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Private Notes
The Rough Trade story begins more than thirty years ago on 20th February 1976. Britain was in the grip of an IRA bombing campaign; a future prime minister was beginning to make her mark on a middle England in which punk was yet to run amok; and a young Cambridge graduate called Geoff Travis opened a new shop at 202 Kensington Park Road, just off Ladbroke Grove in west London. The Rough Trade shop sold obscure and challenging records by bands like American art-rockers Pere Ubu, offering an alternative to the middle-of-the-road rock music that dominated the music business.
In January 1977, when a record by Manchester punk band Buzzcocks appeared in the shop, Rough Trade found itself in the right place at the right time to make an impact far beyond that of a neighbourhood music store. When Spiral Scratch was released in 1977, the idea of putting out a single without the support of an established record company was incredible. But Rough Trade was to become the headquarters of a revolt against this corporate monopoly - it was stocking records by bands inspired by the idea that they could do it themselves.
But selling a few independent records over the counter was not going to change the world. Early independent labels had to hand over their distribution to the likes of EMI or CBS. But one man at Rough Trade challenged that monopoly. Richard Scott joined Rough Trade in 1977 and became the architect of a grand scheme that was nothing short of revolutionary: independent nationwide distribution.
The shop could now offer experimental musicians the chance to sell records nationwide and so it was inevitable that Rough Trade became a record label in its own right. In 1978 the Rough Trade label was born and by the end of the year it had released a dozen singles by an eclectic mix of post-punk artists and become not just an alternative ideological force, but genuine competitors in the commercial music world.
A look through the archives at some of the many artists who have come into BBC studios to sing their versions of Bob Dylan songs. Featured performers include Peter, Paul and Mary, Lulu, the Byrds, Joan Baez, Eric Clapton, Madeleine Peyroux, Bryan Ferry, UB40, Julie Felix, Manfred Mann, the Brian Auger Trinity and Pops Staples.
Recorded for the 40th anniversary of Abbey Road, the Beatles' final album, a journey through the classic and curious covers in the BBC archives.
Featuring Sandie Shaw singing a sassy Day Tripper, Shirley Bassey belting out Something, a close-harmony Carpenters cover of Help!, Joe Cocker's chart-topping With a Little Help from My Friends, Oasis reinventing the Walrus and a little Lady Madonna from Macca himself.
Plus, a few 'magical' moments from Candy Flip, the Korean Kittens and Su Pollard.
Documentary which looks at how a radical generation of musicians created a new German musical identity out of the cultural ruins of war.
Between 1968 and 1977 bands like Neu!, Can, Faust and Kraftwerk would look beyond western rock and roll to create some of the most original and uncompromising music ever heard. They shared one common goal - a forward-looking desire to transcend Germany's gruesome past - but that didn't stop the music press in war-obsessed Britain from calling them Krautrock.
Fleetwood Mac are one of the biggest-selling bands of all time and still on the road. Their story, told in their own words, is an epic tale of love and confrontation, of success and loss.
Few bands have undergone such radical musical and personal change. The band evolved from the 60s British blues boom to perfect a US West Coast sound that saw them sell 40 million copies of the album Rumours.
However, behind-the-scenes relationships were turbulent. The band went through multiple line-ups with six different lead guitarists. While working on Rumours, the two couples at the heart of the band separated, yet this heartache inspired the perfect pop record.
Duran Duran came out of Birmingham and conquered the world during the 1980s. Originally a New Romantic band in full make-up and cossack pants, they rapidly became bedroom pin-ups for a generation of teenage girls.
Led by Simon Le Bon, Nick Rhodes and John Taylor, Duran Duran dominated the British and American charts in the mid-1980s with classic singles such as Rio, Save a Prayer and Wild Boys. Pioneers of the MTV-style promo video - from the X-rated Girls on Film to Raiders of the Lost Ark spoof Hungry Like the Wolf - Duran Duran were the 80s equivalent of The Beatles in America and outsold Spandau Ballet and Wham! in their pomp.
Sixty million records later, Le Bon and Rhodes are seen touring America with their Pop Trash project from the early 2000s. The documentary reflects on the heady heights of Duran Duran's career, the cracks in their make-up plus the effects of sex, drugs and fame on ordinary boys from working-class backgrounds.
Apart from the key Durannies - Le Bon, Rhodes and John Taylor - the programme also features celebrity interviews with Debbie Harry, Yasmin Le Bon, Duran Duran managers Paul and Michael Berrow, Claudia Schiffer, Nile Rodgers and Lou Reed.
