohmer, Jacques Rivette, Claude Chabrol and many others wrote their first reviews before becoming filmmakers.

Sources:

  • https://www.cahiersducinema.com
  • https://en.wikipedia.org/wiki/Cahiers_du_cinéma
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A guide to films featured on You Must Remember This and/or recommended for classic movie lovers.

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Movies and series referenced in The Simpsons. Not finished, current status 7x08 Mother Simpson

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A list for the Masters of Cinema releases in blu-ray format

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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

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Collection of additional "must-see" Danny Perry's movies, presented in the back of his "Guide for the Film Fanatic"

546 movies missing. Imported from external source.

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In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.

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In response to the American Film Institute’s list of the 100 greatest American movies, film scholar Jonathan Rosenbaum took the AFI to task for what he saw as a product "symptomatic of an increasingly dumbed-down film culture that continues to outflank our shrinking expectations." Of course, any list of this kind (including Sight and Sound’s decennial roster and the Village Voice Film Critic’s Poll from a few years back) is not without its blind spots. Participants are often forced to pick a select group of favorites and make a number of concessions ("Well, if I want Antonioni to make it into the collective top 10, I’d better hedge my bets with L’Avventura instead of my personal favorite Zabriskie Point."). Consequently, underdogs and obscure gems have little chance of being represented on a composite list that’s typically unveiled with little-to-no "justification for any of its titles" (to borrow again from Rosenbaum). Rather than present a list that looks like everyone else’s, Slant Magazine has decided to do something a little different. While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive "greatest films" package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems. We aimed for the kind of list where post-Cahiers Orson Welles could stand shoulder-to-shoulder with a pre-pastiche Brian De Palma; where it’s understood that Hitchcock, Dreyer, Ford, and Ozu created masterpieces besides film school staples like Vertigo, The Passion of Joan of Arc, The Searchers, and Tokyo Story; and where the postmodern irony of Douglas Sirk’s Imitation of Life is allowed space next to its modern-day equivalent: Paul Verhoeven’s Showgirls (gasp!). Because space was tight, documentaries, shorts and animated films were not eligible. Additionally, we limited directors to no more than one spot on the list.

Source: http://www.slantmagazine.com/features/article/100-essential-films

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This list contains the favorite movies of movie critic Jonathan Rosenbaum who writes for the Chicago Reader. The movies span virtually every decade, and include many an obscure movie.

http://www.alsolikelife.com/FilmDiary/rosenbaum.html

246

The magazine has picked its top ten films of the year, most years. Top ten films were not picked in the years 1952-1954, 1969-1980, and in the year 2003. Rankings can be viewed in my source list URL, or via the link provided in the comments section. In some cases, films tie for a certain spot in the yearly top 10; for example, 2012's #4 spot is tied between three films (consequently, there is no #5 or #6). Some directors definitely appear to be heavily preferred by those responsible for selecting the list.

This list does not include the special "best of 1990s" and "best of 2000s" decade lists, though most of those twenty films are included here. (The exceptions are David Lynch's TV show Twin Peaks on the 1990s list, and Gus Van Sant's Elephant, Abdellatif Kechiche's The Secret of the Grain, and Steven Spielberg's War of the Worlds on the 2000s decade list.)

Other anomalies:
The TV show "24" tied for the #10 spot in 2002, along with Gus Van Sant's Gerry. Gerry also tied for #6 on the 2004 list.

A TV episode "Travolta et moi" (dir. Patricia Mazuy) from the show "Tous les garçons et les filles de leur âge..." was selected as #6 in 1994. Claire Denis' episode "US Go Home" from the same series rated #9 in 1994.

Raul Ruiz's Les trois couronnes du matelot (Three Crowns of the Sailor) tied for #7 in 1983 and tied for #8 in 1982.

1968's #4 spot for Histoires extraordinaires is specifically for Federico Fellini's segment "Toby Damnit."

1965's #4 spot for Paris vu par... is specifically for the Jean Rouch episode.

1959's #3 spot was claimed by Eisenstein's Ivan the Terrible. Since Part II was released in 1958, it is possible that the award was for Part II, but since my sources didn't specify a part and both parts may have been shown together, I have included Parts I & II in the list.

Love it or hate it, here it is...

Source: https://en.wikipedia.org/wiki/Cahiers_du_cin%C3%A9ma

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"While you will find many popular classics and critical favorites on our list of 100 Essential Films, our goal was to mix things up a bit. This list should not be construed as a definitive “greatest films” package, but as an alternative compiled by a group of kinky film-lovers wanting to give serious critical thought to neglected, forgotten and misunderstood gems."

Source: http://www.slantmagazine.com/features/article/100-essential-films

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A list of the films added to the National Film Registry. (Updated 11/1/23)

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