Deborah Norton returns with reports, interviews and extracts from what is liveliest and best in the British theatrical scene.
Jonathan Miller introduces this week's look at what is most stimulating and enjoyable on the theatrical scene.
A look at American photographer Paul Strand and recent trends in British photography.
Arena goes to Scarborough for the British premiere of a new Alan Ayckbourn play "Just Between Ourselves".
Arena looks at aspects of community art and the work of painter Keith Grant, artist-in-residence at the New Charing Cross Hospital.
Claire Bloom and Kenneth Tynan discuss extracts from Samuel Beckett's 'Happy Days', George Bernard Shaw's 'Too True to be Good', and Tennessee Williams' 'Sweet Bird of Youth'.
Arena talks with Robert Janz and Dante Leonelli about incorporating time into sculpture.
Arena brings extracts from Paris' contemporary theatre season, including Frank Wedekind's 'Lulu' and Marguerite Duras' 'Days in the Tree', and an interview with Delphine Seyrig.
Art and Design
Barbara Jefford, Laurence Olivier, Joan Plowright, Kenneth Tynan Billie Whitelaw and many of the people behind the scenes say goodbye to the Old Vic building.
Liverpool poet and painter Adrian Henry visits 'The Face of Merseyside'; Boyd and Evans use photographs as the basis of their explorations of everyday life.
Alumni of the Royal Court celebrate its 20th anniversary.
Barrie Penrose investigates a multi-national art empire and the artists and methods that created it.
Features Elisabeth Schwarzkopf, Galina Visnevskaya in the Scottish Opera's production of Macbeth, The Kantor Theatre Company from Poland, and Fenella Fielding in a late-night revue.
Features the La Mama Theatre Company from New York; Bunraku, traditional Japanese Puppet Theatre; a recital by Frederica Von Stade; and Judith Blegen as Susanna in 'The Marriage of Figaro'.
Writer Germaine Greer and her god-daughter Ruby take a look at a child's Edinburgh Festival and some of the fringe activities, including Gruppo Teatro Libero from Rome and Quentin Crisp.
A look at the opening of the Royal Exchange Theatre in Manchester.
Gavin Miller interviews the director Robert Altman on "M*A*S*H", "Nashville", "Buffalo Bill and the Indians" and more.
David Gould, the expert who discovered Tom Keating's Samuel Palmer imitations, shows the process of identifying and analyzing suspected pictures.
Gavin Millar talks with Frank Westmore, whose family has dominated the make-up departments of American cinema for decades.
Peter Shaffer, writer of 'Equus', talks about his plays, his life and the theatre with an excerpt from the 1976 stage production of 'Equus'.
Gavin Millar interviews director Eric Rohmer about 'Die Marquise von O', 'Claire's Knee' and 'Love in the Afternoon'.
British illustrators Mick Brownfield and Allan Manham are documented working on their current projects; Artist Chris Orr probes the dreadful truth behind the net curtains of suburbia.
Don Siegel, director of 'The Shootist', 'Charley Varrick', 'Coogan's Bluff', 'Dirty Harry' and many other violent thrillers talks about the problems of the director who is typecast by his success in one specialized genre.
A look at Theatre National Populaire, one of France's leading theaters, and Patrice Chéreau's 'La Dispute' by Marivaux and Roger Planchon's 'Tartuffe', as well as scene's from Planchon's scenes from his Blues, Whites and Reds.
In light of the low proportion of British films in the 20th London Film Festival, Gavin Millar looks at what's wrong with the British film industry and distribution system.
Sculpture for the Blind - a special Tate Gallery exhibition; Linda Benedict-Jones, photographer; James Boswell - a revival of his war pictures.
Arena speaks with Spanish directors at the Madrid premiere of 'The Long Vacation of 36'.
20th anniversary tribute to Bertolt Brecht at Newcastle's University Theatre with scenes from 'The Good Woman of Setzuan' and prose, poetry and music.
A look at the Disney exhibit at the Victoria and Albert Museum; an interview with 'The Ritz' director Dick Lester and actress Rita Moreno; an excerpt from Buster Keaton's 'Spite Marriage'; and the results of the Titles Competition.