Explore the real-life events that inspired the Tom Clancy novel and film, ‘The Hunt for Red October’. In 1975, disgruntled Soviet officer led a mutiny on board a state-of-the-art Russian warship. Unlike the movie captain portrayed by Sean Connery, this maverick sought to cause a revolution in his own land – and almost sparked a war in the process.
Broadcast as part of Channel 4's Animation Week, this documentary explores the history of the use of animation as a force for subversion.
Contains adult content of an animated nature.
This film examines the recent rise in violent crime in Japan. Through individual murder stories it provides an insight into 21st century Japanese society.
Mark Kermode charts how the film, Blade Runner came to influence films, television, feature films and define the future, charting the genesis of what is arguably one of the all time great sci-fi films from Philip K. Dick's 'Do Androids Dream of Electric Sheep?' to the Director's Cut.
Interviews with production staff, including Ridley Scott give details into the creative process and turmoil during preproduction. Stories from Paul M. Sammon and Fancher provide insight into Philip K. Dick and the origins of Do Androids Dream of Electric Sheep?
Interweaved are cast interviews with the notable exceptions of Harrison Ford and Sean Young. Through these interviews we get a sense of how difficult and frustrating the film was to make as a result of an exacting director without allies and hot, wet, smoggy conditions; which added to the high pressure atmosphere everyone increasingly felt as the film went over budget. There is also a tour of some locations, most notably the Bradbury Building and the Warner Brothers backlot that was the Los Angeles 2019 streets, which look very different from Ridley's dark version.
The documentary then details the test screenings postproduction editing/changes (voice over and happy ending, deleted Holden hospital scene), special effects, soundtrack by Vangelis, and the unhappy relationship between the filmmakers and the investors; which culminated in Deeley and Ridley being fired but still working on the film. The question of whether or not Deckard is a replicant surfaces. After being a "disaster" in the box office (a financial loss initially) Blade Runner was reborn in the video rental market, and a great reception of a chance screening of Ridley's workprint at the Fairfax Theater, Los Angeles, in May 1990 led to Warner Bros. having the "Director's Cut" done by film archivist Michael Arick.
The Return of A Clockwork Orange examines the controversy over Kubrick’s iconic film, explaining the film’s “demonic level of attention,” and its influence on culture, politics and society, which led to the director’s self-imposed ban.
Tells the colourful story of the telegraph’s creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it, from the eighteenth-century French scientist Jean-Antoine Nollet to Samuel F. B. Morse and Thomas Edison. The electric telegraph nullified distance and shrank the world quicker and further than ever before or since, and its story mirrors and predicts that of the Internet in numerous ways.
The greatest advertisements ever shown in Britain.
A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.
An affectionate look at celebrity hellraisers whose shocking antics and outrageous exploits have gained them both ridicule and respect.