The documentary defines its objective from the beginning, because it leaves artists like Yoko Ono or Georgia O'Keeffe, who had achieved recognition as artists in the 1970s, with little representation. If we accept this restricted and manipulative vision, we can find an interesting sample of the feminine artistic movements that arose in the 70's, like the Guerrilla Girls or the controversial work of Judy Chicago "The dinner party" (in which in fact it was honored to Georgia O'Keeffe). The documentary is extensive but at the same time incomplete, because it tries to cover many topics without delving into any of them.

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