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Private Notes
Legendary blues guitarist BB King named Peter Green as one of the greatest exponents of the blues, and the 'only guitar player to make me sweat'. If Green had only written Black Magic Woman, his name would still have a place in blues rock history forever.
His three short years leading Peter Green's Fleetwood Mac saw the band established as one of the biggest-selling groups of the 1960s. Yet at the height of their fame Green left the group, with his life spiralling into turmoil as drug-induced mental health issues took control. Rumours of his demise began to spread, and sightings of him became notorious.
After years battling his mental illness, Green is writing and recording again. Featuring archive performances and interviews with Carlos Santana, Noel Gallagher, founding members of Fleetwood Mac and Green himself, this film tells the story of one of blues rock's living legends.
On Christmas Eve 1975, Queen crowned a glorious year with a special concert at London's Hammersmith Odeon. The final night of their triumphant UK tour, the show was broadcast live on BBC TV and radio, and has become a legendary event in Queen's history.
Featuring stunning renditions of early hits Keep Yourself Alive, Liar and Now I'm Here alongside Brian May's epic guitar showcase Brighton Rock, a rip-roaring version of the then new Bohemian Rhapsody and the crowd-pleasing Rock 'n' Roll Medley, this hour-long concert shows Queen at an early peak and poised to conquer the world.
Recorded for the 40th anniversary of Abbey Road, the Beatles' final album, a journey through the classic and curious covers in the BBC archives.
Featuring Sandie Shaw singing a sassy Day Tripper, Shirley Bassey belting out Something, a close-harmony Carpenters cover of Help!, Joe Cocker's chart-topping With a Little Help from My Friends, Oasis reinventing the Walrus and a little Lady Madonna from Macca himself.
Plus, a few 'magical' moments from Candy Flip, the Korean Kittens and Su Pollard.
The story of two remarkable weeks in 1964, when Beatlemania first ignited in America. From airport to hotel to TV studio, the pioneering Maysles brothers were at the Beatles' shoulders on their first US visit. The siblings filmed them off guard and off duty, in nightclubs, at photo shoots, press conferences, in limos and on trains. The footage includes a performance on the Ed Sullivan Show, when they played to 73 million television viewers, and their concert at the Washington Coliseum.
BBC FOUR pays tribute to musical maverick John Martyn, who died at the age of 60 on 29th January 2009, with an intimate documentary portrait originally transmitted in 1994. This honest and often blackly hilarious film shows Martyn at home in Ireland, during the lead-up to and aftermath of an operation to have one of his legs amputated below the knee.
Contributors include sometime collaborator and buddy Phil Collins, the late Robert Palmer, Ralph McTell, Island Records founder Chris Blackwell, fellow hellraiser bassist Danny Thompson, John's ex-wife Beverley Martyn and younger generation fan Beth Orton.
We see a man incapable of compromising his creative vision, from his folk club roots in the Sixties, through a career of continuous musical experimentation. Along the way there is a surreal roll-call of accidents and incidents, including a collision with a cow.
Fleetwood Mac, one of the biggest-selling bands of all time, are back on the road again. Their story, told in their own words, is an epic tale of love and confrontation, of success and loss.
Few bands have undergone such radical musical and personal change. The band evolved from the 60s British blues boom to perfect a US West Coast sound that saw them sell 40 million copies of the album Rumours.
However, behind the scenes relationships were turbulent. The band went through multiple line-ups with six different lead guitarists. While working on Rumours, the two couples at the heart of the band separated, yet this heartache inspired the perfect pop record.
Documentary about progressive music and the generation of bands that were involved, from the international success stories of Yes, Genesis, ELP, King Crimson and Jethro Tull to the trials and tribulations of lesser-known bands such as Caravan and Egg.
The film is structured in three parts, charting the birth, rise and decline of a movement famed for complex musical structures, weird time signatures, technical virtuosity and strange, and quintessentially English, literary influences.
It looks at the psychedelic pop scene that gave birth to progressive rock in the late 1960s, the golden age of progressive music in the early 1970s, complete with drum solos and gatefold record sleeves, and the over-ambition, commercialisation and eventual fall from grace of this rarefied musical experiment at the hands of punk in 1977.
Contributors include Robert Wyatt, Mike Oldfield, Pete Sinfield, Rick Wakeman, Phil Collins, Arthur Brown, Carl Palmer and Ian Anderson.
Documentary following a generation of post-punk musicians who took the synthesiser from the experimental fringes to the centre of the pop stage.
In the late 1970s, small pockets of electronic artists including the Human League, Daniel Miller and Cabaret Volatire were inspired by Kraftwerk and JG Ballard, and they dreamt of the sound of the future against the backdrop of bleak, high-rise Britain.
The crossover moment came in 1979 when Gary Numan's appearance on Top of the Pops with Tubeway Army's Are 'Friends' Electric? heralded the arrival of synthpop. Four lads from Basildon known as Depeche Mode would come to own the new sound, whilst post-punk bands like Ultravox, Soft Cell, OMD and Yazoo took the synth out of the pages of NME and onto the front page of Smash Hits.
By 1983, acts like Pet Shop Boys and New Order were showing that the future of electronic music would lie in dance music.
Contributors include Philip Oakey, Vince Clarke, Martin Gore, Bernard Sumner, Gary Numan and Neil Tennant.
With the Moogs turned up to 11, a 1970s and 80s journey through the BBC's synthpop archives from Roxy Music and Tubeway Army to New Order and Sparks.
A live studio performance from 1974 of Mike Oldfield's composition Tubular Bells, which had been acclaimed in the press as a unique achievement in popular music.
To mark the 50-year anniversary of Motown in 2009, a compilation of some of the iconic record label's greatest names filmed live in the BBC studios. Visitors from Hitsville USA over the years have included Smokey Robinson and the Miracles, Diana Ross and the Supremes, the Temptations, Stevie Wonder, the Four Tops and the Jackson 5.
Collection of performances by British and American blues artists on BBC programmes such as The Beat Room, A Whole Scene Going, The Old Grey Whistle Test and The Late Show.
Includes the seminal slide guitar of Son House, the British R&B of the Kinks, the unmistakable electric sound of BB King and Buddy Guy, Eric Clapton and John Lee Hooker, as well as less-familiar material from the likes of Delaney and Bonnie, Freddie King and Long John Baldry.
Mariella Frostrup narrates this documentary taking viewers on a roller-coaster ride over five decades with tales of sex, drugs and rock 'n' roll that shook middle England to its very foundations. With contributions from PJ Proby, Angie Bowie, Boy George, Adam Faith, Tim Westwood, the Moody Blues, Public Enemy's Chuck D and rap star and actor Ice-T.
Selected performances of Island Records artists at the BBC.
A look through the archives at some of the many artists who have come into BBC studios to sing their versions of Bob Dylan songs. Featured performers include Peter, Paul and Mary, Lulu, the Byrds, Joan Baez, Eric Clapton, Madeleine Peyroux, Bryan Ferry, UB40, Julie Felix, Manfred Mann, the Brian Auger Trinity and Pops Staples.
A collection of the original American Idol's greatest hits and special performances from his weekly variety show, broadcast in the United States on NBC between 1962 and 1971. Including classic tracks Moon River, Days of Wine and Roses and Music To Watch Girls By.
Documentary which looks at how a radical generation of musicians created a new German musical identity out of the cultural ruins of war.
Between 1968 and 1977 bands like Neu!, Can, Faust and Kraftwerk would look beyond western rock and roll to create some of the most original and uncompromising music ever heard. They shared one common goal - a forward-looking desire to transcend Germany's gruesome past - but that didn't stop the music press in war-obsessed Britain from calling them Krautrock.
Filmed concert from the Hackney Empire consisting of a sustained music hall-style performance of Madness's acclaimed concept album The Liberty of Norton Folgate.
The concert uses a vocal audience and some atmospheric interstitial pieces to camera with Suggs and Carl, filmed in the murky haunts of London around the Norton Folgate area, which explore the context of this most London of albums and bands.
A journey through Eric Clapton's performing life at the BBC and elsewhere, from his 60s blues days to his noughties blues days. Clapton has been described as the best guitarist in the world and has a life story and career that would make anyone's hair curl.
By way of extensive BBC archive footage, the programme charts his varied and ever-changing career - from the beginnings with The Yardbirds until he left to join the purist blues of John Mayall and the Bluesbreakers, to the dynamism and musical synchronisation with Ginger Baker and Jack Bruce, which produced the turbulent Cream, to Clapton's collaboration with Stevie Winwood that would spawn Blind Faith, to his brief sojourn in the Plastic Ono Band and his unforgettable contribution to Lennon's heroin hell tribute Cold Turkey, to his low-profile spell with rootsy US act Delaney and Bonnie, to the band he formed with Bobby Whitlock, Derek and the Dominoes, that produced one of the most famous unrequited love songs in Layla, and on to his successful solo career since then.
Along the way Clapton has successfully survived heroin and alcohol abuse, been accused of being a racist, stolen his best friend's wife, changed bands as often as his shirt, and lost a son in the most tragic of accidents. Through it all, he has produced some of the best music of the 20th century.
Choirmaster Gareth Malone joins forces with the BBC Singers to explore the styles and techniques that create a choir. He finds out why there are four sections, what is polyphony, what links Bach and the Beach Boys, what difference the venue makes and what is the choral combination that is guaranteed to touch an emotional chord.
Documentary telling the story of what happened to blues music on its journey from the southern states of America to the heart of British pop and rock culture, providing an in-depth look at what this music really meant to a generation of kids desperate for an antidote to their experiences of living in post-war suburban Britain. Narrated by Nigel Planer and structured in three parts, the first, Born Under a Bad Sign, focuses on the arrival of American blues in Britain in the late 50s and the first performances here by such legends as Muddy Waters, Sonnie Terry and Brownie McGhee. Part two, Sittin' on Top of the World, charts the birth of the first British blues boom in the early 60s, spearheaded by the Rolling Stones and groups such as the Yardbirds, Manfred Mann, the Animals and the Pretty Things. The final section, Crossroads, looks at the next, more hardcore British blues boom of the mid-to-late 60s, with guitarists Eric Clapton and Peter Green and the international dominance of their respective bands, Cream and Fleetwood Mac.
In 1962 an unknown group from Liverpool entered Abbey Road Studios to record their debut single. During the next eight years they created what is arguably regarded as the greatest collection of studio recordings of the 20th century. This film charts how The Beatles developed as musicians, matured as songwriters and created a body of work that sounds as fresh now as the time it was recorded.
Few musicals can claim to capture the mood of a historical period as well as the 1972 classic Cabaret. In this documentary, actor Alan Cumming explores the truths behind the fiction. He meets many of those closely involved with the original film, including Liza Minnelli, and talks to cabaret artists, among them acclaimed performer Ute Lemper.
1959 was the seismic year jazz broke away from complex bebop music to new forms, allowing soloists unprecedented freedom to explore and express. It was also a pivotal year for America: the nation was finding its groove, enjoying undreamt-of freedom and wealth; social, racial and upheavals were just around the corner; and jazz was ahead of the curve. Four major jazz albums were made, each a high watermark for the artists and a powerful reflection of the times. Each opened up dramatic new possibilities for jazz which continue to be felt: Miles Davis, Kind of Blue; Dave Brubeck, Time Out; Charles Mingus, Mingus Ah Um; and Ornette Coleman, The Shape of Jazz to Come. Rarely seen archive performances help vibrantly bring the era to life and explore what made these albums vital both in 1959 and the 50 years since. The programme contains interviews with Lou Reed, Dave Brubeck, Ornette Coleman, Charlie Haden, Herbie Hancock, Joe Morello (Brubeck's drummer) and Jimmy Cobb (the only surviving member of Miles' band), along with a host of jazz movers and shakers from the 50s and beyond.
Felix Mendelssohn was a passionate Christian. He was also born a Jew. This film, marking the 200th anniversary of his birth, tells the extraordinary story of what happened, generations later, both to Mendelssohn's family and to his music, when the Nazis remembered the Jewish roots of Germany's most celebrated composer. It also examines how the influences of both Judaism and Christianity affected Mendelssohn's music and was made by documentary-maker Sheila Hayman, Mendelssohn's great-great-great-great niece.
Documentary which joins former hobo and festival favourite bluesman Seasick Steve on a trip back to his old stomping grounds in America's Deep South. Filmed in Mississippi and Tennessee, the programme follows the musician into his natural habitat of run-down juke joints, roadside diners and freight-train yards, as he reflects on his past life and recent rise to fame. In addition to Steve's raw, stomping tunes, the soundtrack features Mississippi Fred McDowell, Robert Johnson, RL Burnside and BB King.
To mark Previn's 80th birthday, this profile of the celebrated pianist, conductor and composer follows his long journey from escaping Nazi Germany to the studios of Hollywood and fame.
BBC Four celebrates merry midwinter in unique style, with an exhilarating blend of folk tradition and burlesque fun. Energetic 11-piece Bellowhead and Mercury-nominated alternative folkies The Unthanks get together with the impressive young singers Thea Gilmore and Lisa Knapp, plus other special guests.
Steered by genial host Paul Sartin, the assembled artists perform seasonal songs of their own alongside yuletide favourites, ranging from folk ballads and carols to parlour songs and carousing dance numbers, with everyone coming together for a final knees-up.
Filmed at the atmospheric Shoreditch Town Hall, the setting evokes an old music hall combined with a festive Victorian family parlour, bedecked with garlands, period lamps and fireplace. Even the audience are dressed up in old-fashioned finery and prove themselves ready to kick up their heels.
Damian Lewis-narrated documentary telling the colourful story of Island Records, the Jamaican-founded record label built by maverick boss Chris Blackwell which celebrated its 50th anniversary in 2009. The film features a rare, in-depth interview with Blackwell alongside contributions from former Island artists Grace Jones, Toots Hibbert, Amy Winehouse, Sly and Robbie, PJ Harvey, U2, Brian Eno, Spencer Davis, Yusuf Islam/Cat Stevens, the B52s, Kid Creole, Greg Lake, Ian Anderson, Trevor Horn, Paul Weller, Richard Thompson and Keane. News archive and rare performance footage are used to tell the story of the label - its part in bringing reggae music into the world; its expansion into progressive rock in the late 1960s; the rise of Bob Marley into a global star; and the label's reputation for consistently signing, producing and championing innovative acts from the UK and all over the world.
1979 Christmas special featuring Kate Bush. She performs Gymnopedie No 1, Symphony in Blue, Them Heavy People, Madrigal, December, Wedding List, Egypt, Ran Tan Waltz, Man with the Child in His Eyes and Don't Push Your Foot on the Heartbreak.
Guest star Peter Gabriel sings Here Comes the Flood and duets with Kate on Another Day.
The Rough Trade story begins more than thirty years ago on 20th February 1976. Britain was in the grip of an IRA bombing campaign; a future prime minister was beginning to make her mark on a middle England in which punk was yet to run amok; and a young Cambridge graduate called Geoff Travis opened a new shop at 202 Kensington Park Road, just off Ladbroke Grove in west London. The Rough Trade shop sold obscure and challenging records by bands like American art-rockers Pere Ubu, offering an alternative to the middle-of-the-road rock music that dominated the music business. In January 1977, when a record by Manchester punk band Buzzcocks appeared in the shop, Rough Trade found itself in the right place at the right time to make an impact far beyond that of a neighbourhood music store. When Spiral Scratch was released in 1977, the idea of putting out a single without the support of an established record company was incredible. But Rough Trade was to become the headquarters of a revolt against this corporate monopoly - it was stocking records by bands inspired by the idea that they could do it themselves. But selling a few independent records over the counter was not going to change the world. Early independent labels had to hand over their distribution to the likes of EMI or CBS. But one man at Rough Trade challenged that monopoly. Richard Scott joined Rough Trade in 1977 and became the architect of a grand scheme that was nothing short of revolutionary: independent nationwide distribution. The shop could now offer experimental musicians the chance to sell records nationwide and so it was inevitable that Rough Trade became a record label in its own right. In 1978 the Rough Trade label was born and by the end of the year it had released a dozen singles by an eclectic mix of post-punk artists and become not just an alternative ideological force, but genuine competitors in the commercial music world.
Since 1978, indie label Rough Trade has been backing ground-breaking artists of every sensibility. From the post-punk girls who sound like they've been overheard singing to themselves at a bus stop, to the raw rock'n'roll of the Strokes and the Libertines, this compilation of BBC performances draws together some of the music that has made Rough Trade the institution it is.
Includes the Smiths, Robert Wyatt, Violent Femmes, Pulp and Antony and the Johnsons.
